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We'll Meet Again In The Heimat
''We'll Meet Again at Home'' (German: ''In der Heimat, da gibt's ein Wiedersehn!'') is a 1926 German silent film directed by Leo Mittler and Reinhold Schünzel.Ashkenazi p.135 It shares its name with a popular song title. The film's art direction is by Fritz Kraenke and Karl Machus Karl Machus (1884–1944) was a German art director. Along with Erich Zander he designed the sets for most of the films made by director Veit Harlan during the Nazi era.Noack p.145 Selected filmography * '' Prince Cuckoo'' (1919) * '' Blonde P .... Cast References Bibliography * Ashkenazi, Ofer. ''Weimar Film and Modern Jewish Identity''. Palgrave Macmillan, 2012. External links * 1926 films 1926 war films German war films Films of the Weimar Republic Films directed by Leo Mittler Films directed by Reinhold Schünzel German silent feature films UFA GmbH films German black-and-white films German World War I films 1920s German films 1920s German-language films {{Germany- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margot Landa
Margot Walter, also known as Margot Landa (4 October 1903 in Potsdam, Germany – April 1994 in Camden Town, London, England), was a German actress. Life and career Born in Potsdam near Berlin Walter became a regular member of the cast at the Hamburg Stadttheater in 1923. After a season at the Thalia Theater in Hamburg she moved to Berlin in 1925 after being contracted by the ''Deutsches Künstlertheater Berlin'' (German Artist Theatre Berlin), one of the several Berlin theatres run by successful Jewish theatrical producer . Her usual characters were the ingenue and the soubrette. The following year (1926) her film career started when she was discovered by Reinhold Schünzel. Margot Walter played mainly happy-go-lucky teenage girls in comedies, romantic comedies and farces which were constantly on an insignificant artistic level. Those were topics popular with the audience during the period of radical change from silent to sound movies. Margot Walter contracted leading and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jakob Tiedtke
Jakob Karl Heinrich Wilhelm Tiedtke (23 June 1875 – 30 June 1960) was a German film actor. He appeared in more than 190 films between 1914 and 1955. Selected filmography * ''The Pied Piper of Hamelin (1918 film), The Pied Piper of Hamelin'' (1918) * ''The Doll (1919 film), The Doll'' (1919) * ''The Galley Slave (1919 film), The Galley Slave'' (1919) * ''A Drive into the Blue'' (1919) * ''Kohlhiesel's Daughters (1920 film), Kohlhiesel's Daughters'' (1920) * ''Sumurun'' (1920) * ''Romeo and Juliet in the Snow'' (1920) * ''Kohlhiesels Töchter (1920 film), Kohlhiesels Töchter'' (1920) * ''Love at the Wheel'' (1921) * ''Peter Voss, Thief of Millions (1921 film), Peter Voss, Thief of Millions'' (1921) * ''The Stream (film), The Stream'' (1922) * ''Sins of Yesterday'' (1922) * ''Maciste and the Chinese Chest'' (1923) * ''The Expulsion (film), The Expulsion'' (1923) * ''The Ancient Law'' (1923) * ''The Little Napoleon'' (1923) * ''Carousel (1923 film), Carousel'' (1923) * ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Lincoln
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its depr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Etlinger
Karl Etlinger (16 October 1879 – 8 May 1946) was a German film actor. He appeared in more than 110 films between 1914 and 1946. Selected filmography * '' The Eternal Curse'' (1921) * ''The Poisoned Stream'' (1921) * '' The Films of Princess Fantoche'' (1921) * '' Lumpaci the Vagabond'' (1922) * ''Nosferatu'' (1922) * ''What Belongs to Darkness'' (1922) * ''The Lodging House for Gentleman'' (1922) * ''Phantom'' (1922) * ''Countess Donelli'' (1924) * ''Debit and Credit'' (1924) * ''The Man at Midnight'' (1924) * ''Zigano'' (1925) * ''The Girl with a Patron'' (1925) * ''We'll Meet Again in the Heimat'' (1926) * ''One Does Not Play with Love'' (1926) * ''Fadette'' (1926) * '' Young Blood'' (1926) * '' Bigamie'' (1927) * ''That Was Heidelberg on Summer Nights'' (1927) * ''The Bordellos of Algiers'' (1927) * ''Family Gathering in the House of Prellstein'' (1927) * '' Katharina Knie'' (1929) * ''Napoleon at Saint Helena'' (1929) * ''The Woman One Longs For'' (1929) * ''Waltz of L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Stössel
