White Eagle (1932 Film)
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White Eagle (1932 Film)
''White Eagle'' is a 1932 American pre-Code Western movie directed by Lambert Hillyer. The film stars Buck Jones, Barbara Weeks, and Robert Ellis. Columbia Pictures later adapted this film into a 1941 serial of the same title, also starring Buck Jones. See ''White Eagle (1941 serial)''. Cast * Buck Jones as White Eagle * Barbara Weeks as Janet Rand * Robert Ellis as Gregory * Ward Bond as Bart * Robert Elliott as Captain Blake * Bob Kortman as Sheriff * Frank Campeau as Gray Wolf * Jimmy Howe as Zachariah Kershaw * Jim Thorpe as Indian Chief * Clarence Geldert Clarence Geldart (June 9, 1867 – May 13, 1935) was an American film actor. He appeared in 127 films between 1915 and 1936. He was sometimes credited as C.H. Geldart or Charles H. Geldart. He was born in New Brunswick, Canada, and died i ... as Doctor * Silver as White Eagle's horse References External links * {{IMDb title, title=White Eagle, id=0023693 1932 films American black-and-white films 1932 ...
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Lambert Hillyer
Lambert Harwood Hillyer (July 8, 1893 – July 5, 1969) was an American film director and screenwriter. Biography Lambert Harwood Hillyer was born July 8, 1893, in Tyner, Indiana. His mother was character actress Lydia Knott. A graduate of Drake University, Drake College, he worked as a newspaper reporter and an actor in vaudeville and stock theater. During World War I he began working in motion pictures and became a prolific director and screenwriter, working on many silent-era Westerns by William S. Hart, Buck Jones, Tom Mix and others. Often associated with producer Thomas H. Ince, Hillyer expanded into romantic melodramas and crime films in the 1920s. In 1936 he directed two chillers for Universal Studios, Universal, the science-fiction film ''The Invisible Ray (1936 film), The Invisible Ray'' and the cult horror film ''Dracula's Daughter''. He directed Batman (serial), the first screen depiction of Batman, a 15-part serial produced in 1943 that was re-released as a the ...
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Ward Bond
Wardell Edwin Bond (April 9, 1903 – November 5, 1960) was an American film character actor who appeared in more than 200 films and starred in the NBC television series ''Wagon Train'' from 1957 to 1960. Among his best-remembered roles are Bert the cop in Frank Capra's ''It's a Wonderful Life'' (1946) and Captain Clayton in John Ford's ''The Searchers'' (1956). Early life Bond was born in Benkelman in Dundy County, Nebraska. The Bond family, John W., Mabel L., and sister Bernice, lived in Benkelman until 1919 when they moved to Denver, Colorado, where Ward graduated from East High School. Bond attended the Colorado School of Mines and then went to the University of Southern California and played football on the same team as future USC coach Jess Hill. At 6' 2" and 195 pounds, Bond was a starting lineman on USC's first national championship team in 1928. He graduated from USC in 1931 with a Bachelor of Science degree in engineering. Bond and John Wayne, who as Marion Rober ...
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American Black-and-white Films
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * ...
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1932 Films
The following is an overview of 1932 in film, including significant events, a list of films released and notable births and deaths. Top-grossing films (U.S.) The top ten 1932 released films by box office gross in North America are as follows: Events The Film Daily Yearbook listed the following as the ten leading headline events of the year. * Sidney Kent leaves Paramount Pictures and joins Fox Film. * Merlin H Aylesworth succeeds Hiram S Brown as president of RKO. * Jesse L. Lasky leaves Paramount and becomes an independent producer for Fox. * Sam Katz leaves Paramount. * James R Grainger leaves Fox and is succeeded by John D Clark, formerly of Paramount. * Publix and Fox decentralization of cinemas. * New industry program, including standard exhibition contract along lines of 5-5-5, proposed by Motion Picture Theater Owners of America and Allied. * Joe Brandt retires from Columbia Pictures joins World-Wide and later resigns again. * Two Radio City theaters open, under dir ...
