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We're Children Of Coincidence And Harpo Marx
''We're Children of Coincidence and Harpo Marx'' was the sixth solo studio LP by Dory Previn, released in 1976 by the Warner Brothers label. Apart from the download tracks ''Planet Blue'' made available in 2002, it was her last set of recordings. Track listing #"Children of Coincidence"" #"I Wake Up Slow" #"Woman Soul" #"The Comedian" #"Fours" #"So Much Trouble" #"Wild Roses (Love Song To The Monster)" #"How'm I Gonna Keep Myself Together" #"The Owl and The Pussycat" Personnel *Dory Previn - Vocals, Guitar *Wayne Andre - Trombone *Patti Austin - Vocals *Phil Bodner - Flute, Clarinet *David Carey - Percussion *Ron Carter - Bass *Francisco Centeno - Bass *Burt Collins - Trumpet *Judy Clay - Vocals *Jonathan Dorn - Tuba *Bill Eaton - Vocals *Frank Floyd - Vocals *Cissy Houston - Vocals *Peter Jameson - Guitar *Jack Jeffers - Trombone * Arthur Jenkins - Percussion, Keyboards *Hank Jones - Piano *Keith Loving - Guitar *Deborah McDuffie - Vocals *Don McLean - Banjo *Eunice Peterson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don McLean
Donald McLean III (born October 2, 1945) is an American singer-songwriter and guitarist. He is best known for his 1971 hit song " American Pie", an eight-and-a-half-minute folk rock "cultural touchstone" about the loss of innocence of the early rock and roll generation. His other hit singles include "Vincent" (about Vincent van Gogh), "Dreidel", and "Wonderful Baby"; as well as his renditions of Roy Orbison's "Crying" and the Skyliners' "Since I Don't Have You". McLean's composition " And I Love You So" has been recorded by Elvis Presley, Perry Como, Helen Reddy, Glen Campbell, and others. In 2000, Madonna had a hit with a rendition of "American Pie". In 2004, McLean was inducted into the Songwriters Hall of Fame. In January 2018, BMI certified that "American Pie" and "Vincent" had reached five million and three million airplays respectively. On Nov 22nd 2022 in Nashville, TN McLean was inducted into Musicians Hall of Fame and Museum. Musical roots McLean's grandfather and fat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dory Previn Albums
A dory is a small, shallow-draft boat, about long. It is usually a lightweight boat with high sides, a flat bottom and sharp bows. It is easy to build because of its simple lines. For centuries, the dory has been used as a traditional fishing boat, both in coastal waters and in the open sea. Definition Strictly speaking, the only true defining characteristic of the dory is that it is planked with wide straight boards running fore-and-aft; "It should be well understood, that it is the dory's special mode of construction, not its hull shape, that sets it, and its related sub-types apart from other boats".Gardner, page 15. More generally speaking, the dory can be defined as a small boat which has: * a flat bottom, with the bottom planks fastened lengthwise (bow to stern). * a hull shape defined by the natural curve of a sawn plank (never steam-bent). * planks overlapping the stem at the front of the boat and an outer "false" stem covering the hood ends of the planks. * (with som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1976 Albums
Events January * January 3 – The International Covenant on Economic, Social and Cultural Rights enters into force. * January 5 – The Pol Pot regime proclaims a new constitution for Democratic Kampuchea. * January 11 – The 1976 Philadelphia Flyers–Red Army game results in a 4–1 victory for the National Hockey League's Philadelphia Flyers over HC CSKA Moscow of the Soviet Union. * January 16 – The trial against jailed members of the Red Army Faction (the West German extreme-left militant Baader–Meinhof Group) begins in Stuttgart. * January 18 ** Full diplomatic relations are established between Bangladesh and Pakistan 5 years after the Bangladesh Liberation War. ** The Scottish Labour Party (1976), Scottish Labour Party is formed as a breakaway from the UK-wide party. ** Super Bowl X in American football: The Pittsburgh Steelers defeat the Dallas Cowboys, 21–17, in Miami. * January 21 – First commercial Concorde flight, from London to Bahrain. * January 27 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronnie Zito
