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Wayō
is a Buddhist architectural style developed in Japan before the Kamakura period (1185－1333), and is one of the important Buddhist architectural styles in Japan along with ''Daibutsuyō'' and the ''Zenshūyō'', which were developed based on Chinese architectural styles from the Kamakura period. This style originated in the Asuka (538－710) and Nara period (710－794), when Japanese studied Buddhist architecture of the Tang dynasty, and was improved in the Heian period (794－1185) to suit the Japanese climate and aesthetic sense. After the Kamakura period, the ''Wayō'' developed into the ''Shin-wayō'' style by combining it with the ''Daibutsuyō'', and further developed into the ''Setchūyō'' by combining it with the ''Zenshūyō'', and pure ''Wayō'' architecture decreased. Overview The name was coined later, during the Kamakura period when the other two styles were born. Because by then the style was considered to be native, the term started to be used to distinguish ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daibutsuyō
is a Japanese religious architectural style which emerged in the late 12th or early 13th century. Together with ''Wayō'' and ''Zenshūyō'', it is one of the three most significant styles developed by Japanese Buddhism on the basis of Chinese models. Originally called , because it had nothing to do with India it was rechristened by scholar Ōta Hirotarō during the 20th century, and the new term stuck. Ōta derived the name from Chōgen's work, particularly Tōdai-ji's Daibutsuden. Soon abandoned after its creator's death, probably because it didn't harmonize with Japanese tastes, it nonetheless influenced other building styles with its rational solutions.Nishi, Hozumi (1996:20-21) The combination of ''wayō'' and ''daibutsuyō'' in particular became so frequent that sometimes it is classed separately by scholars under the name ., p738/ref> This grandiose and monumental style is the antithesis of the simple and traditional ''Wayō'' style. The Nandaimon at Tōdai-ji and the Ami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daibutsuyō
is a Japanese religious architectural style which emerged in the late 12th or early 13th century. Together with ''Wayō'' and ''Zenshūyō'', it is one of the three most significant styles developed by Japanese Buddhism on the basis of Chinese models. Originally called , because it had nothing to do with India it was rechristened by scholar Ōta Hirotarō during the 20th century, and the new term stuck. Ōta derived the name from Chōgen's work, particularly Tōdai-ji's Daibutsuden. Soon abandoned after its creator's death, probably because it didn't harmonize with Japanese tastes, it nonetheless influenced other building styles with its rational solutions.Nishi, Hozumi (1996:20-21) The combination of ''wayō'' and ''daibutsuyō'' in particular became so frequent that sometimes it is classed separately by scholars under the name ., p738/ref> This grandiose and monumental style is the antithesis of the simple and traditional ''Wayō'' style. The Nandaimon at Tōdai-ji and the Ami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zenshūyō
is a Japanese Buddhist architectural style derived from Chinese Song Dynasty architecture. Named after the Zen sect of Buddhism which brought it to Japan, it emerged in the late 12th or early 13th century. Together with Wayō and Daibutsuyō, it is one of the three most significant styles developed by Japanese Buddhism on the basis of Chinese models. Until World War II, this style was called but, like the Daibutsuyō style, it was re-christened by Ōta Hirotarō, a 20th-century scholar. Its most typical features are a more or less linear layout of the garan, paneled doors hanging from hinges, intercolumnar '' tokyō'', cusped windows, tail rafters, ornaments called ''kibana'', and decorative pent roofs. Kōzan-ji's ''butsuden'' in Shimonoseki, Zenpuku-in's '' shaka-dō'' in Kainan, Wakayama and Anraku-ji's pagoda in Ueda, Nagano, all dating to the Kamakura period, are considered the three most important Zenshūyō buildings. Kōzan-ji's ''butsuden'' (built in 1320) is the ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zenshūyō
is a Japanese Buddhist architectural style derived from Chinese Song Dynasty architecture. Named after the Zen sect of Buddhism which brought it to Japan, it emerged in the late 12th or early 13th century. Together with Wayō and Daibutsuyō, it is one of the three most significant styles developed by Japanese Buddhism on the basis of Chinese models. Until World War II, this style was called but, like the Daibutsuyō style, it was re-christened by Ōta Hirotarō, a 20th-century scholar. Its most typical features are a more or less linear layout of the garan, paneled doors hanging from hinges, intercolumnar '' tokyō'', cusped windows, tail rafters, ornaments called ''kibana'', and decorative pent roofs. Kōzan-ji's ''butsuden'' in Shimonoseki, Zenpuku-in's '' shaka-dō'' in Kainan, Wakayama and Anraku-ji's pagoda in Ueda, Nagano, all dating to the Kamakura period, are considered the three most important Zenshūyō buildings. Kōzan-ji's ''butsuden'' (built in 1320) is the ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Setchūyō
is an architectural style born in Japan during the Muromachi period from the fusion of elements from three different antecedent styles: ''wayō'', ''daibutsuyō'', and ''zenshūyō''. It is exemplified by the main hall at Kakurin-ji.p=44/ref> The combination of ''wayō'' and ''daibutsuyō'' in particular became so frequent that sometimes it is classed separately by scholars under the name .p=738/ref> See also * Japanese Buddhist architecture - Heian period *''Daibutsuyō'' *''Wayō'' *''Zenshūyō is a Japanese Buddhist architectural style derived from Chinese Song Dynasty architecture. Named after the Zen sect of Buddhism which brought it to Japan, it emerged in the late 12th or early 13th century. Together with Wayō and Daibutsuyō, ...'' Notes Bibliography * * {{DEFAULTSORT:Setchuyo Japanese Buddhist architecture Japanese architectural history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Buddhist Architecture
