Where The Streets Have No Name
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Where The Streets Have No Name
"Where the Streets Have No Name" is a song by Irish rock music, rock band U2. It is the opening track from their 1987 album ''The Joshua Tree'' and was released as the album's third single (music), single in August 1987. The song's hook (music), hook is a repeating guitar arpeggio using a Delay (audio effect), delay effect, played during the song's introduction and again at the end. Lead vocalist Bono wrote the lyrics in response to the notion that it is possible to identify a person's religion and income based on the street on which they lived, particularly in Belfast. During the band's difficulties recording the song, record producer, producer Brian Eno considered erasing the song's tapes to have them start from scratch. "Where the Streets Have No Name" was praised by critics and became a commercial success, peaking at number thirteen in the US, number fourteen in Canada, number ten in the Netherlands, and number four in the United Kingdom. The song has remained a staple of th ...
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The Joshua Tree
''The Joshua Tree'' is the fifth studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 9 March 1987 on Island Records. In contrast to the ambient experimentation of their 1984 release, ''The Unforgettable Fire'', the band aimed for a harder-hitting sound within the limitation of conventional song structures on ''The Joshua Tree''. The album is influenced by American and Irish roots music, and through sociopolitically conscious lyrics embellished with spiritual imagery, it contrasts the group's antipathy for the "real America" with their fascination with the "mythical America". Inspired by American experiences, literature, and politics, U2 chose America as a theme for the album. Recording began in January 1986 in Ireland, and to foster a relaxed, creative atmosphere, the group primarily recorded in two houses. Several events during the sessions helped shape the conscious tone of the album, including the band's participation ...
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The Joshua Tree Tour
The Joshua Tree Tour was a concert tour by the Irish rock band U2, which took place during 1987, in support of their album ''The Joshua Tree''. The tour was depicted by the video and live album '' Live from Paris'' and in the 1988 studio/live album and documentary film ''Rattle and Hum''. Itinerary This tour's opening night was 2 April at Arizona State University's Activity Center in Tempe, Arizona. The day before the opening night, Bono fell onto a spotlight he was carrying during a rendition of "Bullet the Blue Sky", cutting open his chin. Bono had partially lost his voice as a result. He asked the audience to help him sing the majority of the set, which they were happy to do. At the time, it was explained by their publicists in a press release that it was due to the week of rehearsals the band held at A.S.U.'s Activity Center and he had over rehearsed his voice. He had fully regained his voice for the second of the two shows at the arena on 4 April. The first leg took ...
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Classic Albums
''Classic Albums'' is a British documentary series about pop, rock and heavy metal albums that are considered the best or most distinctive of a well-known band or musician or that exemplify a stage in the history of music. Format The TV series was made by Isis Productions and distributed by Eagle Rock Entertainment. It is shown on various broadcasters including BBC, ITV, Sky Arts, VH1 and VH1 Classic. They are also available on DVD. The show is similar in structure to VH1's short-lived 2001 series Ultimate Albums. The music, and its production, is dissected by the musicians and/or producer playing the multitrack recordings and singling out tracks that one does not usually consciously hear when listening to the music, giving insight into the way the sound is built up. Also, the individual musicians play back pieces, which are then blended with the original recording. Almost all songs are dealt with, focusing almost entirely on the music itself, how it was composed/realised. P ...
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Patrick McCarthy (record Producer)
Patrick McCarthy may refer to: Music * Patrick McCarthy (conductor), English conductor and singer * Pat McCarthy (record producer), record producer from Dublin, Ireland Politics * Patrick J. McCarthy (1848–1921), mayor of Providence, Rhode Island 1907–1909 * P. H. McCarthy (Patrick Henry McCarthy, 1863–1933), labor leader in San Francisco and mayor from 1910 to 1912 * Patrick McCarthy (politician), Northern Irish politician Sports * Patrick McCarthy (announcer) (born 1995), sports broadcaster * Pat McCarthy (cricketer) (1919–2007), cricketer for Ceylon and Western Australia * Pat McCarthy (Welsh footballer) (1888–?), Welsh footballer * Pat McCarthy (Gaelic footballer) (born 1950), Irish former Gaelic footballer * Paddy McCarthy (born 1983), Irish footballer, currently playing for Crystal Palace * Patrick McCarthy (Australian footballer) (born 1992), footballer for Carlton in the Australian Football League Others * Patrick McCarthy (judge) (born 1952), Irish judge and ...
