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West End Blues
"West End Blues" is a multi-strain twelve-bar blues composition by Joe "King" Oliver. It is most commonly performed as an instrumental, although it has lyrics added by Clarence Williams. King Oliver and his Dixie Syncopators made the first recording for Brunswick Records on June 11, 1928.Laird, Ross. ''Brunswick Records: A Discography of Recordings, 1916-1931'', Greenwood Press (2001), p. 592. Clarence Williams later added lyrics to the instrumental tune. He recorded the song several times in 1928, first with vocalist Ethel Waters, then with Irene Mims, aka Hazel Smith (with King Oliver playing trumpet), then again with Katherine Henderson. The " West End" of the title refers to the westernmost point of Lake Pontchartrain within Orleans Parish, Louisiana; it was the last stop on the trolley line in New Orleans to the lake. In its heyday, it was a thriving summer resort with live music, dance pavilions, seafood restaurants, and lake bathing. Louis Armstrong's recording By far ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe "King" Oliver
Joseph Nathan "King" Oliver (December 19, 1881 – April 8/10, 1938) was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of Mute (music), mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today." Biography Life Joseph Nathan Oliver was born in Aben, Louisiana, near Donaldsonville, Louisiana, Donaldsonville in Ascension Parish, Louisiana, Ascension Parish to Nathan Oliver and Virginia "Jinnie" Jones. He claimed 1881 as his year of birth in his draft registration in September 1918 (two months before the end of World War I) but that year is open to debate, with some census records and other sources suggesting 1884 or 1885 as his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
78 Rpm
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog signal, analog sound Recording medium, storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital audio, digital media, in the form of the compact disc, had gained a larger market share, and the record left the main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Metcalf
Louis Metcalf (February 28, 1905 - October 27, 1981) was an American jazz trumpeter who played for a short time with Duke Ellington. Early life Metcalf was born in Webster Groves, Missouri, United States. As a youth he first trained on the drums but switched over to cornet permanently. As a teenager in St. Louis, Missouri he played with Charlie Creath. Career Metcalf moved to New York City in 1923 and participated in the fertile jazz scene there, playing with such musicians as Willie "The Lion" Smith, Jelly Roll Morton, Benny Carter and King Oliver. In 1926, Duke Ellington hired Metcalf to play in his seminal orchestra, where his mellow tone contrasted with Bubber Miley's. In the 1930s, Metcalf led his own bands and joined Fletcher Henderson's. In 1946, Metcalf moved to Montreal, Canada, and formed the International Band, the first to play the nascent bebop style in Canada. Under his leadership the Café Saint-Michel was the hub of the jazz scene in Montreal for a few years, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Orleans (1947 Film)
''New Orleans'' is a 1947 American musical romance film starring Arturo de Córdova and Dorothy Patrick, and directed by Arthur Lubin. Though it features a rather conventional plot, the film is noteworthy both for casting jazz legends Billie Holiday as a singing maid romantically involved with bandleader Louis Armstrong, and extensive playing of New Orleans-style Dixieland jazz: over twenty songs (or versions of songs) are featured in whole or part. Armstrong's band contains a virtual Who's Who of classic jazz greats, including trombonist Kid Ory, drummer Zutty Singleton, clarinetist Barney Bigard, guitar player Bud Scott, bassist George "Red" Callender, pianist Charlie Beal, and pianist Meade Lux Lewis. Also performing in the film is cornetist Mutt Carey and bandleader Woody Herman. New Orleans'' is Holiday's only feature film appearance. Plot synopsis A Storyville casino owner and a high society opera singer fall in love during the birth of the blues in New Orleans. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Grammy Hall Of Fame Award Recipients Q-Z
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing (di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scat Singing
In vocal jazz, scat singing is vocal improvisation with wordless vocables, nonsense syllables or without words at all. In scat singing, the singer improvises melodies and rhythms using the voice as an instrument rather than a speaking medium. This is different from vocalese, which uses recognizable lyrics that are sung to pre-existing instrumental solos. Characteristics Structure and syllable choice Though scat singing is improvised, the melodic lines are often variations on scale and arpeggio fragments, stock patterns and riffs, as is the case with instrumental improvisers. As well, scatting usually incorporates musical structure. All of Ella Fitzgerald's scat performances of "How High the Moon", for instance, use the same tempo, begin with a chorus of a straight reading of the lyric, move to a "specialty chorus" introducing the scat chorus, and then the scat itself. Will Friedwald has compared Ella Fitzgerald to Chuck Jones directing his Roadrunner cartoon—each us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lil Hardin Armstrong
