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When I Grow Up (To Be A Man)
"When I Grow Up (To Be a Man)" is a song by American rock band the Beach Boys from their 1965 album '' The Beach Boys Today!''. Written by Brian Wilson and Mike Love, the lyrics describe a boy who is anxious of when he stops being a teenager, pondering such questions as "Will I love my wife for the rest of my life?" The song was first issued as a single, with the B-side "She Knows Me Too Well", on August 24, 1964. It peaked at number 9 in the US, number 27 in the UK, and number 1 in Canada. It is one of the first rock songs that discussed impending adulthood and is possibly the earliest US top 40 song to contain the expression " turn on" (from the lyric "Will I dig the same things that turned me on as a kid?"). The song is also distinguished for its musical sophistication, featuring multiple key changes, a hook based on a dissonant, functionally ambiguous chord, tempo stretches, and a long pause as a climax. Background "When I Grow Up (To Be a Man)" was written and composed by ...
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The Beach Boys
The Beach Boys are an American rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmonies, adolescent-themed lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical or jazz elements and unconventional recording techniques in innovative ways. The Beach Boys began as a garage band, managed by the Wilsons' father Murry, with Brian serving as composer, arranger, producer, and ''de facto'' leader. In 1963, they enjoyed their first national hit with "Surfin' U.S.A.", beginning a string of top-ten singles that reflected a southern California youth culture of surfing, cars, and romance, dubbed the " C ...
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Richard Meltzer
Richard Meltzer (born May 10, 1945) is an American rock critic, performer, writer and songwriter. He is considered by some rock historians to be the first to write real analysis of rock and roll and is credited with inventing "rock criticism". Biography Meltzer claims that as a young man he was influenced by the pop artists Jasper Johns and Robert Rauschenberg and by the artists Paul Cézanne and Marcel Duchamp. Meltzer's first book, '' The Aesthetics of Rock'', evolved out of his undergraduate studies in philosophy at Stony Brook University and graduate studies at Yale University. At school, he developed a reputation as something of a prankster, although his actions were closer to the spirit of performance art happenings promoted by one of his professors, Allan Kaprow, than to fraternity hijinks. One of his actions involved sending a tape recorder to class with his comments for the day on tape. Fellow student Sandy Pearlman was responsible for pushing the button. Meltzer also da ...
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Harmonica
The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica include diatonic, chromatic, tremolo, octave, orchestral, and bass versions. A harmonica is played by using the mouth (lips and tongue) to direct air into or out of one (or more) holes along a mouthpiece. Behind each hole is a chamber containing at least one reed. The most common is the diatonic Richter-tuned with ten air passages and twenty reeds, often called the blues harp. A harmonica reed is a flat, elongated spring typically made of brass, stainless steel, or bronze, which is secured at one end over a slot that serves as an airway. When the free end is made to vibrate by the player's air, it alternately blocks and unblocks the airway to produce sound. Reeds are tuned to individual pitches. Tuning may involve changing a reed’s len ...
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Hi-hat
A hi-hat (hihat, high-hat, etc.) is a combination of two cymbals and a pedal, all mounted on a metal stand. It is a part of the standard drum kit used by drummers in many styles of music including rock, pop, jazz, and blues. Hi-hats consist of a matching pair of small to medium-sized cymbals mounted on a stand, with the two cymbals facing each other. The bottom cymbal is fixed and the top is mounted on a rod which moves the top cymbal toward the bottom one when the pedal is depressed (a hi-hat that is in this position is said to be "closed" or "closed hi-hats"). The hi-hat evolved from a "sock cymbal", a pair of similar cymbals mounted at ground level on a hinged, spring-loaded foot apparatus. Drummers invented the first sock cymbals to enable one drummer to play multiple percussion instruments at the same time. Over time these became mounted on short stands—also known as "low-boys"—and activated by pedals similar to those used in modern hi-hats. When extended upward roug ...
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Dennis Wilson
Dennis Carl Wilson (December 4, 1944 – December 28, 1983) was an American musician, singer, and songwriter who co-founded the Beach Boys. He is best remembered as their drummer and as the middle brother of bandmates Brian and Carl Wilson. Dennis was the only true surfer in the Beach Boys, and his personal life exemplified the " California Myth" that the band's early songs often celebrated. He was also known for co-starring in the 1971 film ''Two-Lane Blacktop''. Wilson served mainly on drums and backing vocals for the Beach Boys. His playing can be heard on many of the group's hits, belying the popular misconception that he was always replaced on record by studio musicians. He originally had few lead vocals on the band's songs, but his prominence as a singer-songwriter increased following their 1968 album ''Friends''. His music is characterized for reflecting his "edginess" and "little of his happy charm". His original songs for the group included " Little Bird" (1968) and ...
