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Welcome To Love
''Welcome to Love'' (subtitled ''Pharoah Sanders Plays Beautiful Ballads'') is an album led by saxophonist Pharoah Sanders recorded in 1990 and first released on the Dutch Timeless label. The album features jazz standards, many of which were also recorded by John Coltrane. Reception In his review for AllMusic, Steve Loewy commented: "This performance has held up well through the years, and while the thin, reserved approach is reminiscent of Coltrane, it is still marked with Pharoah's print". The authors of ''The Penguin Guide to Jazz Recordings'' called the album "elaborate," and stated that "much of the credit has to go to... Wainwright, who... certainly can't be short of work playing as he does." Marc Myers of '' All About Jazz'' described the recording as "one of Sanders' finest albums from his re-thinking period," and wrote that it is "an ideal introduction to Sanders and a stepping-stone to the saxophonist's more inventive, spiritual pieces." Jazz Fuel's Matt Fripp inclu ...
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Pharoah Sanders
Pharoah Sanders (born Ferrell Lee Sanders; October 13, 1940 – September 24, 2022) was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound", Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane's groups in the mid-1960s, and later through his solo work. He released over thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as "probably the best tenor player in the world". Sanders' take on “spiritual jazz” was rooted in his inspiration from religious concepts such as Karma and Tawhid, and his rich, meditative performance aesthetic. This style was seen as a continuation of Coltrane's work on albums such as ''A Love Supreme''. As a result, Sanders was considered to have been a di ...
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Don Raye
Don Raye (born Donald MacRae Wilhoite Jr., March 16, 1909 – January 29, 1985) was an American songwriter, best known for his songs for The Andrews Sisters such as "Beat Me Daddy, Eight to the Bar", " The House of Blue Lights", "Just for a Thrill" and "Boogie Woogie Bugle Boy." The latter was co-written with Hughie Prince. While known for such wordy novelty numbers, he also wrote the lyrics to "You Don't Know What Love Is," a simple, poetic lament of unusual power. He also composed the song "(That Place) Down the Road a Piece," one of his boogie woogie songs, which has a medium bright boogie tempo. It was written for the Will Bradley Orchestra, who recorded it in 1940, but the song was destined to become a rock and roll standard, recorded by The Rolling Stones, Chuck Berry, Jerry Lee Lewis, Foghat, Amos Milburn, Harry Gibson, and countless others. In 1940, he wrote the lyrics for the patriotic song "This Is My Country". In 1985, Don Raye was inducted into the Songwriters Hall ...
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Polka Dots And Moonbeams
"Polka Dots and Moonbeams" is a popular song with music by Jimmy Van Heusen and lyrics by Johnny Burke, published in 1940. It was Frank Sinatra's first hit recorded with the Tommy Dorsey Orchestra. The song is one of the top 100 most-frequently recorded jazz standards with arrangements by Gil Evans and others and notable recordings by Bill Evans, Chet Baker, Blue Mitchell,Dave Gregg. "Off the record" (music review column), ''Joplin Globe'' (Joplin, MO), May 21, 1967, ''Showtime'' magazine section, page 9: ''"... Blue can play with tenderness without slopping over into mawkish sentimentality. Just listen to his treatment of the gorgeous ballad, 'Polka Dots and Moonbeams.' " ''. Wes Montgomery, Sarah Vaughan (for the 1957 album '' Swingin' Easy''), Bud Powell, Lester Young, Gerry Mulligan, Lou Donaldson, Dexter Gordon and many others
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Phil Silvers
Phil Silvers (born Phillip Silver; May 11, 1911 – November 1, 1985) was an American entertainer and comedic actor, known as "The King of Chutzpah". His career as a professional entertainer spanned nearly sixty years. Silvers achieved major popularity when he starred in ''The Phil Silvers Show'', a 1950s sitcom set on a United States Army, U.S. Army post in which he played Master Sergeant Ernest (Ernie) Bilko. He also starred in the films ''It's a Mad, Mad, Mad, Mad World'' (1963) and ''A Funny Thing Happened on the Way to the Forum (film), A Funny Thing Happened on the Way to the Forum'' (1966). He was a winner of two Primetime Emmy Awards for his work on ''The Phil Silvers Show'' and two Tony Awards for his performances in ''Top Banana (musical), Top Banana'' and ''A Funny Thing Happened on the Way to the Forum''. He also wrote the original lyrics to the jazz standard Nancy (with the Laughing Face). Early life Born Philip Silver in Brooklyn, New York (state), New York, in the w ...
