We Can't Be Stopped
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We Can't Be Stopped
''We Can't Be Stopped'' is the third studio album by Geto Boys, released on July 9, 1991. It was among their most successful records in terms of units sold. The album is analysed track-by-track by Geto Boys in Brian Coleman's book '' Check the Technique''.Coleman, Brian. '' Check The Technique: Liner Notes For Hip-Hop Junkies''. New York: Villard/Random House, 2007. pp. 225-231. ''We Can't Be Stopped'' was certified Platinum in early 1992.Bush, John"Geto Boys" AllMusic. Retrieved June 17, 2011 Recording ''We Can't Be Stopped'' took only a few weeks to record. During the recording of the album, DJ Ready Red, one of the original Geto Boys members, left the group for personal reasons. In ''We Can't Be Stopped'', each member of the group has three solo tracks. Three tracks have all three members on the rapping roster, including a short verse from DJ Ready Red on the title track. Album cover The album cover is a graphic picture of member Bushwick Bill in the hospital. Bill was shot ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', ''Creem'', ''Newsday'', ''Playboy'', ''Rolling Stone'', ''Billboard'', NPR, ''Blender'', and ''MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrat ...
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West Coast Poplock
"West Coast Poplock" is one of the most popular singles by Ronnie Hudson And The Street People and was released in 1982. Immediately adopted as an anthem by KDAY, "West Coast Poplock" has rarely left radio since its release nearly 40 years ago. It contains elements from the 1981 song "So Ruff, So Tuff", performed by Roger Troutman and co-written by himself and brother Larry Troutman. Various rappers have sampled it, from N.W.A, Snoop Dogg and Dr. Dre to Scarface (rapper), Scarface and Mos Def. The song is notable for its sample in "California Love" by Tupac Shakur, 2Pac featuring Dr. Dre and Roger Troutman, which was released on Death Row Records record label in 1996. Ronnie Hudson made a comeback with his album entitled ''Westcoastin''', in which the "West Coast Poplock" was renamed to "West Coast Poplock 2020" and was re-mastered. Legacy West Coast Poplock was later sampled by Dr. Dre & 2Pac on "California Love". Hudson's work is featured in films including ''The Social Network'' ...
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Zapp & Roger
Zapp (also known as the Zapp Band, Zapp & Roger) is an American funk band that emerged from Dayton, Ohio, United States, in 1977. Particularly influential in the electro subgenre of funk, Zapp were known for their trademark use of the talk-box effect. The original line-up consisted of four Troutman brothers—frontman Roger, Larry, Lester and Terry—and non-Troutman family members Bobby Glover, Gregory Jackson, Sherman Fleetwood, Jerome Derrickson, Eddie Barber and Shirley Murdock. Zapp also worked closely with George Clinton and Bootsy Collins of Parliament-Funkadelic during its early stages, their support being a factor in the group gaining a record deal with Warner Bros. Records in 1979. Zapp released its eponymous debut album in 1980, and achieved mainstream recognition from the single "More Bounce to the Ounce". The group's follow-up ''Zapp II'' was released in 1982, selling well and becoming certified gold. In the 1990s, Zapp would also be an influence on the regional ...
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More Bounce To The Ounce
"More Bounce to the Ounce" is the debut single by American funk band Zapp. It is the opening track on their eponymous debut album and serves as the album's first single. The song was written, arranged, composed and produced by Roger Troutman; and it peaked at No. 86 on the ''Billboard'' Hot 100 in 1980. The song title was taken from a 1950s Pepsi ad campaign of the same name. Chart positions Legacy The song was the inspiration behind the Tom Tom Club's 1981 hit "Genius of Love," itself one of the most sampled tracks of the New Wave era. "We loved €˜More Bounce’in part because it was played at a slower, funkier tempo by far than so many other dance tracks of the period," said Tom Tom Club’s Chris Frantz. "It was very relaxed and sexy while still maintaining a raw, hard edge." The song is featured in the 1999 film ''Any Given Sunday'', the 2002 Rockstar video game '' Grand Theft Auto: Vice City'' and the 2018 '' South Park'' episode " A Boy and a Priest". It was also i ...
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Funkadelic
Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. The band and its sister act Parliament, both led by George Clinton, pioneered the funk music culture of the 1970s.John, Bush. Funkadelic: Biography ''AllMusic''. Initially formed as a backing band for Clinton's vocal group the Parliaments, Funkadelic eventually pursued a heavier, more psychedelic rock-oriented sound. They released acclaimed albums such as ''Maggot Brain'' (1971) and ''One Nation Under a Groove'' (1978). History Background The group that would become Funkadelic was formed by George Clinton in 1964, as the unnamed backing section for his doo wop group The Parliaments while on tour. The band originally consisted of musicians Frankie Boyce, Richard Boyce, and Langston Booth plus the five members of the Parliaments on vocals. Boyce, Boyce, and Booth enlisted in the Army in 1966, and Clinton recruited bassist Billy Bass Nelson and guitarist Eddie Hazel in ...
