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Weather Or No
''Weather or No'' is a one-act comic opera, styled a "musical duologue", by Bertram Luard-Selby with a libretto by Adrian Ross and William Beach. It was produced at the Savoy Theatre from 10 August 1896 to 17 February 1897 as a companion piece to ''The Mikado'', and from 2 March 1897 to 24 April 1897 with ''His Majesty'', for a total of 209 performances. Copies of the libretto and the vocal score (published in 1896 by J. Williams) are found in British Library. There are five musical numbers, including three duets and a solo for each character. Background When the Gilbert and Sullivan partnership disbanded after the production of ''The Gondoliers'' in 1889, impresario Richard D'Oyly Carte filled the Savoy Theatre with a combination of new works and revivals of the Gilbert and Sullivan operas. The fashion in the late Victorian era was to present long evenings in the theatre, and so producer Richard D'Oyly Carte preceded his Savoy operas with curtain raisers. W. J. MacQueen-Pope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curtain Raiser (drama)
A curtain raiser is a short performance, stage act, show, actor or performer that opens a show for the main attraction. The term is derived from the act of raising the stage curtain. The first person on stage has "raised the curtain". The fashion in the late Victorian era and Edwardian era was to present long evenings in the theatre, and so full-length pieces were often presented together with, usually shorter, companion pieces. Each full-length work was normally accompanied by one or two short companion pieces. If the piece began the performance, it was called a curtain raiser. One that followed the full-length piece was called an afterpiece. W. J. MacQueen-Pope commented, concerning the curtain raisers: :This was a one-act play, seen only by the early comers. It would play to empty boxes, half-empty upper circle, to a gradually filling stalls and dress circle, but to an attentive, grateful and appreciative pit and gallery. Often these plays were little gems. They deserve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Comic Operas
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Engli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scott Russell (tenor)
Harry Henry Russell, better known as Scott Russell (25 September 1868 – 28 August 1949), was an English singer, actor and theatre manager best known for his performances in the tenor roles with the D'Oyly Carte Opera Company. He was the brother-in-law of D'Oyly Carte contralto Louie René. Life and career Russell was born in Great Malvern and studied singing with Gustave Garcia at the Royal Academy of Music. Early career Russell made his stage debut in the chorus of the Agnes Huntingdon Company in New Jersey in the United States. His London debut came with the D'Oyly Carte Opera Company at the Savoy Theatre in 1893, where he created the role of Lord Dramaleigh in the original production of ''Utopia, Limited''. In 1895, he created the roles of Bertuccio in '' Mirette'' and Pedro Gomez in ''The Chieftain'' at the Savoy. He also created the roles of Dr. Tannhauser in ''The Grand Duke'' (1896), He was in ''Weather or No'' (1896–97), and Count Cosmo in '' His Majesty'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmie Owen
Emily Owen (November 28, 1871 – October 18, 1905) was an English opera singer and actress, best known for her performances in soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company. Beginning as a child actress, she performed for two decades before falling ill on tour and dying at age 33. Early life and career Owen was born in Bristol, where she made her theatrical debut at the Prince's Theatre at the age of eleven. In 1891, Owen joined the D'Oyly Carte Opera Company on tour, playing the small role of Cheetah in ''The Nautch Girl''. She left the company to appear in a Christmas pantomime in Birmingham, returning to tour with the company in 1892 as Cynthia in ''The Vicar of Bray'' and as Polly in the companion piece, ''Captain Billy''. Late in the tour, she played Nance in Arthur Sullivan's ''Haddon Hall''. In 1893, she continued to play Nance at the Savoy Theatre. She then created the parts of Rose in ''Jane Annie'' (1893, and on tour), Princess Nekaya i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weather House
A weather house is a folk art device in the shape of a small German or Alpine chalet that indicates the weather. A typical weather house has two doors side by side. The left side has a girl or woman, the right side a boy or man. The female figure comes out of the house when the weather is sunny and dry, while the male (often carrying an umbrella) comes out to indicate rain. Description In fact, a weather house functions as a hygrometer embellished by folk art. The male and female figures ride on a balance bar, which is suspended by a piece of catgut or hair. The gut relaxes or shrinks based on the humidity in the surrounding air, relaxing when the air is wet and tensing when the air is dry. This action swings one figure or the other out of the house depending on the humidity. at the |
Edwardian Musical Comedies
Edwardian musical comedy was a form of British musical theatre that extended beyond the reign of King Edward VII in both directions, beginning in the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following the First World War. Between '' In Town'' in 1892 and ''The Maid of the Mountains'', premiering in 1917, this new style of musical theatre became dominant on the musical stage in Britain and the rest of the English-speaking world. The popularity of ''In Town'' and ''A Gaiety Girl'' (1893), led to an astonishing number of hits over the next three decades, the most successful of which included ''The Shop Girl'' (1894), ''The Geisha'' (1896), ''Florodora'' (1899), '' A Chinese Honeymoon'' (1901), ''The Earl and the Girl'' (1903), '' The Arcadians'' (1909), ''Our Miss Gibbs'' (1909), ''The Quaker Girl'' (1910), ''Betty'' (1914), ''Chu Chin Chow'' (191 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savoy Opera
Savoy opera was a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which impresario Richard D'Oyly Carte built to house the Gilbert and Sullivan pieces, and later those by other composer–librettist teams. The great bulk of the non-G&S Savoy Operas either failed to achieve a foothold in the standard repertory, or have faded over the years, leaving the term "Savoy Opera" as practically synonymous with Gilbert and Sullivan. The Savoy operas (in both senses) were seminal influences on the creation of the modern musical. Gilbert, Sullivan, Carte and other Victorian era British composers, librettists and producers, as well as the contemporary British press and literature, called works of this kind "comic operas" to distinguish their content and style from that of the often risqué continental European operettas that th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertram Luard-Selby
Bertram Luard-Selby (12 February 1853 – 26 December 1918) was an English composer and cathedral organist. As an organist, he served in Salisbury Cathedral and Rochester Cathedral. As a composer, he wrote prolifically for the church, the concert-hall and the theatre. Life and works Luard-Selby was born at Ightham Mote, Kent.''The Musical Times'', March 1908, p. 159 He studied the organ at the Leipzig Conservatoire under Carl Reinecke and was appointed organist at, successively, St. Barnabas, Marylebone, and Highgate School (1876); Salisbury Cathedral (1881); St John's Church, Torquay, 1884; and St. Barnabas, Pimlico, 1887. He was appointed organist of Rochester Cathedral on the death of the incumbent, John Hopkins, in 1900, and held the post until 1916, when he resigned to take up a post at Bradfield College. He was the musical editor of ''Hymns Ancient and Modern'', published in 1904. He also gave chamber music concerts in London in the 1880s. Fuller Maitland, J. A. and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Era
In the history of the United Kingdom and the British Empire, the Victorian era was the period of Queen Victoria's reign, from 20 June 1837 until her death on 22 January 1901. The era followed the Georgian period and preceded the Edwardian period, and its later half overlaps with the first part of the '' Belle Époque'' era of Continental Europe. There was a strong religious drive for higher moral standards led by the nonconformist churches, such as the Methodists and the evangelical wing of the established Church of England. Ideologically, the Victorian era witnessed resistance to the rationalism that defined the Georgian period, and an increasing turn towards romanticism and even mysticism in religion, social values, and arts. This era saw a staggering amount of technological innovations that proved key to Britain's power and prosperity. Doctors started moving away from tradition and mysticism towards a science-based approach; medicine advanced thanks to the adoption ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