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Clarence Geldert
Clarence Geldart (June 9, 1867 – May 13, 1935) was an American film actor. He appeared in 127 films between 1915 and 1936. He was sometimes credited as C.H. Geldart or Charles H. Geldart. He was born in New Brunswick, Canada, and died in Calabasas, California. Geldart's Broadway credits include ''King Henry V'' (1900) and ''Beaucaire'' (1901). Partial filmography * ''The Hidden Pearls'' (1918) * ''Believe Me, Xantippe'' - William (1918) * ''Till I Come Back to You'' (1918) * ''The Goat (1918 film), The Goat'' (1918) * ''The Squaw Man (1918 film), The Squaw Man'' (1918) * ''The Way of a Man with a Maid (film), The Way of a Man with a Maid'' (1918) * ''The Dub'' (1919) * ''The Poor Boob'' (1919) * ''Captain Kidd, Jr.'' (1919) * ''Putting It Over'' (1919) (as C.H. Geldert) * ''Love Insurance'' (1919) * ''Too Much Johnson (1919 film), Too Much Johnson'' (1919) (as Charles H. Geldart) * ''Everywoman (1919 film), Everywoman'' (1919) * ''Don't Change Your Husband'' (1919) * ' ...
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Frank Campeau
Frank Campeau (December 14, 1864 – November 5, 1943) was an American actor. He appeared in more than 90 films between 1911 and 1940 and made many appearances in films starring Douglas Fairbanks. On Broadway, Campeau appeared in ''Rio Grande'' (1916), ''Believe Me Xantippe'' (1913), ''The Ghost Breaker'' (1913), and ''The Virginian'' (1904). Campeau's screen debut came in the one-reel western film ''Kit Carson's Wooing''. He was born in Detroit, Michigan, and died in the Motion Picture & Television Country House and Hospital in Woodland Hills, Los Angeles. Filmography * ''Jordan Is a Hard Road'' (1915) - Bill Minden * '' The Wood Nymph'' (1916) - David Arnold * ''Intolerance'' (1916) - Minor Role (uncredited) * '' The Heart of Texas Ryan'' (1917) - 'Dice' McAllister * ''The Man from Painted Post'' (1917) - 'Bull' Madden * '' Reaching for the Moon'' (1917) - Black Boris * '' A Modern Musketeer'' (1917) - Chin-de-dah * '' Headin' South'' (1918) - Spanish Joe * '' Mr. Fi ...
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Bob Kortman
Robert F. Kortman (December 24, 1887 – March 13, 1967) was an American film actor mostly associated with westerns, though he also appeared in a number of Laurel and Hardy comedies. He appeared in more than 260 films between 1914 and 1952. Biography The son of a rancher, Kortman was born in Brackettville, Texas, in 1887. He spent six years in the U.S. cavalry. Director Tom Ince cast Kortman as a villain when he began working in films in 1911, and he went on to become the "favored on-screen opponent" for William S. Hart with regard to their film fights. After he left acting, Kortman was president of a cooperative water company in Arrowhead Springs, California, where he lived. Kortman was married to Gonda Durand, a Mack Sennett bathing beauty. He died in Long Beach, California from cancer. Selected filmography * '' The Narrow Trail'' (1917) * '' Through the Wrong Door'' (1919) * ''The Great Radium Mystery'' (1919) * ''Godless Men'' (1920) * '' Winners of the West'' ( ...
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Robert Elliott (actor, Born 1879)
Richard Robert Elliott (October 9, 1879 – November 15, 1951) was an American character actor who appeared in 102 Hollywood films and television shows from 1916 to 1951. Life and career He was born Richard Robert Elliott in 1879 in Columbus, Ohio. Most of his main roles were in the silent era, in the sound era he mostly performed in supporting roles and bit parts. On the stage he originated the Sergeant O'Hara character opposite Jeanne Eagels in somerset Maugham's play ''Rain'' (1922). Active in films from 1916, Elliott played Detective Crosby in the 1928 feature '' Lights of New York'', the first all-talking sound film. One of his most notable roles was that of a Yankee officer playing cards with Rhett Butler (Clark Gable) in the film ''Gone With the Wind''. The officer says of Rhett, "It's hard to be strict with a man who loses money so pleasantly."
