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We'll Meet Again In The Heimat
''We'll Meet Again at Home'' (German: ''In der Heimat, da gibt's ein Wiedersehn!'') is a 1926 German silent film directed by Leo Mittler and Reinhold Schünzel.Ashkenazi p.135 It shares its name with a popular song title. The film's art direction is by Fritz Kraenke and Karl Machus Karl Machus (1884–1944) was a German art director. Along with Erich Zander he designed the sets for most of the films made by director Veit Harlan during the Nazi era.Noack p.145 Selected filmography * '' Prince Cuckoo'' (1919) * '' Blonde P .... Cast References Bibliography * Ashkenazi, Ofer. ''Weimar Film and Modern Jewish Identity''. Palgrave Macmillan, 2012. External links * 1926 films 1926 war films German war films Films of the Weimar Republic Films directed by Leo Mittler Films directed by Reinhold Schünzel German silent feature films UFA GmbH films German black-and-white films German World War I films 1920s German films 1920s German-language films {{Germany- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margot Landa
Margot Walter, also known as Margot Landa (4 October 1903 in Potsdam, Germany – April 1994 in Camden Town, London, England), was a German actress. Life and career Born in Potsdam near Berlin Walter became a regular member of the cast at the Hamburg Stadttheater in 1923. After a season at the Thalia Theater in Hamburg she moved to Berlin in 1925 after being contracted by the ''Deutsches Künstlertheater Berlin'' (German Artist Theatre Berlin), one of the several Berlin theatres run by successful Jewish theatrical producer . Her usual characters were the ingenue and the soubrette. The following year (1926) her film career started when she was discovered by Reinhold Schünzel. Margot Walter played mainly happy-go-lucky teenage girls in comedies, romantic comedies and farces which were constantly on an insignificant artistic level. Those were topics popular with the audience during the period of radical change from silent to sound movies. Margot Walter contracted leading and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jakob Tiedtke
Jakob Karl Heinrich Wilhelm Tiedtke (23 June 1875 – 30 June 1960) was a German film actor. He appeared in more than 190 films between 1914 and 1955. Selected filmography * ''The Pied Piper of Hamelin (1918 film), The Pied Piper of Hamelin'' (1918) * ''The Doll (1919 film), The Doll'' (1919) * ''The Galley Slave (1919 film), The Galley Slave'' (1919) * ''A Drive into the Blue'' (1919) * ''Kohlhiesel's Daughters (1920 film), Kohlhiesel's Daughters'' (1920) * ''Sumurun'' (1920) * ''Romeo and Juliet in the Snow'' (1920) * ''Kohlhiesels Töchter (1920 film), Kohlhiesels Töchter'' (1920) * ''Love at the Wheel'' (1921) * ''Peter Voss, Thief of Millions (1921 film), Peter Voss, Thief of Millions'' (1921) * ''The Stream (film), The Stream'' (1922) * ''Sins of Yesterday'' (1922) * ''Maciste and the Chinese Chest'' (1923) * ''The Expulsion (film), The Expulsion'' (1923) * ''The Ancient Law'' (1923) * ''The Little Napoleon'' (1923) * ''Carousel (1923 film), Carousel'' (1923) * ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Lincoln
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its depr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Etlinger
Karl Etlinger (16 October 1879 – 8 May 1946) was a German film actor. He appeared in more than 110 films between 1914 and 1946. Selected filmography * '' The Eternal Curse'' (1921) * ''The Poisoned Stream'' (1921) * '' The Films of Princess Fantoche'' (1921) * '' Lumpaci the Vagabond'' (1922) * ''Nosferatu'' (1922) * ''What Belongs to Darkness'' (1922) * ''The Lodging House for Gentleman'' (1922) * ''Phantom'' (1922) * ''Countess Donelli'' (1924) * ''Debit and Credit'' (1924) * ''The Man at Midnight'' (1924) * ''Zigano'' (1925) * ''The Girl with a Patron'' (1925) * ''We'll Meet Again in the Heimat'' (1926) * ''One Does Not Play with Love'' (1926) * ''Fadette'' (1926) * '' Young Blood'' (1926) * '' Bigamie'' (1927) * ''That Was Heidelberg on Summer Nights'' (1927) * ''The Bordellos of Algiers'' (1927) * ''Family Gathering in the House of Prellstein'' (1927) * '' Katharina Knie'' (1929) * ''Napoleon at Saint Helena'' (1929) * ''The Woman One Longs For'' (1929) * ''Waltz of L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
