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Welcome To The Canteen
''Welcome to the Canteen'' is the first live album by English rock band Traffic. It was recorded live at Fairfield Halls, Croydon and the Oz Benefit Concert, London, July 1971 and released in September of that year. It was recorded during Dave Mason's third stint with the band, which lasted only six performances. The track list includes one song each from the first three Traffic albums; two songs from Mason's first solo album, '' Alone Together''; and "Gimme Some Lovin'" from Steve Winwood's former band, the Spencer Davis Group. (Winwood's organ and Mason's rhythm guitar are conspicuously out of sync for part of "Gimme Some Lovin'".) In the band's native United Kingdom, the album was a surprise flop, the first in a series of albums by the group that would fail to make an appearance in the charts.Traffic in the UK Charts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traffic (band)
Traffic were an English rock band formed in Birmingham in April 1967 by Steve Winwood, Jim Capaldi, Chris Wood and Dave Mason. Traffic Biography.AllMusic. They began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards (such as the Mellotron and harpsichord), sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music. The band had early success in the UK with their debut album ''Mr. Fantasy'' and non-album singles "Paper Sun", "Hole in My Shoe", and " Here We Go Round the Mulberry Bush," Their self-titled 1968 album was their most successful in Britain and featured one of their most popular songs, the widely covered "Feelin' Alright?" Dave Mason left the band shortly after the album's release, as did Steve Winwood the following year when he joined the supergroup Blind Faith, and Traffic effectively disbanded. An album compiled from studio and live recordings, '' Last Exit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fillmore East
The Fillmore East was rock promoter Bill Graham's rock venue on Second Avenue near East 6th Street in the (at the time) Lower East Side neighborhood, now called the East Village neighborhood of the borough of Manhattan of New York City. It was open from March 8, 1968, to June 27, 1971, and featured some of the biggest acts in rock music at the time. The Fillmore East was a companion to Graham's Fillmore Auditorium, and its successor, the Fillmore West, in San Francisco, Graham's home base. Pre-Fillmore East The theatre at 105 Second Avenue that became the Fillmore East was originally built as a Yiddish theater in 1925–26 – designed by Harrison Wiseman in the Medieval Revival style – at a time when that section of Second Avenue was known as the "Yiddish Theater District" and the "Jewish Rialto" because of the numerous theatres that catered to a Yiddish-speaking audience. Called the Commodore Theater, and independently operated, it eventually was taken over by Loews ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Rolling Stone Record Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stone Record Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Great Rock Discography
Martin Charles Strong (born 1960 in Musselburgh) is a Scottish music historian known for compiling discography, discographies of popular music including ''The Great Rock Discography''. Strong has been described in broadsheet newspaper profiles as a "compiler of acclaimed mammoth discographies" and "a man who knows more about rock music than is healthy for one individual". Career Strong has researched music extensively since the early 1980s, dedicating 70 hours per week to his craft as of 2004. He is perhaps best known for ''The Great Rock Discography'', with the 7th edition being published in 2004; the foreword was penned by disc jockey John Peel. The book has garnered acclaim, with United States music critic Robert Christgau recommending it as one of the three best rock music encyclopaedias, and the one with the "maddest completism". Author Ian Rankin named it as one of the "5 Books Every Man Should Read", calling it "a great book" that "would keep [him] happy on any desert isla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ticknor & Fields
Ticknor and Fields was an American publishing company based in Boston, Massachusetts. Founded as a bookstore in 1832, the business would publish many 19th century American authors including Ralph Waldo Emerson, Nathaniel Hawthorne, Henry James, Henry Wadsworth Longfellow, Harriet Beecher Stowe, Henry David Thoreau, and Mark Twain. It also became an early publisher of ''The Atlantic Monthly'' and ''North American Review''. The firm was named after founder William Davis Ticknor and apprentice James T. Fields, although the names of additional business partners would come and go, notably that of James R. Osgood in the firm's later years. Financial problems led Osgood to merge the company with the publishing firm of Henry Oscar Houghton in 1878, forming a precursor to the modern publisher Houghton Mifflin Harcourt. Houghton Mifflin revived the Ticknor and Fields name as an imprint from 1979 to 1989. Company history Early years In 1832 William Davis Ticknor and John All ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Albums Of The Seventies
''Christgau's Record Guide: Rock Albums of the Seventies'' is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in ''The Village Voice'' throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oz (magazine)
''Oz'' was an independently published, alternative/underground magazine associated with the international counterculture of the 1960s. While it was first published in Sydney in 1963, a parallel version of ''Oz'' was published in London from 1967. The Australian magazine was published until 1969 and the British version until 1973. The central editor, throughout the magazine's life in both countries, was Richard Neville. Co-editors of the Sydney version were Richard Walsh and Martin Sharp. Co-editors of the London version were Jim Anderson and, later, Felix Dennis, and then Roger Hutchinson. In both Australia and the UK, the creators of ''Oz'' were prosecuted on charges of obscenity. A 1963 charge was dealt with expeditiously when, upon the advice of a solicitor, the three editors pleaded guilty. In two later trials, one in Australia in 1964 and the other in the UK in 1971, the magazine's editors were acquitted on appeal, after initially being found guilty and sentenced to har ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reebop Kwaku Baah
Anthony "Rebop" Kwaku Baah (13 February 1944 – 12 January 1983) was a Ghanaian percussionist who worked with the 1970s rock groups Traffic and Can. Biography Baah was born on 13 February 1944, in Konongo, Gold Coast. In 1969, Baah performed on Randy Weston's album ''African Rhythms''. In the same year he worked with Nick Drake on the song "Three Hours", posthumously released in 2004 on the compilation album '' Made to Love Magic''. He then joined the English band Traffic in 1971, having met them in Sweden during a tour. He appeared on the albums ''Welcome to the Canteen'', ''The Low Spark of High Heeled Boys'', ''Shoot Out at the Fantasy Factory'', '' On the Road'', and ''When the Eagle Flies''. In 1973 he performed in the all-star ''Eric Clapton's Rainbow Concert''. After Traffic disbanded in 1974, he played on Steve Winwood’s self-titled debut solo album, which was released in 1977. Also in 1977, he joined the German band Can along with former Traffic bassist Rosko ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Gordon (musician)
James Beck Gordon (born July 14, 1945) is an American musician, songwriter, and convicted felon. Gordon was a popular session drummer in the late 1960s and 1970s and was the drummer in the blues rock supergroup Derek and the Dominos. In 1983, in a psychotic episode associated with undiagnosed schizophrenia, Gordon murdered his mother and was sentenced to 16 years to life in prison. As of 2022, he remains incarcerated at the California Medical Facility. Music career Gordon was raised in the San Fernando Valley of Los Angeles and attended Grant High School. He passed up a music scholarship to UCLA in order to begin his professional career in 1963, at age 17, backing the Everly Brothers. He went on to become one of the most sought-after recording session drummers in Los Angeles. The protégé of studio drummer Hal Blaine, Gordon performed on many notable recordings in the 1960s, including '' Pet Sounds'', by the Beach Boys (1966); '' Gene Clark with the Gosdin Brothers'', b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
