Way Upstate And The Crippled Summer, Pt. 2
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Way Upstate And The Crippled Summer, Pt. 2
''Way Upstate and the Crippled Summer, pt. 2'' is an EP by Frontier Ruckus, released in 2011 between the releases of '' Deadmalls & Nightfalls'' and ''Eternity of Dimming''. It is only physically available on the double-vinyl edition of the former. The EP is the release by Frontier Ruckus most in the category of alternative country. Track listing All songs written by Matthew Milia #"Mona and Emmy" #"Winter and the Preacher's Daughter" #"Weeds and Life Among Them" #"Ogallala" #"Epiphanies and Revelations" Personnel ;Frontier Ruckus *Matthew Milia – lead vocals, guitar, pedal steel guitar, harmonica *David Winston Jones – banjo, voice *Ryan "Smalls" Etzcorn – drum kit, all percussion *Zachary Nichols – trumpet, singing-saw, melodica, alto horn, euphonium *Anna Burch – voice ;Guest Musicians *Ryan Hay – piano, Hammond organ The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models ha ...
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Frontier Ruckus
Frontier Ruckus is an American band from Michigan. The project is centered on the lyrically intensive songs of Matthew Milia, and was formed by Milia and banjo player David Winston Jones while growing up in Metro Detroit. In 2008, the band released its debut full-length record, ''The Orion Songbook''. Though formed in a folk tradition, Frontier Ruckus has shown an eclecticism across their catalog, incorporating aspects of baroque and jangle pop, alt-country, bluegrass, and lo-fi. Biography Milia and Jones formed the band while both attending Brother Rice High School in Metro Detroit. They began by playing a mixture of Milia's early compositions and traditional bluegrass songs that Jones had collected. Around this time they also recruited Eli Eisman as a bassist. While Milia attended Michigan State University—where he studied poetry under Diane Wakoski—and Jones attended the University of Michigan, Frontier Ruckus expanded into a six-piece. The new formation included Zacha ...
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Percussions
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cymbal ...
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Footnotes
A note is a string of text placed at the bottom of a page in a book or document or at the end of a chapter, volume, or the whole text. The note can provide an author's comments on the main text or citations of a reference work in support of the text. Footnotes are notes at the foot of the page while endnotes are collected under a separate heading at the end of a chapter, volume, or entire work. Unlike footnotes, endnotes have the advantage of not affecting the layout of the main text, but may cause inconvenience to readers who have to move back and forth between the main text and the endnotes. In some editions of the Bible, notes are placed in a narrow column in the middle of each page between two columns of biblical text. Numbering and symbols In English, a footnote or endnote is normally flagged by a superscripted number immediately following that portion of the text the note references, each such footnote being numbered sequentially. Occasionally, a number between brack ...
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Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a g ...
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Euphonium
The euphonium is a medium-sized, 3 or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word ''euphōnos'', meaning "well-sounding" or "sweet-voiced" ( ''eu'' means "well" or "good" and ''phōnē'' means "sound", hence "of good sound"). The euphonium is a valved instrument. Nearly all current models have piston valves, though some models with rotary valves do exist. Euphonium music may be notated in the bass clef as a non-transposing instrument or in the treble clef as a transposing instrument in B. In British brass bands, it is typically treated as a treble-clef instrument, while in American band music, parts may be written in either treble clef or bass clef, or both. Name The euphonium is in the family of brass instruments, more particularly low-brass instruments with many relatives. It is extremely similar to a baritone horn. The difference is that the bore size of the baritone horn is typically sm ...
