Wer Nur Den Lieben Gott Läßt Walten
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Wer Nur Den Lieben Gott Läßt Walten
"" (He who allows dear God to rule him) is a 1641 hymn by Georg Neumark, who also composed the melody for it. It has seven verses and deals with the Christian putting their trust in God. Its author referred to it as a "Trostlied" or song of consolation and it first appeared in his (published in Jena in 1657). It also appeared in Johann Crüger's 1672 ''Praxis pietatis melica'' and in the first part of Johann Anastasius Freylinghausen's 1704 . It has inspired musical settings, and is part of current German hymnals, both Protestant and Catholic. Melody Twenty other melodies have since been written for the text, though none have reached the same popularity as the original, Zahn number, Zahn No. 2778. The original melody has a wide usage in Protestant hymnody, including several other texts. Neumark's original is in the dorian mode, although later settings, such as by Bach, render this into G minor, G harmonic minor. ''Melody in 3/2 time by Georg Neumark 1657'' ''Version of ...
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Wer Nur Den Lieben Gott Läßt Walten Neumark-70
WER or Wer may refer to: * Lemon technique, Weak echo region, in meteorology, an area of markedly lower reflectivity within thunderstorms resulting from an increase in updraft strength * Word error rate, in computational linguistics, a common metric of measuring the performance of a speech recognition system * Windows Error Reporting, a feature of Windows XP and later operating systems * Western Entrance to the Riedbahn, the western approach of the Riedbahn in Mannheim, Germany * Wer (god), an Akkadian god * Were, an archaic term for adult male humans * Wiki Educational Resources Limited, the legal name of the first Wikimedia UK chapter * Wer (film), ''Wer'' (film), a 2013 horror film See also

* Ver (other) * Vera (other) * Vere (other) * Verus (other) * Wehr (other) {{disambig ...
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Georg Böhm
Georg Böhm (2 September 1661 – 18 May 1733) was a German Baroque organist and composer. He is notable for his development of the chorale partita and for his influence on the young J. S. Bach. Life Böhm was born in 1661 in Hohenkirchen. He received his first music lessons from his father, a schoolmaster and organist who died in 1675. He may also have received lessons from Johann Heinrich Hildebrand, Kantor at Ohrdruf, who was a pupil of Heinrich Bach and Johann Christian Bach. After his father's death, Böhm studied at the Lateinschule at Goldbach, and later at the Gymnasium at Gotha, graduating in 1684. Both cities had Kantors taught by the same members of the Bach family who may have influenced Böhm. On 28 August 1684 Böhm entered the University of Jena. Little is known about Böhm's university years or his life after graduation. He resurfaces again only in 1693, in Hamburg. We know nothing of how Böhm lived there, but presumably he was influenced by the musical life ...
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BWV 179
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ...
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