Ludwig Stössel (12 February 1883 – 29 January 1973) was an actor born in Lockenhaus, now Austria, then Hungary. He was one of many Jewish actors and actresses who were forced to flee Germany when the Nazis came to power in 1933. Biography Stössel began performing on the stage in Austria and Germany when he was only 17. He soon became a successful character actor and performed on the most prestigious stages in Germany, among them the Max Reinhardt, the stage and the in Berlin. Stössel later became a movie actor. His first motion picture was a small role in the silent movie ''In der Heimat, da gibt's ein Wiedersehn!'' (''We'll Meet Again in the Homeland'') in 1926 at the age of 43. He appeared in about a half dozen silent movies in Germany and landed more roles with the arrival of sound. Stössel's first sound movie was Georg Wilhelm Pabst's ''Skandal um Eva'' (''(Scandalous Eva)'') in 1930. The following year, he appeared in Max Neufeld's ''Opernredoute'' (''The Opera Ball ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Beckmann
Fritz originated as a German nickname for Friedrich, or Frederick (''Der Alte Fritz'', and ''Stary Fryc'' were common nicknames for King Frederick II of Prussia and Frederick III, German Emperor) as well as for similar names including Fridolin and, less commonly, Francis. Fritz (Fryc) was also a name given to German troops by the Entente powers equivalent to the derogative Tommy. Other common bases for which the name Fritz was used include the surnames Fritsche, Fritzsche, Fritsch, Frisch(e) and Frycz. Below is a list of notable people with the name "Fritz." Surname *Amanda Fritz (born 1958), retired registered psychiatric nurse and politician from Oregon *Al Fritz (1924–2013), American businessman *Ben Fritz (born 1981), American baseball coach * Betty Jane Fritz (1924–1994), one of the original players in the All-American Girls Professional Baseball League *Clemens Fritz (born 1980), German footballer *Edmund Fritz (before 1918–after 1932), Austrian actor, film direc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Werner-Kahle
Hugo Werner-Kahle (5 August 1882 – 1 May 1961) was a German stage and film actor (and sporadically, a movie director). He appeared in around a hundred films during his career. Selected filmography * ''Midnight'' (1918) * '' The Bracelet'' (1918) * ''Europe, General Delivery'' (1918) * ''The Count of Cagliostro'' (1920) * ''Biribi'' (1922) * ''Money in the Streets'' (1922) * '' Tabitha, Stand Up'' (1922) * '' Miss Madame'' (1923) * ''Friend Ripp'' (1923) * ''The Lost Soul, or: The Dangers of Hypnosis'' (1923)Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 264. . * '' Modern Vices'' (1924) * '' The Other Woman'' (1924) * ''Hunted Men'' (1924) * '' A Woman for 24 Hours'' (1925) * '' The Uninvited Guest'' (1925) * ''Shadows of the Metropolis'' (1925) * ''Cock of the Roost'' (1925) * ''The Woman with That Certain Something'' (1925) * ''Accommodations for Marriage'' (1926) * ''The Pride of the Company'' (1926) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blandine Ebinger
Blandine Ebinger (born Blandine Loeser) (4 November 1899, in Berlin – 25 December 1993, in Berlin) was a German actress and ''chansonniere''. Career Ebinger became acquainted with Friedrich Hollaender in 1919, and with him she became heavily invested as a performer, writer, and composer in the Berlin cabaret scene in the 1920s, beginning in the cabaret and the Café des Westens. She recorded many of her husband's, Friedrich Hollaender, cabaret songs, including the set of songs entitled '. Ebinger emigrated to the United States in 1937, returning to Berlin in 1947. She moved to Munich, where she met her second husband, the publisher Helwig Hassepflug, in 1961. They eventually settled back in Berlin, where she continued her career in the theater and as an actress on television productions. Family Ebinger was the daughter of the pianist Gustav Loeser and the actress Margarete Wezel. She married Friedrich Hollaender. Although Ebinger and Hollaender ended their marriage bef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Westermeier
