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When I Grow Up (Garbage Song)
"When I Grow Up" is a 1998 song written, recorded and produced by alternative rock band Garbage. The song was released as the fourth international single to be taken from the band's multi-platinum second album '' Version 2.0'' over the course of the following year. "When I Grow Up" was the first split-single release in Europe for Garbage, in some countries, " The Trick Is to Keep Breathing" was released in its place. "When I Grow Up" proved to be a charting hit in both United Kingdom and Spain, before going on to become Garbage's most successful single release in Australia and New Zealand at that point in their career. In North America, "When I Grow Up" served as one of two singles (along with Sheryl Crow's cover version of "Sweet Child o' Mine") released from the soundtrack of the Adam Sandler comedy film '' Big Daddy''. Composition "When I Grow Up" was written and recorded at Smart Studios during the 1997 sessions for '' Version 2.0''. For the intro, the band routed a Nord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garbage (band)
Garbage is an American rock band formed in 1993 in Madison, Wisconsin. The band's lineup—consisting of Scottish singer Shirley Manson (vocals) and American musicians Duke Erikson (guitar, bass, keyboards), Steve Marker (guitar, keyboards), and Butch Vig (drums, production)—has remained unchanged since its inception. All four members are involved in the songwriting and production process. Garbage has sold over 17 million albums worldwide. The band's eponymous debut album was critically acclaimed upon its release, selling over four million copies and achieving double platinum certification in the United Kingdom, United States and in Australia. It was accompanied by a string of increasingly successful singles from 1995 to 1996, including " Stupid Girl" and "Only Happy When It Rains". Follow-up '' Version 2.0'', released in 1998 after a year in production, was equally successful, topping the UK Albums Chart and receiving two Grammy Award nominations. Garbage followed this by p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinyl Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loop (music)
In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves. Loops can be created using a wide range of music technologies including turntables, digital samplers, looper pedals, synthesizers, sequencers, drum machines, tape machine An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage. In its present- ...s, and digital delay, delay units, and they can be Programming (music), programmed using computer music software. The feature to loop a section of an audio track or video footage is also referred to by electronics vendors as ''A–B repeat''. Royalty-free loops can be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise Gate
A noise gate or gate is an electronic device or software that is used to control the volume of an audio signal. Comparable to a compressor, which attenuates signals ''above'' a threshold, such as loud attacks from the start of musical notes, noise gates attenuate signals that register ''below'' the threshold. However, noise gates attenuate signals by a fixed amount, known as the range. In its simplest form, a noise gate allows a main signal to pass through only when it is above a set threshold: the gate is "open". If the signal falls below the threshold, no signal is allowed to pass (or the signal is substantially attenuated): the gate is "closed". A noise gate is used when the level of the "signal" is above the level of the unwanted "noise". The threshold is set above the level of the "noise", and so when there is no main "signal", the gate is closed. A common application is with electric guitar to remove hum and hiss noise caused by distortion effects units. A noise gate does ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch Shift
Pitch shifting is a sound recording technique in which the original pitch of a sound is raised or lowered. Effects units that raise or lower pitch by a pre-designated musical interval ( transposition) are called pitch shifters. Pitch and time shifting The simplest methods are used to increase pitch and reduce durations or, conversely, reduce pitch and increase duration. This can be done by replaying a sound waveform at a different speed than it was recorded. It could be accomplished on an early reel-to-reel tape recorder by changing the diameter of the capstan or using a different motor. As for vinyl records, placing a finger on the turntable to give friction will retard it, while giving it a "spin" can advance it. As technologies improved, motor speed and pitch control could be achieved electronically by servo drive system circuits. Pitch shifter and harmonizer A pitch shifter is a sound effects unit that raises or lowers the pitch of an audio signal by a preset interv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flanger