Ronald "Ronnie" Zito (born February 17, 1939) is an American jazz drummer. Early life Zito was born in Utica, New York, into a musical family including his brother Torrie Zito. He began playing drums at the age of 10 and at age 14 took a year and a half of formal lessons. Career Zito was the Bobby Darin, Bobby Darin's personal drummer for four years. He also played with Woody Herman, J. R. Monterose, J.R. Monterose, Frank Rosolino, Peggy Lee, Cher, Roberta Flack and Eartha Kitt. Collaborations With Irene Cara * ''Anyone Can See'' (Network, 1982) With Cher * ''Take Me Home (Cher album), Take Me Home'' (Casablanca Records, 1979) With Bobby Darin * ''Love Swings'' (Atco Records, 1961) * ''Winners (Bobby Darin album), Winners'' (Atco Records, 1964) With Roberta Flack * ''Feel Like Makin' Love (album), Feel Like Makin' Love'' (Atlantic Records, 1975) With Jake Holmes * ''How Much Time'' (Columbia Records, 1972) With Morgana King * ''New Beginnings'' (Paramount Records, 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Wess
Frank Wellington Wess (January 4, 1922 – October 30, 2013) was an American jazz saxophonist and flutist. In addition to his extensive solo work, Wess is remembered for his time in Count Basie's band from the early 1950s into the 1960s. Critic Scott Yanow described him as one of the premier proteges of Lester Young, and a leading jazz flutist of his era—using the latter instrument to bring new colors to Basie's music. Biography Wess was born in Kansas City, Missouri, United States, the son of a principal father and a schoolteacher mother. He began with classical music training and played in Oklahoma in high school. He later switched to jazz on moving to Washington, D.C. and by nineteen was working with big bands. His career was interrupted by World War II although he did play with a military band in the period. After leaving the military, he joined Billy Eckstine's orchestra. He returned to Washington D.C. a few years afterwards and received a degree in flute at the city's Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Weissberg
Eric Weissberg (August 16, 1939 – March 22, 2020) was an American singer, banjo player, and multi-instrumentalist, whose most commercially successful recording was his banjo solo in "Dueling Banjos," featured as the theme of the film ''Deliverance'' (1972) and released as a single that reached number 2 in the United States and Canada in 1973. A member of the folk group the Tarriers for years, Weissberg later developed a career as a session musician. He played and recorded with leading folk, bluegrass, rock, and popular musicians and groups from the middle of the 20th century to its end. Life and career Weissberg was born in Brooklyn, New York City, the son of Cecile (Glasberg), a liquor buyer, and Will Weissberg, a publicity photographer. He attended The Little Red Schoolhouse in New York's Greenwich Village and graduated from The High School of Music & Art in New York City. He went on to the University of Wisconsin–Madison and the Juilliard School of Music. From 1956 to 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tropea
John Tropea (pronounced 'tro-pay'; born January 7, 1946) is an American guitarist. Career Tropea began guitar studies at the age of 12. His musical education continued at Berklee College of Music in Boston, where he studied jazz guitar, harmony, musical composition, and big band arranging. After arriving in Boston, Tropea began playing jazz and R&B with local bands, including The Three Degrees. He was influenced by Wes Montgomery, Johnny Smith, Luiz Bonfá, Pat Martino, and George Benson. Among his mentors were Hammond B3 organ players Jack McDuff and Jimmy Smith. After Berklee, Tropea recorded and toured with Eumir Deodato. Moving to New York City in 1967, he became one of the most sought after session players. In 1974, he played on Van Morrison's " Bulbs" and "Cul de Sac" included on the album ''Veedon Fleece'' and issued as the single. Tropea wrote and produced three critically acclaimed solo albums for TK Records. His first solo album ''Tropea'', was released in 1975, follow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernie Royal
