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We're In The Money (film)
''We're in the Money'' is a 1935 American romantic comedy film directed by Ray Enright. It was released by Warner Bros. on August 17, 1935. The film stars Joan Blondell and Glenda Farrell and is one of five Warner Bros. films in which they were paired as blonde bombshell comedy duo. The other films include ''Havana Widows'' (1933), ''Kansas City Princess'' (1934), ''Traveling Saleslady'' (1935) and ''Miss Pacific Fleet'' (1935). Ginger and Dixie are two process servers, who serve legal papers to a playboy, a racketeer, a wrestler and a singer. Plot Ginger Stewart (Joan Blondell) and Dixie Tilton (Glenda Farrell) are offered $1000 by ditsy lawyer Homer Bronson (Hugh Herbert) to serve subpoenas on reluctant witnesses for a breach of promise lawsuit brought by Claire LeClaire against wealthy C. Richard Courtney (Ross Alexander). They have a deadline, as a new state law will take effect in a few weeks banning such suits. Unbeknownst to Ginger, she already knows the defendant; she an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Blondell
Joan Blondell (born Rose Joan Bluestein; August 30, 1906 – December 25, 1979) was an American actress who performed in film and television for 50 years. Blondell began her career in vaudeville. After winning a beauty pageant, she embarked on a film career, establishing herself as a Pre-Code staple of Warner Bros. Pictures in wisecracking, sexy roles, appearing in more than 100 films and television productions. She was most active in film during the 1930s and early 1940s, and during that time co-starred with Glenda Farrell, a colleague and close friend, in nine films. Blondell continued acting on film and television for the rest of her life, often in small, supporting roles. She was nominated for an Academy Award for Best Supporting Actress for her performance in '' The Blue Veil'' (1951). Near the end of her life, Blondell was nominated for a Golden Globe for Best Supporting Actress for her performance in '' Opening Night'' (1977). She was featured in two more films, the bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breach Of Promise
Breach of promise is a common law tort, abolished in many jurisdictions. It was also called breach of contract to marry,N.Y. Civil Rights Act article 8, §§ 80-A to 84. and the remedy awarded was known as heart balm. From at least the Middle Ages until the early 20th century, a man's promise of engagement to marry a woman was considered, in many jurisdictions, a legally binding contract. If the man were to subsequently change his mind, he would be said to be in "breach" of this promise and subject to litigation for damages. The converse of this was seldom true; the concept that "it's a woman's prerogative to change her mind" had at least some basis in law (though a woman might pay a high social price for exercising this privilege)—and unless an actual dowry of money or property had changed hands or the woman could be shown to have become engaged to a man only to enable her use of his money, a man was only rarely able to recover in a "breach of promise" suit against a woman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1935 Films
The following is an overview of 1935 in film, including significant events, a list of films released and notable births and deaths. The cinema releases of 1935 were highly representative of the early Golden Age period of Hollywood. This period was punctuated by performances from Clark Gable, Shirley Temple, Fred Astaire and Ginger Rogers, and the first teaming of Jeanette MacDonald and Nelson Eddy. A significant number of productions also originated in the UK film industry. Top-grossing films (U.S.) The top ten 1935 released films by box office gross in North America are as follows: Events * February 22 – '' The Little Colonel'' premieres starring Shirley Temple, Lionel Barrymore and Bill Robinson, featuring famous stair dance with Hollywood's first interracial dance couple * February 23 – Gene Autry stars as himself as the Singing Cowboy in the serial ''The Phantom Empire''. He would later be voted the number one Western star from 1937 to 1942. * February 27 – Seve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mort Dixon
Mort Dixon (March 20, 1892 – March 23, 1956) was an American lyricist. Biography Born in New York City, United States, Dixon began writing songs in the early 1920s, and was active into the 1930s. He achieved success with his first published effort, 1923's "That Old Gang of Mine". His chief composer collaborators were Ray Henderson, Harry Warren, Harry M. Woods and Allie Wrubel. His composing output declined in the late 1930s, and he retired early in life to reside in Westchester County, New York. Among his lyrics are: " That Old Gang Of Mine" (1923), "Bye Bye Blackbird" (1926), "I'm Looking Over a Four Leaf Clover" (1927), "Nagasaki" (1928), "Would You Like to Take a Walk?" (1930), "I Found a Million Dollar Baby (in a Five and Ten Cent Store)", "You're My Everything", and "River, Stay 'Way from My Door" (1931), "Flirtation Walk" and "Mr and Mrs is the Name" (1934) and " The Lady in Red" (1935). Dixon is a member of the Songwriters Hall of Fame. He died in Bronxville, New York ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allie Wrubel
Elias Paul "Allie" Wrubel (January 15, 1905 – December 13, 1973) was an American composer and songwriter. Biography Wrubel was born to a Jewish family in Middletown, Connecticut, United States, the son of Regina (née Glasscheib) and Isaac Wrubel. His family founded the Wrubels department store in Middletown, Connecticut. He attended Wesleyan University and Columbia University before working in dance bands. "After earning his bachelor’s degree in 1926, Allie enrolled in graduate music studies at Columbia University. He roomed with his close friend, film actor James Cagney former Columbia undergrad and began playing with bands in Greenwich Village and making the rounds on Tin Pan Alley."Elias Paul "Allie" Wrubel.... Western States Jewish History. By Jonathan L. Friedmann. Retrieved February 5, 2013. He play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Warren