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Jimmy Van Heusen
James Van Heusen (born Edward Chester Babcock; January 26, 1913 – February 6, 1990) was an American composer. He wrote songs for films, television and theater, and won an Emmy and four Academy Awards for Best Original Song. Life and career Born in Syracuse, New York, Van Heusen began writing music while at high school. He renamed himself at age 16, after the shirt makers Phillips-Van Heusen, to use as his on-air name during local shows. His close friends called him "Chet".Coppula, C. (2014). ''Jimmy Van Heusen: Swinging on a Star''. Nashville: Twin Creek Books. Jimmy was raised Methodist. Studying at Cazenovia Seminary and Syracuse University, he became friends with Jerry Arlen, the younger brother of Harold Arlen. With the elder Arlen's help, Van Heusen wrote songs for the Cotton Club revue, including "Harlem Hospitality". He then became a staff pianist for some of the Tin Pan Alley publishers, and wrote "It's the Dreamer in Me" (1938) with lyrics by Jimmy Dorsey. Colla ...
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Nancy (With The Laughing Face)
"Nancy (with the Laughing Face)" is a song composed in 1942 by Jimmy Van Heusen, with lyrics by Phil Silvers, called, originally, "Bessie (With The Laughing Face)". It was originally recorded by Frank Sinatra in 1944. Many, perhaps most, people—including, for a time, Sinatra himself—wrongly assume or assumed the song was composed specifically for Sinatra's wife or daughter, each named Nancy; the adjustment in name indeed was inspired by Sinatra's daughter. Origin Former broadcast executive and music historian Rick Busciglio tells the story of the song's inception as related to him by Van Heusen: Notable recordings * Pharoah Sanders, William Henderson, Stafford James, Eccleston W. Wainwright - '' Welcome to Love'' (1991) * Cannonball Adderley, Bill Evans, Percy Heath, Connie Kay - '' Know What I Mean?'' (1961) * Karrin Allyson - Ballads: Remembering John Coltrane' (2001) *Tony Bennett - ''Perfectly Frank'' (1992) *Corry Brokken - ''Voor Nancy'' (1971) *Ray Charles - '' ...
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Mal Waldron
Malcolm Earl "Mal" Waldron (August 16, 1925 – December 2, 2002) was an American jazz pianist, composer, and arranger. He started playing professionally in New York in 1950, after graduating from college. In the following dozen years or so Waldron led his own bands and played for those led by Charles Mingus, Jackie McLean, John Coltrane, and Eric Dolphy, among others. During Waldron's period as house pianist for Prestige Records in the late 1950s, he appeared on dozens of albums and composed for many of them, including writing his most famous song, "Soul Eyes", for Coltrane. Waldron was often an accompanist for vocalists, and was Billie Holiday's regular accompanist from April 1957 until her death in July 1959. A breakdown caused by a drug overdose in 1963 left Waldron unable to play or remember any music; he regained his skills gradually, while redeveloping his speed of thought. He left the U.S. permanently in the mid-1960s, settled in Europe, and continued touring internat ...
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Soul Eyes
"Soul Eyes" is a composition, with lyrics, written by Mal Waldron.Ratliff, Ben (December 6, 2002"Mal Waldron, 77, Composer of the Jazz Ballad 'Soul Eyes'" ''The New York Times''. It is a 32-bar ballad that takes the song form ABAC, and is written in 4/4 time. It was first recorded on March 22, 1957, for the album ''Interplay for 2 Trumpets and 2 Tenors''.Gioia, Ted (2012) ''The Jazz Standards: A Guide to the Repertoire''. Oxford University Press. pp. 388–390. One of the tenor saxophonists on that recording was John Coltrane, who brought the song back to attention by recording it in 1962 for his album '' Coltrane'', when he had become more famous. This was only the second ever recording of the song, which has since become "part of the basic repertory of jazz performers" – a jazz standard. Waldron wrote the piece with Coltrane in mind: "I liked Coltrane's sound and I thought the melody would fit it". Since these early versions, the song has been recorded hundreds of times. A ...