Paul Westermeier (9 July 1892 – 17 October 1972) was a German film actor. Selected filmography * '' Wedding in the Eccentric Club'' (1917) * ''Agnes Arnau and Her Three Suitors'' (1918) * ''About the Son'' (1921) * '' Memoirs of a Film Actress'' (1921) * ''Children of Darkness'' (1921) * '' The Big Shot'' (1922) * '' The Enchantress'' (1924) * ''Annemarie and Her Cavalryman'' (1926) * ''The Pride of the Company'' (1926) * ''Circus Romanelli'' (1926) * ''We'll Meet Again in the Heimat'' (1926) * ''A Crazy Night'' (1927) * ''The Long Intermission'' (1927) * ''Always Be True and Faithful'' (1927) * '' Lemke's Widow'' (1928) * '' Dyckerpotts' Heirs'' (1928) * '' Dear Homeland'' (1929) * ''Retreat on the Rhine'' (1930) * '' Josef the Chaste'' (1930) * ''Alraune'' (1930) * ''The Little Escapade'' (1931) *'' Errant Husbands'' (1931) * '' A Crafty Youth'' (1931) * '' Everyone Asks for Erika'' (1931) * ''The Beggar Student'' (1931) * '' Weekend in Paradise'' (1931) * ''The Soaring Maid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trude Lehmann
Trude Lehmann (1892–1987) was a German film actress.Grange p.307 Selected filmography * ''Children of No Importance'' (1926) * ''We'll Meet Again in the Heimat'' (1926) * ''Unmarried Daughters ''Unmarried Daughters'' (German: ''Ledige Töchter'') is a 1926 German silent film directed by Carl Boese and starring Jenny Jugo, Charlotte Ander and Ida Wüst.Parish p.297 The film's sets were designed by the art director Oscar Werndorff. C ...'' (1926) * ''Nanette Makes Everything'' (1926) * ''The False Prince (film), The False Prince'' (1927) * ''Miss Chauffeur'' (1928) * ''The House Without Men'' (1928) * ''Adam and Eve (1928 film), Adam and Eve'' (1928) * ''What a Woman Dreams of in Springtime'' (1929) * ''Youth of the Big City'' (1929) * ''Painted Youth'' (1929) * ''The Lord of the Tax Office'' (1929) * ''Dolly Gets Ahead'' (1930) * ''That's All That Matters (film), That's All That Matters'' (1931) * ''Shadows Over St. Pauli'' (1938) * ''Shoulder Arms (1939 film), Shoulder Arm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daisy Torrens
Daisy, Daisies or DAISY may refer to: Plants * ''Bellis perennis'', the common daisy, lawn daisy or English daisy, a European species Other plants known as daisy * Asteraceae, daisy family ** ''Euryops chrysanthemoides'', African bush daisy ** ''Osteospermum'', African daisy ** ''Tetraneuris acaulis'', angelita daisy ** ''Melampodium leucanthum'', blackfoot daisy ** ''Glebionis coronaria'', crown daisy ** ''Brachyglottis greyi'', daisy bush ** ''Olearia'', daisy bush ** '' Argyranthemum'', dill daisy, marguerite daisy ** ''Rhodanthemum hosmariense'', Moroccan daisy ** '' Leucanthemum vulgare'', oxeye daisy, dog daisy ** ''Leucanthemum × superbum'', Shasta daisy ** ''Brachyscome'', several species ** ''Gerbera jamesonii'', Barberton daisy, Transvaal daisy ** ''Ismelia carinata'', tricolor daisy * ''Scabiosa prolifera'', Carmel daisy * ''Globularia'', globe daisies * ''Cleretum bellidiforme'', Livingstone daisy Arts, entertainment and media Film and television * Daisy (advertisemen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Ehrlich
Max Michaelis Ehrlich (7 December 1892 – 1 October 1944) was a German actor, screenwriter, and director on the German theater, comedy and cabaret scene of the 1930s. Ehrlich began his career in the 1920s at various theatres, including leading roles in Max Reinhardt productions and revues. He appeared in 42 films, ten of which he directed, and on eight records. He wrote several books, including ''From Adelbert to Zilzer'', his best-selling humorous collection of stories and anecdotes about sixty-two of his best known show business friends and colleagues. Career in Nazi Germany In 1933, the National Socialists seized power and stopped Ehrlich and his other Jewish colleagues from working in Germany. As a result, he left for Vienna to appear with the Rudolf Nelson Revue. However, there too, Austrian anti-Semites interrupted the show with cries of "Jews, get out of Vienna." Consequently, the troupe left for The Netherlands, stopping en route for stage appearances in Switzerland. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