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Carl Wilson
Carl Dean Wilson (December 21, 1946 – February 6, 1998) was an American musician, singer, and songwriter who co-founded the Beach Boys. He was their lead guitar Lead guitar (also known as solo guitar) is a musical part for a guitar in which the guitarist plays melody lines, instrumental fill passages, guitar solos, and occasionally, some riffs and chords within a song structure. The lead is the fe ...ist, the youngest sibling of bandmates Brian Wilson, Brian and Dennis Wilson, Dennis, and the group's ''de facto'' leader in the early to mid-1970s. He was also the band's musical director on stage from 1965 until his death. Influenced by the guitar playing of Chuck Berry and the Ventures, Wilson's initial role in the group was that of lead guitarist and backing vocals, but he performed lead vocals on several of their later hits, including "God Only Knows" (1966), "Good Vibrations" (1966), "I Can Hear Music" (1969), and "Kokomo (song), Kokomo" (1988). Unlike other mem ...
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Electric Harpsichord
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ...
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Upright Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gre ...
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Al Jardine
Alan Charles Jardine (born September 3, 1942) is an American musician, singer, and songwriter who co-founded the Beach Boys. He is best known as the band's rhythm guitarist and for occasionally singing lead vocals on singles such as " Help Me, Rhonda" (1965), " Then I Kissed Her" (1965), "Cotton Fields" (1970), and "Come Go with Me" (1978). His song " Lady Lynda" was also a UK top 10 hit for the group in 1978. Other Beach Boys songs that feature Jardine on lead include "I Know There's an Answer" (1966), "Vegetables" (1967), and "From There to Back Again" (2012). Following the death of fellow band member Carl Wilson in 1998, Jardine left the touring Beach Boys and has since performed as a solo artist, rejoining the band only for their 2012 50th anniversary tour. Since 2013, Jardine has toured as part of Beach Boys founder Brian Wilson’s band. He has released one solo studio album, '' A Postcard from California'' (2010). Jardine was inducted into the Rock and Roll Hall of Fame as ...
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Cash Box
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were ''Billboard'' and ''Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 19 ...
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Ready Steady Go!
''Ready Steady Go!'' (or ''RSG!'') was a British rock/pop music television programme broadcast every Friday evening from 9 August 1963 until 23 December 1966. It was conceived by Elkan Allan, head of Rediffusion TV. Allan wanted a light entertainment programme different from the low-brow style of light entertainment transmitted by ATV. The programme was produced without scenery or costumes and with a minimum of choreography and make-up. Allan recruited a fellow journalist, Francis Hitching, as producer. Hitching became a major figure in light entertainment in the 1960s. Robert Fleming was the first director, followed by the documentary director Rollo Gamble, then Michael Lindsay-Hogg, Daphne Shadwell and Peter Croft. The programme was produced by Associated-Rediffusion, the weekday ITV contractor for London, called Rediffusion-London after 1964. The live show was eventually networked nationally. The show gained its highest ratings on 20 March 1964 when it featured the Bea ...
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The Beat Room
''The Beat Room'' is a British television series presenting beat, rhythm and blues and other pop music, shown on BBC2 in 1964–65. Production The series was produced by Barry Langford and directed by James Moir. Acts, introduced by an off-screen presenter, Pat Campbell, performed live before an audience. The resident house band was initially Wayne Gibson and the Dynamic Sounds, but was replaced by Peter and the Headlines mid-run. The show also featured a sextet of female performance dancers, the Beat Girls formed from an existing group, the Katy-Dids. In all, 29 programmes were made. The first show, broadcast on Monday 6 July 1964 at 6.35 p.m., featured The Animals, Lulu & the Luvvers, and Millie Small. The show was broadcast on Mondays, with Saturday repeats during the middle of the run. The final show was shown on 29 January 1965. There was a 75-minute New Year's Eve special in 1964, Beat in the New. Tapes of all but one of the programmes were later destroyed. T ...
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