Lillian Hardin Armstrong (née Hardin; February 3, 1898 – August 27, 1971) was an American jazz pianist, composer, arranger, singer, and bandleader. She was the second wife of Louis Armstrong, with whom she collaborated on many recordings in the 1920s. Her compositions include "Struttin' with Some Barbecue", "Don't Jive Me", "Two Deuces", "Knee Drops", "Doin' the Suzie-Q", "Just for a Thrill" (which was a hit when revived by Ray Charles in 1959), "Clip Joint", and " Bad Boy" (a hit for Ringo Starr in 1978). Armstrong was inducted into the Memphis Music Hall of Fame in 2014. Background She was born Lillian Hardin in Memphis, Tennessee, where she grew up in a household with her grandmother, Priscilla Martin, a former slave from near Oxford, Mississippi. Martin had a son and three daughters, one of whom was Dempsey, Lil's mother. Priscilla Martin moved her family to Memphis to escape from her husband, a trek the family made by mule-drawn wagon. Dempsey married Will Harden, and L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadenza
In music, a cadenza (from it, cadenza, link=no , meaning cadence; plural, ''cadenze'' ) is, generically, an improvisation, improvised or written-out ornament (music), ornamental passage (music), passage played or sung by a solo (music), soloist or soloists, usually in a "free" rhythmic style, and often allowing virtuoso, virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over the final or penultimate note in a piece, the lead-in (german: Eingang, link=no) or over the final or penultimate note in an important subsection of a piece. It can also be found before a final coda (music), coda or ritornello. In concerti The term ''cadenza'' often refers to a portion of a concerto in which the orchestra stops playing, leaving the soloist to play alone in free time (music), free time (without a strict, regular pulse) and can be wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zutty Singleton
Arthur James "Zutty" Singleton (May 14, 1898 – July 14, 1975) was an American jazz drummer. Career Singleton was born in Bunkie, Louisiana, United States, and raised in New Orleans. According to his ''Jazz Profiles'' biography, his unusual nickname, acquired in infancy, is the Creole word for "cute". by Steven A. Cerra, a Jazz Profiles Retrieved 28 April 2017. He was working professionally with Steve Lewis by 1915. He served with the in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Robinson (musician)
Frederick L. Robinson (February 20, 1901 – April 11, 1984) was an American jazz trombonist known for his work with Louis Armstrong and other jazz groups. Early life Robinson was born on February 20, 1901 in Memphis, Tennessee. Robinson learned to play trombone in high school. He studied at the Dana Musical Institute in Ohio. Career Robinson moved to Chicago in 1927. There, he joined Carroll Dickerson's orchestra. In 1928, Robinson travelled to New York to play in Louis Armstrong's big band. Robinson played on Louis Armstrong's Hot Five recordings and continued working with both Dickerson and Armstrong until late 1929 when he took a position in Edgar Hayes's band. In the 1930s, Robinson worked alongside Marion Hardy, Don Redman, Benny Carter, Charlie Turner, Fletcher Henderson, and Fats Waller. In 1939 and 1940 he joined Andy Kirk's band. Later in the 1940s, he played with George James, Cab Calloway, and Sy Oliver. In the early 1950s, he worked with Noble Sissle. Robin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Strong (musician)
Jimmy Strong (August 29, 1906 – April 1977) was an American jazz reedist. While he is best known as a clarinetist, he occasionally played tenor saxophone as well. Career Strong was based in Chicago as a teenager, performing in Lottie Hightower's Nighthawks. Around 1925, he did a national tour with a traveling revue and stayed in California for a time, freelancing with several groups. Upon his return, he joined Carroll Dickerson's orchestra, where he worked with Louis Armstrong; he appears on Armstrong's Hot Fives recordings. In 1928, he also worked briefly with Clifford King. In the 1930s, he played with Cassino Simpson, Zinky Cohn, and Jimmie Noone, in addition to his own bands. Around 1940, he relocated to Jersey City, New Jersey, where he performed with local bands until his death in 1977. References ;Footnotes ;General references *"Jimmy Strong". '' The New Grove Dictionary of Jazz''. 2nd edition, ed. Barry Kernfeld Barry Dean Kernfeld (born August 11, 1950) is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earl Hines
Earl Kenneth Hines, also known as Earl "Fatha" Hines (December 28, 1903 – April 22, 1983), was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz". The trumpeter Dizzy Gillespie (a member of Hines's big band, along with Charlie Parker) wrote, The piano is the basis of modern harmony. This little guy came out of Chicago, Earl Hines. He changed the style of the piano. You can find the roots of Bud Powell, Herbie Hancock, all the guys who came after that. If it hadn't been for Earl Hines blazing the path for the next generation to come, it's no telling where or how they would be playing now. There were individual variations but the style of … the modern piano came from Earl Hines. The pianist Lennie Tristano said, "Earl Hines is the ''only'' one of us capable of creating real jazz and real swing when play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
