What's Going On (remix Album)
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What's Going On (remix Album)
"What's Going On" is a song by American singer-songwriter Marvin Gaye, released in 1971 on the Motown Records, Motown subsidiary Tamla. Originally inspired by a police brutality incident witnessed by Renaldo "Obie" Benson, the song was composed by Benson, Al Cleveland, and Gaye and produced by Gaye himself. The song marked Gaye's departure from the Motown Sound towards more personal material. Later topping the Hot R&B/Hip-Hop Songs, Hot Soul Singles chart for five weeks and Crossover (music), crossing over to number two on the Billboard Hot 100, ''Billboard'' Hot 100, it would sell over two million copies, becoming Gaye's second-most successful Motown song to date. It was ranked at number 4 in ''Rolling Stone's'' Rolling Stone's 500 Greatest Songs of All Time, 500 Greatest Songs of all Time in 2004 and 2010. Inspiration and writing The song's inspiration came from Renaldo "Obie" Benson, a member of the Motown vocal group the Four Tops, after he and the group's tour bus arrived at ...
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Marvin Gaye
Marvin Pentz Gay Jr., who also spelled his surname as Gaye (April 2, 1939 – April 1, 1984), was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames "Prince of Motown" and "Prince of Soul". Gaye's Motown songs include "Ain't That Peculiar", "How Sweet It Is (To Be Loved By You)", and "I Heard It Through the Grapevine". Gaye also recorded duets with Mary Wells, Kim Weston, Tammi Terrell, and Diana Ross. During the 1970s, Gaye recorded the albums '' What's Going On'' and ''Let's Get It On'' and became one of the first artists in Motown to break away from the reins of a production company. His later recordings influenced several contemporary R&B subgenres, such as quiet storm and neo soul. "Sexual Healing", released in 1982 on the album ''Midnight Love'', won him his first two Grammy Awards. Gaye's last televised appearances we ...
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