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What Time Is Love
"What Time Is Love?" is a song released, in different mixes, as a series of singles by the band the KLF. It featured prominently and repeatedly in their output from 1988 to 1992 and, under the moniker of 2K, in 1997. In its original form, the track was an instrumental electronic dance anthem; subsequent reworkings, with vocals and additional instrumentation, yielded the international hit singles "What Time Is Love? (Live at Trancentral)" (1990), and "America: What Time Is Love?" (1991), which respectively reached number 5 and number 4 in the UK Singles Chart, and introduced the KLF to a mainstream international audience. History The KLF co-founders Jimmy Cauty and Bill Drummond began releasing music in March 1987, under the pseudonym the Justified Ancients of Mu Mu (the JAMs), named after a cultish organisation from ''The Illuminatus! Trilogy'' novels. The JAMs' output was created from plagiarised samples of popular music grafted together to form new songs, with beatbox rhythms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The KLF
The KLF (also known as the Justified Ancients of Mu Mu, the JAMs, the Timelords and other names) are a British electronic band formed in London in 1987. Bill Drummond (alias King Boy D) and Jimmy Cauty (alias Rockman Rock) began by releasing hip hop-inspired and sample-heavy records as the JAMs. As the Timelords, they recorded the British number-one single "Doctorin' the Tardis", and documented the process of making a hit record in a book '' The Manual (How to Have a Number One the Easy Way)''. As the KLF, Drummond and Cauty pioneered stadium house (rave music with a pop-rock production and sampled crowd noise) and, with their 1990 LP ''Chill Out'', the ambient house genre. The KLF released a series of international hits on their own KLF Communications record label and became the biggest selling singles act in the world in 1991. From the outset, the KLF adopted the philosophy espoused by esoteric novels ''The Illuminatus! Trilogy'', making anarchic situationist manifestatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Who Killed The JAMs?
''Who Killed The JAMs?'' is the second studio album by The Justified Ancients of Mu Mu (The JAMs), and the final one under the JAMs moniker before renaming themselves The KLF. Similar in style to the preceding ''1987 (What the Fuck Is Going On?)'', the album is a fusion of hip hop, drum machines and samples of a diversity of musical works, although in general the samples are more covertly integrated here than they are in ''1987''. Background Early in 1987, Bill Drummond and Jimmy Cauty formed The Justified Ancients of Mu Mu and released their debut single, "All You Need Is Love". This was followed in June 1987 by their debut album, ''1987 (What the Fuck Is Going On?)'', an "energetic ... ndloopy dance album" but with "too few ideas being spread too thin". In October 1987, The JAMs destroyed most remaining copies of the album following a copyright complaint from ABBA and the Mechanical-Copyright Protection Society. The JAMs released several other singles that year and made reg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Notes
In music, a note is the representation of a musical sound. Notes can represent the pitch and duration of a sound in musical notation. A note can also represent a pitch class. Notes are the building blocks of much written music: discretizations of musical phenomena that facilitate performance, comprehension, and analysis. The term ''note'' can be used in both generic and specific senses: one might say either "the piece 'Happy Birthday to You' begins with two notes having the same pitch", or "the piece begins with two repetitions of the same note". In the former case, one uses ''note'' to refer to a specific musical event; in the latter, one uses the term to refer to a class of events sharing the same pitch. (See also: Key signature names and translations.) Two notes with fundamental frequencies in a ratio equal to any integer power of two (e.g., half, twice, or four times) are perceived as very similar. Because of that, all notes with these kinds of relations can be grouped ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimalism
In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt and Frank Stella. The movement is often interpreted as a reaction against abstract expressionism and modernism; it anticipated contemporary postminimal art practices, which extend or reflect on minimalism's original objectives. Minimalism in music often features repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman and John Adams. The term ''minimalist'' often colloquially refers to anything or anyone that is spare or stripped to its essentials. It has accordingly been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carver, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid House
Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago producers DJ Pierre of Phuture and Sleezy D. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop. Characteristics Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Roland TB-303 ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justified And Ancient
"Justified & Ancient" is a song by British band The KLF. It was featured on their 1991 album, ''The White Room'', but its origins date back to the duo's debut album, ''1987 (What the Fuck Is Going On?)''. The song is best known for its remake that was released on 25 November 1991 as a pop-house single subtitled "Stand by The JAMs", with verses featuring the vocals of American country music singer Tammy Wynette. This version was an international hit, reaching number two on both the UK Singles Chart, and the US dance chart, number 11 on the US ''Billboard'' Hot 100, and hitting number one in 18 countries. "Justified & Ancient (Stand by the JAMs)" was the final release by the KLF through retail channels before Drummond and Cauty quit the music business and retired the KLF name. Background The KLF—King Boy D (Bill Drummond) and Rockman Rock (Jimmy Cauty)—began working together in 1987 as The Justified Ancients of Mu Mu (The JAMs). The song title "Justified & Ancient" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesus Christ Superstar
''Jesus Christ Superstar'' is a sung-through rock opera with music by Andrew Lloyd Webber and lyrics by Tim Rice. Loosely based on the Gospels' accounts of the Passion, the work interprets the psychology of Jesus and other characters, with much of the plot centered on Judas, who is dissatisfied with the direction in which Jesus is steering his disciples. Contemporary attitudes, sensibilities and slang pervade the rock opera's lyrics, and ironic allusions to modern life are scattered throughout the depiction of political events. Stage and film productions accordingly contain many intentional anachronisms. Initially unable to get backing for a stage production, the composers released it as a concept album, the success of which led to the show's Broadway on-stage debut in 1971. By 1980, the musical had grossed more than worldwide. Running for over eight years in London between 1972 and 1980, it held the record for longest-running West End musical before it was overtaken by '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Clark (poet)
Anne Charlotte Clark (born 14 May 1960) is an English poet, singer and songwriter. Her first album, ''The Sitting Room'', was released in 1982, and she has released over a dozen albums since then. Her poetry work with experimental musicians occupies a region bounded roughly by electronic, dance (techno applies on occasion) and possibly avant-garde genres, with varying hard as well as romantic and orchestral styles. Clark is mainly a spoken word artist. Many of her lyrics deal critically with the imperfections of humanity, everyday life, and politics. Especially in her early works she has created a gloomy, melancholy kind of atmosphere bordering on weltschmerz. She has been considered one of the pioneers in the spoken-word music genre, as well as being highly idolised over the board of techno-pop and new wave music, especially across Europe. Early life Clark was born the daughter of a Roman Catholic Irish mother, Cecilia and a mixed Scottish and Welsh Protestant father, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little, Brown
Little, Brown and Company is an American publishing company founded in 1837 by Charles Coffin Little and James Brown in Boston. For close to two centuries it has published fiction and nonfiction by American authors. Early lists featured Emily Dickinson's poetry and ''Bartlett's Familiar Quotations''. Since 2006 Little, Brown and Company is a division of the Hachette Book Group. 19th century Little, Brown and Company had its roots in the book selling trade. It was founded in 1837 in Boston by Charles Little and James Brown. They formed the partnership "for the purpose of Publishing, Importing, and Selling Books". It can trace its roots before that to 1784 to a bookshop owned by Ebenezer Battelle on Marlborough Street. They published works of Benjamin Franklin and George Washington and they were specialized in legal publishing and importing titles. For many years, it was the most extensive law publisher in the United States, and also the largest importer of standard English law an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch Bend
In electronic music, a pitch wheel, pitch bend or bender is a control on a synthesizer to vary the pitch in a continuously variable manner (portamento). The first synthesizer with a pitch wheel was the Minimoog, in 1970. Alternatively, pitch bend controllers on synthesizers may be implemented as a joystick, knob, or touch-sensitive ribbon. MIDI represents pitch bend as a 14-bit integer, allowing for 16,384 possible values. General MIDI implementations default to a range of ±2 semitones. See also *Glissando In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the co ... References Synthesizers Continuous pitch instruments {{electronic-musical-instrument-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