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Billy Eckstine
William Clarence Eckstine (July 8, 1914 – March 8, 1993) was an American jazz and pop singer and a bandleader during the swing and bebop eras. He was noted for his rich, almost operatic bass-baritone voice. In 2019, Eckstine was posthumously awarded the Grammy Lifetime Achievement Award "for performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording." His recording of " I Apologize" (MGM, 1948) was given the Grammy Hall of Fame Award in 1999. ''The New York Times'' described him as an "influential band leader" whose "suave bass-baritone" and "full-throated, sugary approach to popular songs inspired singers like Earl Coleman, Johnny Hartman, Joe Williams, Arthur Prysock, and Lou Rawls." Early life and education Eckstine was born in Pittsburgh, Pennsylvania, United States, the son of William Eckstein, a chauffeur, and Charlotte Eckstein, a seamstress. Eckstine's paternal grandparents were William F. ...
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Guy Wood
Guy B. Wood (24 July 1911 – 23 February 2001) was a musician and songwriter born in Manchester, England. Wood started his career in music playing saxophone in dance bands in England. He moved to the United States in the 1930s, where he worked for Paramount Pictures and Columbia Pictures as well as serving as bandleader at the Arcadia Ballroom in New York. His songs include "Till Then", "My One and Only Love", " Shoo-Fly Pie and Apple Pan Dowdy". His song "Till Then" reached the pop charts three times (in 1944, 1954, and 1963). Wood also wrote songs for Captain Kangaroo and the Radio City Music Hall. Wood died on 23 February 2001. Songs *"Till Then" 1944 *" Shoo-Fly Pie and Apple Pan Dowdy" 1946 *" Music from Beyond the Moon" 1947 *"Cincinnati Dancing Pig" 1950 *"Vanity" 1951 *"Hobo Boogie" 1951 *"Faith Can Move Mountains" 1952 *"My One and Only Love" 1952 *"French Foreign Legion" 1958 *" The Wedding" 1958 *"Look for Me (I'll Be Around)"(with Sylvia Dee Sylvia Dee (born Josephi ...
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Robert Mellin
Israel Melnikoff (September 22, 1902 – July 10, 1994), known professionally as Robert Mellin, was a Russian Empire-born American composer and lyricist and music publisher. Born in Kyiv and raised in Chicago, where his first job was music plugger at Remick Music. In the early 1940s he moved to New York, where he founded his own company in 1947. Moving to Europe in the early 1950s, Mellin wrote the music or lyrics for hundreds of songs, including several hits, over the next two decades. His biggest hit was ''My One and Only Love'' written with lyricist Guy Wood. It was recorded by many artists, including Frank Sinatra, Louis Armstrong, Ella Fitzgerald, Chet Baker and (as a duet) John Coltrane and Johnny Hartman. In 1962 Mellin wrote lyrics for Acker Bilk's instrumental '' Stranger on the Shore'', enabling it to be covered by vocal artists. From the mid-1950s onwards he ran his own music publishing company, Robert Mellin Music, based in London's Tin Pan Alley on Denmark Street. T ...
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My One And Only Love
"My One and Only Love" is a 1953 popular song with music written by Guy Wood and lyrics by Robert Mellin.Gioia, T. (2012). ''The Jazz Standards: A Guide to the Repertoire''. Oxford University Press. . pp. 284-285. Notable renditions by Frank Sinatra (1953), and later by John Coltrane and Johnny Hartman (1963), have made the song part of the jazz standard musical repertoire. Structure Published in 1953, it is a conventional 32-bar song with four 8-bar sections, including a bridge ("Type A" or "AABA" song structure).Meeder, C. (2012). ''Jazz: The Basics''. Taylor & Francis. . Chapter 1, Fundamentals, "Form". Typically performed as a ballad, it has an aria-like melody that is a challenge to many vocalists;Sinatra, N. (1986). ''Frank Sinatra, My Father''. Pocket Books. . p. 102. Quote: "This song is perhaps ''the'' most difficult popular song to sing. The intervals are extremely tricky…" in the key of C, the song's melody extends from G below middle C to the second D above middle ...
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