Flanging is an audio effect produced by mixing two identical signals together, one signal delayed by a small and (usually) gradually changing period, usually smaller than 20 milliseconds. This produces a swept comb filter effect: peaks and notches are produced in the resulting frequency spectrum, related to each other in a linear harmonic series. Varying the time delay causes these to sweep up and down the frequency spectrum. A flanger is an effects unit that creates this effect. Part of the output signal is usually fed back to the input (a "re-circulating delay line"), producing a resonance effect which further enhances the intensity of the peaks and troughs. The phase of the fed-back signal is sometimes inverted, producing another variation on the flanger sound. Origin As an audio effect, a listener hears a "drainpipe" or "swoosh" or "jet plane" sweeping effect as shifting sum-and-difference harmonics are created analogous to use of a variable notch filter. The term "flang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snare Drum
The snare (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Snare drums are usually played with drum sticks, but other beaters such as the brush or the rute can be used to achieve different tones. The snare drum is a versatile and expressive percussion instrument due to its sensitivity and responsiveness. The sensitivity of the snare drum allows it to respond audibly to the softest strokes, even with a wire brush. It can be used for complex rhythmic patterns and engaging solos at moderate volumes. Its high dynamic range allows the player to produce po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Butch Vig
Bryan David "Butch" Vig (born August 2, 1955) is an American musician, songwriter, and record producer, best known as the drummer and co-producer of the alternative rock band Garbage and the producer of the diamond-selling Nirvana album ''Nevermind''. His work on the latter earned him the nickname the Nevermind Man. A native of Wisconsin, Vig was based in Madison for much of his career, from studying at the University of Wisconsin to performing in local bands Spooner and Fire Town. He eventually set up his own recording studio in Madison, Smart Studios, with bandmate Steve Marker. After becoming well-known as a producer, he formed and played drums with Garbage, who sold 17 million records over a ten-year period. Vig returned to producing full-time when Garbage went on hiatus in 2005. The band reconvened in 2010 to record material for their fifth album. In 2012, ''NME'' named Vig the 9th greatest producer. Early life Butch Vig was born Bryan David Vig in Viroqua, Wisconsin, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ProTools
Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology (formerly Digidesign) for Microsoft Windows and macOS. It is used for music creation and production, sound for picture (sound design, audio post-production and mixing) and, more generally, sound recording, editing, and mastering processes. Pro Tools operates both as standalone software and in conjunction with a range of external analog-to-digital converters and PCIe cards with on-board digital signal processors (DSP). The DSP is used to provide additional processing power to the host computer for processing real-time effects, such as reverb, equalization, and compression and to obtain lower latency audio performance. Like all digital audio workstation software, Pro Tools can perform the functions of a multitrack tape recorder and a mixing console along with additional features that can only be performed in the digital domain, such as non-linear and non-destructive editing (most of audi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Pedal
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamic effects such as volume pedals and compressors, which affect loudness; filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as chorus, flangers and phasers; pitch effects such as pitch shifters; and time effects, such as reverb and delay, which create echoing sounds and emulate the sound of different spaces. Most modern effects use solid-state electronics or digital signal processors. Some effects, particularly older ones such as Leslie speakers and spring reverbs, use mechanical components or vacuum tubes. Effects are often used as stompboxes, typically placed on the floor and controlled with footswitches. They may also be built into guitar amp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nord Lead
The Nord Lead is a series of Analog modeling synthesizer, virtual analog Subtractive synthesis, subtractive synthesizers, manufactured by Clavia. Released in 1994, the original Nord Lead was the digital synthesizer that made the term ''virtual analog synthesis'' popular. The now widely accepted term "virtual analog", was first coined by Clavia with the release of the Nord Lead. This synthesizer was distinctive for its red coloration, knob-laden surface and unique pitch-stick and modulation wheel. After the Nord Lead, several updates followed suit; such as the Nord Lead 2, Nord Lead 3, and Nord Lead 2X. Models Nord Lead The first Nord Lead was released in 1995 to positive reviews. It was created with the help of Peter Jubel, who also co-founded Propellerhead Software. Compared to synthesizers being constructed via analog components, the Nord Lead uses digital signal processors (DSPs) programmed to emulate both subtractive synthesis, Subtractive and analogue FM synthesis (cro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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