Wessobrunner School
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Wessobrunner School
The Wessobrunner School is the name for a group of Baroque stucco-workers that, beginning at the end of the 17th century, developed in the Benedictine Wessobrunn Abbey in Bavaria, Germany. The names of more than 600 stucco-workers who emerged from this school are known. The Wessobrunner stucco-workers exerted a decisive influence on, and at times even dominated, the art of stucco in south Germany in the 18th century. The concept of the Wessobrunner School goes back to the art historians Gustav von Bezold and Georg Hacker, who in 1888 first used the name to designate this group of artists and craftsmen. Members The most important members were the brothers Johann Baptist Zimmermann and Dominikus Zimmermann, and the Schmuzer and Feichtmayer/Feuchtmayer families, both of whom were active over multiple generations. Certain members also worked as architects, including Johann and Joseph Schmuzer and Dominikus Zimmermann. Other important family names include Finsterwalder, Gigl, Me ...
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Wieskirche 003
The Pilgrimage Church of Wies (german: Wieskirche) is an oval Rococo church, designed in the late 1740s by brothers J. B. and Dominikus Zimmermann, the latter of whom lived nearby for the last eleven years of his life. It is located in the foothills of the Alps, in the municipality of Steingaden in the Weilheim-Schongau district, Bavaria, Germany. Because of its outstanding rococo architecture, the ''Wieskirche'' was added to the UNESCO World Heritage List in 1983. History and Description It is said that, in 1738, tears were seen on a dilapidated wooden figure of the Scourged Saviour. The legend of this miracle resulted in a pilgrimage rush to see the sculpture. In 1740, a small chapel was built to house the statue but it was soon realized that the building would be too small for the number of pilgrims it attracted, and so Steingaden Abbey decided to commission a separate shrine. Construction took place between 1745 and 1754, and the interior was decorated with frescoes and with ...
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Italian Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ...
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Culture Of Altbayern
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typica ...
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18th-century German Sculptors
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand the ...
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17th-century German Sculptors
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ...
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Wies Church
The Pilgrimage Church of Wies (german: Wieskirche) is an oval Rococo church, designed in the late 1740s by brothers J. B. and Dominikus Zimmermann, the latter of whom lived nearby for the last eleven years of his life. It is located in the foothills of the Alps The Alps () ; german: Alpen ; it, Alpi ; rm, Alps ; sl, Alpe . are the highest and most extensive mountain range system that lies entirely in Europe, stretching approximately across seven Alpine countries (from west to east): France, Sw ..., in the municipality of Steingaden in the Weilheim-Schongau district, Bavaria, Germany. Because of its outstanding rococo architecture, the ''Wieskirche'' was added to the UNESCO World Heritage List in 1983. History and Description It is said that, in 1738, tears were seen on a dilapidated wooden figure of the Scourged Saviour. The legend of this miracle resulted in a pilgrimage rush to see the sculpture. In 1740, a small chapel was built to house the statue but it was soon ...
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Neo-classical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architect ...
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Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ...
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Landshut Residence
The Landshut Residence (German:Stadtresidenz Landshut) is a palace in Landshut, Lower Bavaria. History In 1536 Louis X, Duke of Bavaria laid the foundation stone for a new residence in the inner city of Landshut. It was begun in German Renaissance style under the architect Bernhard Zwitzel from Augsburg; this palace is today known as the "German building" (in German: ''Deutscher Bau''). During a journey to Italy the duke got the inspiration for an additional palace. Behind the German building, close to the river Isar, the so-called "Italian building" (in German: ''Italienischer Bau'') was constructed from 1537 to 1543 in Italian Renaissance style with a spacious courtyard and the palace chapel. It was modeled in particular after the Palazzo Te in Mantua, and was the first Italian style palace erected north of the Alps. Both buildings were connected by two wings. The paintings in the rooms were created by the Germans Hermanus Posthumus, Hans Bocksberger the Elder and Ludwig ...
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Feuchtmayer
The Feuchtmayers (also spelled Feuchtmayr, Feichtmair, and Feichtmayr) were a German family of artists from the Baroque Wessobrunner School. The best-known members of the family were the brothers Franz Joseph, Johann Michael (the Elder), and Michael; their sons; and one grandson: * Franz Joseph Feuchtmayer (1660–1718) ** Joseph Anton Feuchtmayer (1696–1770) * Johann Michael Feuchtmayer the Elder (1666–1713) * Michael Feuchtmayer (b. 1667) was a brother of Franz Joseph and Johann Michael, and the father of Franz Xaver, the Elder, as well as of Johann Michael, the Younger. ** Franz Xaver Feuchtmayer the Elder (1705–1764) *** Franz Xaver Feuchtmayer the Younger (b. 1735) ** Johann Michael Feuchtmayer the Younger (1709–1772) Bibliography *''Austria: A Phaidon Cultural Guide''. Oxford: Phaidon, 1985. . *''Germany: A Phaidon Cultural Guide''. Oxford: Phaidon, 1985. {{ISBN, 0-7148-2354-6.Swiss Institute for Art Research's SIKART Dictionary and Database Galle ...
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Steinhausen Kapitell-1
Steinhausen may refer to : Places *Steinhausen an der Rottum, Baden-Württemberg, Germany * Steinhausen, Namibia, district capital of Okorukambe Constituency, Namibia *Steinhausen, Switzerland, Canton Zug, Switzerland **Steinhausen railway station People * Günther Steinhausen (1917-1942), German World War II Luftwaffe Flying ace *Rolf Steinhausen Rolf Steinhausen (born 27 July 1943 in Nümbrecht) is a German former motorcycle racer, winner of two Sidecar World Championships. Career Steinhausen made his debut in motorcycle racing in 1961. After a few incidents, in 1964 moved on to the si ...
(born 1943), German motorcycle racer {{disambig, geo, surname ...
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Dominikus Zimmermann
Dominikus Zimmermann (30 June 1685, Gaispoint – 16 November 1766, Wies) was a German Rococo architect and stuccoist. Life Dominikus Zimmermann was born in Gaispoint near Wessobrunn in 1685 and became a Baumeister (Architect) and a stuccoist. His older brother Johann Baptist Zimmermann was an architect and a frescoist. Working together they produced masterpieces such as the church at Steinhausen. Dominikus Zimmermann descended from a family of artists and craftsmen belonging to the so-called Wessobrunner School, worked first as a stuccoist and later as a master builder and architect. He lived in Landsberg am Lech, where he was mayor between 1748–53. He died near the pilgrims' church in Wies near Steingaden in 1766. Principal works *Abbey church, Mödingen (1716–1725) in the district of Dillingen *Old town hall (1719) and St John's Church (1752) in Landsberg am Lech *Pilgrimage church in Steinhausen near Bad Schussenried (1728–1733) *Church of Our Lady in Gü ...
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