Harry Warren (born Salvatore Antonio Guaragna; December 24, 1893 – September 22, 1981) was an American composer and the first major American songwriter to write primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for composing " Lullaby of Broadway", "You'll Never Know" and "On the Atchison, Topeka and the Santa Fe". He wrote the music for the first blockbuster film musical, '' 42nd Street'', choreographed by Busby Berkeley, with whom he would collaborate on many musical films. Over a career spanning six decades, Warren wrote more than 800 songs. Other well known Warren hits included "I Only Have Eyes for You", "You Must Have Been a Beautiful Baby", " Jeepers Creepers", "The Gold Diggers' Song (We're in the Money)", "That's Amore", "There Will Never Be Another You", "The More I See You", "At Last" and "Chattanooga Choo Choo" (the last of which was the first gold record in history). Warren was one of America's most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Dubin
Alexander Dubin (June 10, 1891 – February 11, 1945) was an American lyricist. He is best known for his collaborations with the composer Harry Warren. Life Al Dubin came from a Russian Jewish family that emigrated to the United States from Switzerland when he was two years old. Born in Zürich, Switzerland, he grew up in Philadelphia. Between ages of thirteen and sixteen, Dubin played hookey from school in order to travel into New York City to see Broadway musical shows. At age 14 he began writing special material for a vaudeville entertainer on 28th Street between 5th and Broadway in New York City, otherwise known as Tin Pan Alley. Dubin was accepted and enrolled at Perkiomen Seminary in September 1909, but was expelled in 1911, after writing their Alma Mater. After leaving Perkiomen, Dubin got himself a job as a singing waiter at a Philadelphia restaurant. He continued to write lyrics and tried selling them to area publishing firms. During this time, Dubin met composer Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Gold Diggers' Song (We're In The Money)
"The Gold Diggers' Song (We're in the Money)" is a song from the 1933 Warner Bros. film ''Gold Diggers of 1933'', sung in the opening sequence by Ginger Rogers and chorus. The entire song is never performed in the 1933 movie, though it introduces the film in the opening scene (wherein the performance is busted up by the police). Later in the movie, the tune is heard off stage in rehearsal as the director continues a discussion on camera about other matters. The lyrics were written by Al Dubin and the music by Harry Warren. It became a standard with a well-known melody. It is one of the songs of the Broadway theatre's musical 42nd Street (musical). Lyrics The song's lyrics reflect a positive financial turnaround and a fantasized end to the Great Depression, which in the U.S. began to turn around in early 1933 but wouldn't actually end until the late 1930s: [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hobart Cavanaugh
Hobart Cavanaugh (September 22, 1886 – April 26, 1950 ) was an American character actor in films and on stage. Biography He was born in Virginia City, Nevada on September 22, 1886. Cavanaugh attended the University of California. He worked in vaudeville, teaming with Walter Catlett at some point. He appeared in numerous Broadway productions, including the original 1919 musical ''Irene'' and the long-running 1948 musical ''As the Girls Go''. He made his film debut in ''San Francisco Nights'' (1928). Over the next few years he established himself as a supporting actor, and although many of his roles were small and received no film credit, he played more substantial roles in films such as ''I Cover the Waterfront'' (1933) and '' Mary Stevens, M.D.'' (1933). By the mid-1930s, he was appearing in more prestigious productions, such as '' A Midsummer Night's Dream'' (1935), '' Captain Blood'' (1935), '' Wife vs. Secretary'' (1936) and ''A Letter to Three Wives'' (1949). He continue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
We're In The Money (1935)
"The Gold Diggers' Song (We're in the Money)" is a song from the 1933 Warner Bros. film ''Gold Diggers of 1933'', sung in the opening sequence by Ginger Rogers and chorus. The entire song is never performed in the 1933 movie, though it introduces the film in the opening scene (wherein the performance is busted up by the police). Later in the movie, the tune is heard off stage in rehearsal as the director continues a discussion on camera about other matters. The lyrics were written by Al Dubin and the music by Harry Warren. It became a standard with a well-known melody. It is one of the songs of the Broadway theatre's musical 42nd Street (musical). Lyrics The song's lyrics reflect a positive financial turnaround and a fantasized end to the Great Depression, which in the U.S. began to turn around in early 1933 but wouldn't actually end until the late 1930s: [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry O'Neill
Henry O'Neill (August 10, 1891 – May 18, 1961) was an American film actor known for playing gray-haired fathers, lawyers, and similarly dignified roles during the 1930s and 1940s. Early years He was born in Orange, New Jersey. Career O'Neill began his acting career on the stage, after dropping out of college to join a traveling theatre company. He served in the Navy in World War I, after which he worked at several jobs, including being an usher in a funeral home. Eventually, he returned to the stage. His Broadway debut came in ''The Spring'' (1921), and his final Broadway appearance was in ''Shooting Star'' (1933). He also acted with the Provincetown Players and the Celtic Players. In the early 1930s he began appearing in films, including ''The Big Shakedown'' (1934), the Western ''Santa Fe Trail'' (1940), the musical ''Anchors Aweigh'' (1945), ''The Green Years'' (1946), and ''The Reckless Moment'' (1949). His last film was ''The Wings of Eagles'' (1957), starring J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man Mountain Dean
Frank Simmons Leavitt (June 30, 1891 – May 29, 1953) was an American professional wrestler of the early 1900s, known by the ring name Man Mountain Dean. Early life Leavitt was born in New York City, the son of John McKenney Leavitt and Henrietta N. (née Decker) Leavitt. From childhood, Leavitt was above average in size and strength. This led to a lifelong interest in competitive sport, and also enabled him to lie about his age in order to join the Army at the age of fourteen. While enlisted he saw duty on the Mexico–United States border with John J. Pershing, and was later sent to France where he participated in combat during World War I. Also during this period (1914) he began his wrestling career using the ring name of "Soldier Leavitt". Professional wrestling career After the war, Leavitt embarked on a career in athletics. Although he played with the New York Brickley Giants of the National Football League from 1919–20, he concentrated most of his efforts on professio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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