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Flood (producer)
Mark Ellis (born 16 August 1960), known by his professional pseudonym Flood, is a British rock and synthpop record producer and audio engineer. Flood's list of work includes projects with New Order, U2, Nine Inch Nails, Marc and the Mambas, Depeche Mode, Gary Numan, Sneaker Pimps, King, Ministry, The Charlatans, Thirty Seconds to Mars, Erasure, Nick Cave and the Bad Seeds, PJ Harvey, Foals, a-ha, Orbital, Sigur Rós, The Jesus and Mary Chain, The Smashing Pumpkins, The Killers, White Lies, Pop Will Eat Itself, Warpaint, EOB, and Interpol. His co-production collaborations have included projects with Brian Eno, Daniel Lanois, Steve Lillywhite, and longtime collaborator Alan Moulder, with whom he co-founded the Assault & Battery studio complex. In 2006, his work with U2 led to his sharing of the Grammy Award for Album of the Year for ''How to Dismantle an Atomic Bomb''. Ellis is not to be confused with Mark Ellis, the bassist from the British mod revival band The Lambrettas ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Hot Press
''Hot Press'' is a fortnightly music and politics magazine based in Dublin, Ireland, founded in June 1977. The magazine has been edited since its inception by Niall Stokes. History ''Hot Press'' was founded in June 1977 by Niall Stokes, who continues to be its editor to the present day. Since then, the magazine has featured stories in the music world, both in Ireland and internationally. The first issue of ''Hot Press'' featured Irish blues rock musician Rory Gallagher ahead of his headlining performance at Ireland's first open air rock festival, the Macroom Mountain Dew Festival, in 1977. The magazine has covered the career of U2 since the late 1970s. Sinéad O'Connor first talked to ''Hot Press'' about her lesbianism. The magazine has been at the centre of several controversies: for example, ''Hot Press'' writer Stuart Clark was interviewing Oasis band member and songwriter Noel Gallagher when Gallagher found out that his brother Liam would not take the stage for that even ...
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Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ...
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Adam Clayton
Adam Charles Clayton (born 13 March 1960) is an English-born Irish musician who is the bass guitarist of the rock band U2. He has resided in County Dublin, Ireland since his family moved to Malahide in 1965, when he was five years old. Clayton attended Mount Temple Comprehensive School, where he met schoolmates with whom he co-founded U2 in 1976. A member of the band since its inception, he has recorded 14 studio albums with U2. Clayton's bass playing style is noted for its "harmonic syncopation", giving the music a driving rhythm. He is well known for his bass playing on songs such as " Gloria", " New Year's Day", "Bullet the Blue Sky", "With or Without You", " Mysterious Ways", "Vertigo", " Get on Your Boots", and " Magnificent". He has worked on several solo projects throughout his career, such as his work with fellow band member Larry Mullen Jr. on the 1996 version of the " Theme from ''Mission: Impossible''". As a member of U2, Clayton has received 22 Grammy Awards an ...
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Multitrack Recording
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and eac ...
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The Edge
David Howell Evans (born 8 August 1961), better known as the Edge or simply Edge,McCormick (2006), pp. 21, 23–24 is an English-born Irish musician, singer, and songwriter. He is best known as the lead guitarist, keyboardist, and backing vocalist of the rock band U2. A member of the group since its inception, he has recorded 14 studio albums with them as well as one solo record. His understated style of guitar playing, a signature of U2's music, is distinguished by chiming timbres, use of rhythmic delay, drone notes, harmonics, and an extensive use of effects units. Born in England to Welsh parents and raised in Ireland, the Edge formed the band that would become U2 with his classmates at Mount Temple Comprehensive School and his elder brother Dik in 1976. Inspired by the ethos of punk rock and its basic arrangements, the group began to write its own material. They eventually became one of the most successful acts in popular music, with albums such as 1987's ''The Joshua Tr ...
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Demo (music)
A demo (shortened from "demonstration") is a song or group of songs typically recorded for limited circulation or for reference use, rather than for general public release. A demo is a way for a musician to approximate their ideas in a fixed format, such as cassette tape, compact disc, or digital audio files, and to thereby pass along those ideas to record labels, producers, or other artists. Musicians often use demos as quick sketches to share with bandmates or arrangers, or simply for personal reference during the songwriting process; in other cases, a songwriter might make a demo to send to artists in hopes of having the song professionally recorded, or a publisher may need a simple recording for publishing or copyright purposes. Background Demos are typically recorded on relatively crude equipment such as "boom box" cassette recorders, small four- or eight-track machines, or on personal computers with audio recording software. Songwriters' and publishers' demos are recorded ...
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