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Alto Horn
The tenor horn (British English; alto horn in American English, Althorn in Germany; occasionally referred to as E horn) is a brass instrument in the saxhorn family and is usually pitched in E. It has a bore that is mostly conical, like the flugelhorn and euphonium, and normally uses a deep, cornet-like mouthpiece. It is most commonly used in British brass bands, and Mexican banda music whereas the French horn tends to take the corresponding parts in concert bands and orchestras. However, the tenor horn has occasionally been used as an alternative to the French horn in concert bands. Description The tenor horn is a valved brass instrument (in E) which has a predominantly conical bore like that of the euphonium and flugelhorn. It uses a deep funnel- or cup-shaped mouthpiece. The tenor horn's conical bore and deep mouthpiece produce a mellow, rounded tone that is often used as a middle voice, supporting the melodies of the trumpets, cornets, or flugelhorns, and fills the ga ...
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Melodica
The melodica is a handheld free-reed instrument similar to a pump organ or harmonica. It features a musical keyboard on top, and is played by blowing air through a mouthpiece that fits into a hole in the side of the instrument. The keyboard usually covers two or three octaves. Melodicas are small, lightweight, and portable, and many are designed for children to play. They are popular in music education programs, especially in Asia. The modern form of the instrument was invented by Hohner in the late 1950s, though similar instruments have been known in Italy since the 19th century. Description The mouthpiece can be a short rigid or semi-flexible plastic piece or a long flexible plastic tube (designed to allow the player to either hold the keyboard so the keys can be seen or lay the keyboard horizontally on a flat surface for two-handed playing). A foot pump can also be used as an alternative to breathing into the instrument. Melodica keyboards typically ascend from a low F note. ...
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Singing Saw
A musical saw, also called a singing saw, is a hand saw used as a musical instrument. Capable of continuous glissando (portamento), the sound creates an ethereal tone, very similar to the theremin. The musical saw is classified as a plaque friction idiophone with direct friction (132.22) under the Hornbostel-Sachs system of musical instrument classification, and as a metal sheet played by friction (151) under the revision of the Hornbostel-Sachs classification by the MIMO Consortium. Playing The saw is generally played seated with the handle squeezed between the legs, and the far end held with one hand. Some sawists play standing, either with the handle between the knees and the blade sticking out in front of them. The saw is usually played with the serrated edge, or "teeth", facing the body, though some players face them away. Some saw players file down the teeth, which makes no discernable difference to the sound. Manyespecially professionalsaw players use a handle, call ...
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Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. Histo ...
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Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon & Ga ...
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Pedal Steel Guitar
The pedal steel guitar is a Console steel guitar, console-type of steel guitar with pedals and knee levers that change the pitch of certain strings to enable playing more varied and complex music than any previous steel guitar design. Like all steel guitars, it can play unlimited glissando, glissandi (sliding notes) and deep vibrato, vibrati—characteristics it shares with the human voice. Pedal steel is most commonly associated with American country music and Music of Hawaii, Hawaiian music. Pedals were added to a lap steel guitar in 1940, allowing the performer to play a major scale without moving the Steel bar, bar and also to push the pedals while striking a chord, making passing notes slur or bend up into harmony with existing notes. The latter creates a unique sound that has been popular in country and western music— a sound not previously possible on steel guitars before pedals were added. From its first use in Hawaii in the 19th century, the steel guitar sound became ...
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Matthew Milia
Matthew Milia (born November 6, 1985) is an American songwriter, musician, poet, and visual artist. He is best known as the leader of the band Frontier Ruckus. Early life Milia was raised in West Bloomfield, Michigan, where he attended Catholic school for 13 years. While in high school at Brother Rice he met David Jones, with whom he formed Frontier Ruckus. He then studied Creative Writing at Michigan State University, where he was mentored by poet Diane Wakoski. At Michigan State, Milia met bandmates Zachary Nichols, Anna Burch, and Ryan Etzcorn. In 2007, he and Burch studied at the Irish Writers Centre in Dublin. Frontier Ruckus As an undergraduate at Michigan State, Milia began writing the songs that would become ''The Orion Songbook'', Frontier Ruckus' 2008 debut. Allmusic hailed the album as being "about as good a debut as a band can hope for" and Milia's lyrics as "hypnotic." In 2009 Milia was contacted by The Avett Brothers' manager Dolphus Ramseur, with whom Frontier R ...
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