Examples of Buddhist architecture in Japan Japanese Buddhist architecture is the architecture of Buddhist temples in Japan, consisting of locally developed variants of architectural styles born in China.p=716/ref> After Buddhism arrived from the continent via the Three Kingdoms of Korea in the 6th century, an effort was initially made to reproduce the original buildings as faithfully as possible, but gradually local versions of continental styles were developed both to meet Japanese tastes and to solve problems posed by local weather, which is more rainy and humid than in China. The first Buddhist sects were Nara's six ,The six sects were called Sanron-, Jōjitsu-, Hossō-, Kusha-, Ritsu-, and Kegon-shū. followed during the Heian period by Kyoto's Shingon and Tendai. Later, during the Kamakura period, in Kamakura were born the Jōdo and the native Japanese sect Nichiren-shū. At roughly the same time, Zen Buddhism arrived from China, strongly influencing all other sects in m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muromachi Period
The is a division of Japanese history running from approximately 1336 to 1573. The period marks the governance of the Muromachi or Ashikaga shogunate (''Muromachi bakufu'' or ''Ashikaga bakufu''), which was officially established in 1338 by the first Muromachi ''shōgun'', Ashikaga Takauji, two years after the brief Kenmu Restoration (1333–1336) of imperial rule was brought to a close. The period ended in 1573 when the 15th and last shogun of this line, Ashikaga Yoshiaki, was driven out of the capital in Kyoto by Oda Nobunaga. From a cultural perspective, the period can be divided into the Kitayama and Higashiyama cultures (later 15th – early 16th centuries). The early years from 1336 to 1392 of the Muromachi period are known as the '' Nanboku-chō'' or Northern and Southern Court period. This period is marked by the continued resistance of the supporters of Emperor Go-Daigo, the emperor behind the Kenmu Restoration. The Sengoku period or Warring States period, which begi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nara, Nara
is the capital city of Nara Prefecture, Japan. As of 2022, Nara has an estimated population of 367,353 according to World Population Review, making it the largest city in Nara Prefecture and sixth-largest in the Kansai region of Honshu. Nara is a core city located in the northern part of Nara Prefecture bordering the Kyoto Prefecture. Nara was the capital of Japan during the Nara period from 710 to 794 as the seat of the Emperor before the capital was moved to Kyoto. Nara is home to eight temples, shrines, and ruins, specifically Tōdai-ji, Saidai-ji, Kōfuku-ji, Kasuga Shrine, Gangō-ji, Yakushi-ji, Tōshōdai-ji, and the Heijō Palace, together with Kasugayama Primeval Forest, collectively form the Historic Monuments of Ancient Nara, a UNESCO World Heritage Site. Etymology By the Heian period, a variety of different characters had been used to represent the name Nara: , , , , , , , , , , , , , , , and . A number of theories for the origin of the name "Nara" have been pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kansai
The or the , lies in the southern-central region of Japan's main island Honshu, Honshū. The region includes the Prefectures of Japan, prefectures of Nara Prefecture, Nara, Wakayama Prefecture, Wakayama, Kyoto Prefecture, Kyoto, Osaka Prefecture, Osaka, Hyōgo Prefecture, Hyōgo and Shiga Prefecture, Shiga, often also Mie Prefecture, Mie, sometimes Fukui Prefecture, Fukui, Tokushima Prefecture, Tokushima and Tottori Prefecture, Tottori. The metropolitan region of Osaka, Kobe and Kyoto (Keihanshin region) is the second-most populated in Japan after the Greater Tokyo Area. Name The terms , , and have their roots during the Asuka period. When the old provinces of Japan were established, several provinces in the area around the then-capital Kyoto were collectively named Kinai and Kinki, both roughly meaning "the neighbourhood of the capital". Kansai (literally ''west of the tollgate'') in its original usage refers to the land west of the Osaka Tollgate (), the border between Yam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nuki (joinery)
''Nuki'' is a Japanese style of carpentry joint connection. ''Nuki'' joints are common in Japanese and oriental carpentry, and comprise one of the simplest structural connectors. They are similar to mortise and tenon joints, and have been used traditionally in historic buildings, such as Shinto shrines and Buddhist temples, and also in modern domestic houses. The basic principle involves penetrating one element through another (i.e., embedment Embedment is a phenomenon in mechanical engineering in which the surfaces between mechanical members of a loaded joint embed. It can lead to failure by fatigue as described below, and is of particular concern when considering the design of critical ...); in Japan and other Asian countries this method is used to connect wooden posts and beams. References {{Reflist Joinery Architecture in Japan Woodworking ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gable
A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesthetic concerns. The term gable wall or gable end more commonly refers to the entire wall, including the gable and the wall below it. Some types of roof do not have a gable (for example hip roofs do not). One common type of roof with gables, the gable roof, is named after its prominent gables. A parapet made of a series of curves (Dutch gable) or horizontal steps (crow-stepped gable) may hide the diagonal lines of the roof. Gable ends of more recent buildings are often treated in the same way as the Classic pediment form. But unlike Classical structures, which operate through trabeation, the gable ends of many buildings are actually bearing-wall structures. Gable style is also used in the design of fabric structures, with varying degree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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