Ernest Andrew Royal (June 2, 1921 in Los Angeles, California – March 16, 1983 in New York City) was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording '' The Genius of Ray Charles'' (1959). Career He began in Los Angeles as a member of Les Hite's Orchestra in 1937. In the following 20 years he would work with Lionel Hampton, Woody Herman, Count Basie, Duke Ellington, Wardell Gray, Stan Kenton and recording as a member of the Charles Mingus Octet, with Teo Macero, John Lewis and Kenny Clarke, among others, in 1953. He led ten albums, most of them recorded in Paris. In 1957 he became a staff musician for the American Broadcasting Company. He went on to play in The Tonight Show Band and can be heard on the Miles Davis albums '' Miles Ahead'' (1957), ''Porgy and Bess'' (1958), and ''Sketches of Spain'' (1960). Death A resident of Teaneck, New Jersey, Royal died of cancer at a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dom Um Romão
Dom Um Romão (3 August 1925 – 27 July 2005) was a Brazilian jazz drummer and percussionist. Noted for his expressive stylings with the fusion band Weather Report, Romão also recorded with varied notable artists such as Cannonball Adderley, Paul Simon, Antonio Carlos Jobim, Jorge Ben, Sergio Mendes and Brasil '66, and Tony Bennett. He was the percussionist Tom Jobim brought to the studio for the album Jobim recorded with Frank Sinatra in 1967 for Reprise Records, ''Francis Albert Sinatra & Antônio Carlos Jobim''. He died in Rio de Janeiro shortly after suffering a stroke. Discography As leader * 1965 ''Dom Um'' (Phillips) * 1972 ''Dom Um Romão'' (Muse) * 1973 ''Spirit of the Times'' (Muse) * 1974 ''Braun-Blek-Blu'' (Happy Bird) * 1977 ''Hotmosphere'' (Pablo) * 1978 ''Om'' (JAPO Records/ ECM Records)ECM LP 19003 * 1990 ''Samba de Rua'' (Vogue Records) * 1993 ''Saudades'' (Waterlilly) * 1999 ''Rhythm Traveller'' (JSR/Natasha) * 2001 ''Lake of Perseverance'' (JSR/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seldon Powell
Seldon Powell (15 November 1928 – 25 January 1997) was an American soul jazz, swing, and R&B tenor saxophonist and flautist born in Lawrenceville, Virginia. He worked with Tab Smith (1949), Lucky Millinder (1949–51), Neal Hefti, and Louis Bellson. During the 1960s he ventured into the soul jazz idiom and worked with Clark Terry, Lou Donaldson, Johnny Hammond Smith, and Buddy Rich. Discography As leader * ''Sedon Powell Plays'' (Roost 1955 [1956], reissued by Roulette, 1973)) * ''Seldon Powell featuring Jimmy Cleveland'' (Roost, 1956) * ''Rhythm Plus One'' (Fresh Sound, 1956 [1984], LP reissue of selections from the above) * ''At the Hop'' (PMI) * ''Messin' with Seldon Powell'' (Encounter, 1973) As sideman With Tony Aless *''Long Island Suite'' (Roost, 1955) With Mose Allison *''Hello There, Universe'' (Atlantic, 1970) With Albert Ayler *''New Grass'' (Impulse!, 1968) With Chet Baker *''Baker's Holiday'' (Limelight, 1965) With Gato Barbieri *''Chapter Three, Viva Emilian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Jenkins (musician)
Arthur Eugene Jenkins, Jr. (December 7, 1936 – January 28, 2009) was an American keyboardist, composer, arranger and percussionist who worked with many popular music icons such as John Lennon, Harry Belafonte, Bob Marley and Chaka Khan. Jenkins was born in The Bronx, New York, and began playing piano at the age of 5. After studying music at Baldwin-Wallace College in Ohio, Jenkins returned to New York and began his professional career. He played for two years at a club called Blue Moracco. The first year was with a singer named Irene Reid and the second was with a new singer from Ohio named Nancy Wilson. Next began a 9-year collaboration as musical director and accompanist to singer Johnny Nash, which included Nash's 1972 smash "I Can See Clearly Now". While with Nash, Jenkins traveled to Jamaica where he also worked on recording projects with Bob Marley and Peter Tosh. Jenkins had now become a much sought-after studio musician, and soon was the arranger for Harry Belafont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