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White Eagle (1941 Serial)
''White Eagle'' (1941) is the eighth serial released by Columbia Pictures, starring Buck Jones. It was based on the 1932 Buck Jones Western film (also called '' White Eagle (1932 film)''). Plot White Eagle, a Pony Express Rider, is the son of a massacred Army officer who has been raised by an Indian tribe. He believes himself to be the son of the tribal chief, and is working to get a peace treaty signed between the Indians and the white settlers. But 'Dandy' Darnell, a notorious and merciless outlaw, tries to keep the fight alive by sending his henchmen to stir up trouble, partly due to his wish to grab hundreds of thousands of acres in the western territories for himself and also to incite a war with the Indians along the territory. This serial was inspired by the 1932 movie of the same name, again starring Buck Jones in the title role. Cast * Buck Jones as White Eagle * Raymond Hatton as Grizzly * Dorothy Fay as Janet Rand * James Craven as Dandy Darnell * Chief Yowlachi ...
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Fred Myton
Fred Myton (November 15, 1885 – June 6, 1955) was an American screenwriter. He wrote 168 films between 1916 and 1952, mostly low-budget "B" pictures for Poverty Row studios and independent producers. He wrote many films for Producers Releasing Corporation. Partial filmography *'' Barriers of Society'' (1916) *'' The Social Buccaneer'' (1916) *''Triumph'' (1917) *'' Come Through'' (1917) *''The Empty Gun'' (1917) * '' Fighting Mad'' (1917) * ''Love Aflame'' (1917) * ''Fear Not'' (1917) * ''The Lash of Power'' (1917) * ''The Spotted Lily'' (1917) * ''Follow the Girl'' (1917) * ''The Terror'' (1917) * ''The Devil's Pay Day'' (1917) * '' Heart Strings'' (1917) * '' Fighting for Love'' (1917) * ''Mr. Dolan of New York'' (1917) * ''Princess Virtue'' (1917) *'' The Charmer'' (1917) *'' All Night'' (1918) *''Maid o' the Storm'' (1918) * '' Shackled'' (1918) *''The Prince and Betty'' (1919) *''Fighting Cressy'' (1919) * ''Desert Gold'' (1919) * ''The Gray Wolf's Ghost'' (1919) *' ...
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Western (genre)
The Western is a genre Setting (narrative), set in the American frontier and commonly associated with Americana (culture), folk tales of the Western United States, particularly the Southwestern United States, as well as Northern Mexico and Western Canada. It is commonly referred to as the "Old West" or the "Wild West" and depicted in Western media as a hostile, sparsely populated frontier in a state of near-total lawlessness patrolled by outlaws, sheriffs, and numerous other Stock character, stock "gunslinger" characters. Western narratives often concern the gradual attempts to tame the crime-ridden American West using wider themes of justice, freedom, rugged individualism, Manifest Destiny, and the national history and identity of the United States. History The first films that belong to the Western genre are a series of short single reel silents made in 1894 by Edison Studios at their Edison's Black Maria, Black Maria studio in West Orange, New Jersey. These featured vet ...
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Pre-Code
Pre-Code Hollywood was the brief era in the Cinema of the United States, American film industry between the widespread adoption of sound in film in 1929LaSalle (2002), p. 1. and the enforcement of the Motion Picture Production Code censorship guidelines, popularly known as the "Hays Code", in mid-1934. Although the Code was adopted in 1930, oversight was poor, and it did not become rigorously enforced until July 1, 1934, with the establishment of the Production Code Administration (PCA). Before that date, film content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion, than by strict adherence to the Hays Code, which was often ignored by Hollywood filmmakers. As a result, some films in the late 1920s and early 1930s depicted or implied innuendo, sexual innuendo, miscegenation, romantic and sexual relationships between white and black people, mild profanity, Recreational drug use, illegal drug ...
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