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(Not Just) Knee Deep
"(Not Just) Knee Deep" is a funk song, with a running time of 15 minutes, 21 seconds, on Side 1 of Funkadelic's 1979 album ''Uncle Jam Wants You''. Song information An edited version of the song, appearing as Side A on the single release, reached number one on the ''Billboard'' Black Singles chart. The song was written by George Clinton (credited on some releases as "George Clinton, Jr."); the recording was arranged by Walter "Junie" Morrison and produced by Clinton under the alias "Dr. Funkenstein". The Funkadelic version is sung by Clinton and several other group members, including Philippé Wynne, who was a former lead singer of the rhythm and blues group, The Spinners, which he left two years earlier. The song is widely regarded as a funk classic, peaking at No. 77 on the ''Billboard'' Hot 100 and topping the US R&B charts in 1979. The lyrics tell of a "girl" who "was a freak of the week" and the man who was dancing with her. He was unimpressed by the Jerk, the Monkey, ...
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Giorgio Moroder
Giovanni Giorgio Moroder (, ; born 26 April 1940) is an Italian composer, songwriter, and record producer. Dubbed the "Honorific nicknames in popular music, Father of Disco", Moroder is credited with pioneering euro disco and electronic dance music. His work with synthesizers had a large influence on several music genres such as Hi-NRG, Italo disco, new wave, house and techno music. When in Munich in the 1970s, Moroder started his own record label called Oasis Records, which several years later became a subdivision of Casablanca Records. He is the founder of the former Musicland Studios in Munich, a recording studio used by many artists including the Rolling Stones, Electric Light Orchestra, Led Zeppelin, Deep Purple, Queen (band), Queen and Elton John. He produced singles for Donna Summer during the mid-to-late 1970s disco era, including "Love to Love You Baby (song), Love to Love You Baby", "I Feel Love", "Last Dance (Donna Summer song), Last Dance", "MacArthur Park (song)#Donn ...
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Chopped And Screwed
Chopped and screwed (also called screwed and chopped or slowed and throwed) is a music genre and technique of remixing music that involves slowing down the tempo and deejaying. It developed in the Houston hip hop scene in the early 1990s by DJ Screw. The screwed technique involves slowing the tempo of a song down to 60 and 70 quarter-note beats per minute and applying techniques such as skipping beats, record scratching, stop-time and affecting portions of the original composition to create a "chopped-up" version of the song. History 1990: Creation Preceding the late 1990s, most Southern hip hop was upbeat and fast, like Miami bass and Memphis, which was inspired by Afrika Bambaataa & the Soulsonic Force with their groundbreaking track " Planet Rock". Unlike its southern musical counterparts Houston's rap style has consistently remained slower, even in the beginning of Houston hip hop, as can be heard on the earliest Houston based group Geto Boys records from the mid to la ...
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The Source (magazine)
''The Source'' is an American hip hop and entertainment website, and a magazine that publishes annually or . It is the world's longest-running rap periodical, being founded as a newsletter in 1988 by Jonathan Shecter. David Mays was the magazine's co-founder. ''The Source''s Five-Mic albums The Record Report is a section in the publication in which the magazine's staff rates hip-hop albums. Ratings range from one to five mics, paralleling a typical five-star rating scale. An album that is rated at four-and-a-half or five mics is considered by ''The Source'' to be a superior hip hop album. Over the first ten years or so, the heralded five-mic rating only applied to albums that were universally lauded hip hop albums. A total of 45 albums have been awarded five mics; a complete, chronological list is below. Albums that originally received five mics: *''People's Instinctive Travels and the Paths of Rhythm'' – A Tribe Called Quest *''AmeriKKKa's Most Wanted'' – Ice Cube ...
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XXL (magazine)
''XXL'' is an American hip hop magazine, published by Townsquare Media, founded in 1997. History In August 1997, Harris Publications released the first issue of ''XXL''. It featured rappers Jay-Z and Master P on a double cover. In December 2006, ''XXL'' took over the struggling hip-hop producer and DJ magazine '' Scratch'' (another publication owned by Harris Publications), re-branding it as ''XXL Presents Scratch Magazine''. However ''Scratch'' shut down less than a year later in September 2007. Other titles with limited runs have been launched under the ''XXL'' brand, including ''Hip-Hop Soul'', ''Eye Candy'' and '' Shade45''. ''XXL'' has released many other special projects including tour programs, mixtapes and exclusive DVDs. ''XXL'' also maintains a popular website, which provides daily hip hop news, original content and content from the magazine. In 2014, Townsquare Media acquired ''XXL'', ''King'' and ''Antenna'' from Harris Publications. On October 14, 2014, Townsquar ...
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Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously reviewed ...
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