Water For Canitoga
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Water For Canitoga
''Water for Canitoga'' (German: ''Wasser für Canitoga'') is a 1939 German western film directed by Herbert Selpin and starring Hans Albers, Charlotte Susa and Josef Sieber. The film is a "Northern", set in Canada in 1905 where an engineer is working to construct a new water supply system despite repeated attempts at sabotage.Hull p.223 It is based on a play by Hans Rehfisch, Otto Eis and Egon Eis. It was made at the Bavaria Studios in Munich. The film's sets were designed by the art directors Wilhelm Depenau, Ludwig Reiber and Arthur Schwarz. Cast * Hans Albers as Ingenieur Captain Oliver Montstuart / Bauingenieur Nicholsen * Charlotte Susa as Lilly * Josef Sieber as Ingenieur Ingram * Peter Voß as Chefingenieur Captain Gilbert Trafford * Hilde Sessak as Sekretärin Winifred Gardener * Andrews Engelmann as Ruski * Karl Dannemann as Dyke * Hans Mierendorff as Old Shatterhand * Heinrich Schroth as Gouverneur * Ernst Fritz Fürbringer as Sheriff von Canitoga * Beppo Brem as Spreng ...
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Herbert Selpin
Herbert Selpin (29 May 1904 – 1 August 1942) was a German film director and screenwriter of light entertainment during the 1930s and 1940s. He is best known for his final film, the partly suppressed ''Titanic (1943 film), Titanic'', during the production of which he was arrested by Propaganda Minister Joseph Goebbels. He was later found dead in his prison cell. Life and career Herbert Selpin was born on 29 May 1904 in Berlin. After his medical studies in the same city, Selpin worked as a dancer, boxer, librarian, and art seller before he obtained, in the mid-1920s, an internship at the prestigious Universum Film AG, UFA film studios. Among other assignments at UFA, he worked on the set of Friedrich Wilhelm Murnau's ''Faust (1926 film), Faust'' (1926). Selpin was subsequently employed by the European subsidiary of the Fox Film Corporation, where he held several positions, including – in 1927 – that of director's assistant to Walther Ruttmann on the set of ''Berlin: Si ...
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Northern (genre)
The Northern or Northwestern is a genre in various arts that tell stories set primarily in the late 19th or early 20th century in the north of North America, primarily in western Canada but also in Alaska. It is similar to the Western genre, but many elements are different, as appropriate to its setting. It is common for the central character to be a Mountie instead of a cowboy or sheriff. Other common characters include fur trappers and traders, lumberjacks, prospectors, First Nations people, settlers, and townsfolk. International interest in the region and the genre was fuelled by the Klondike Gold Rush (1896–99) and subsequent works surrounding it, fiction and non-fiction. The genre was extremely popular in the interwar period of the 20th century. Northerns are still produced, but their popularity waned in the late 1950s. Characteristics Northerns are similar to westerns but are set in the frozen north of North America; that is, Canada or Alaska. Of the two, Canada wa ...
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Heinrich Schroth
Heinrich August Franz Schroth (23 March 1871 – 14 January 1945) was a German stage and film actor. Career Schroth was born in Pirmasens, Rhineland-Palatinate, Germany. He made his acting debut at the Sigmaringen Royal Theatre in 1890. In 1894 he went to the Municipal Theatre in Augsburg, in 1896 to Mainz and in 1897 to the Royal Court Theatre in Hanover. From 1899 to 1905, he spent six years as a part of the ensemble of the Deutsches Schauspielhaus in Hamburg and from 1905 onwards at various Berlin theatres. Schroth made his film debut in the 1916 Walter Schmidthässler-directed drama ''Welker Lorbeer''. He spent the 1910s in numerous German silent film productions, working with such directors as George Jacoby, Robert Wiene and Harry Piel. His career in the 1920s was prolific, and he appeared opposite such silent film actors as Lil Dagover, Emil Jannings, Paul Wegener and Brigitte Helm and transitioned to sound film with ease. During World War II Heinrich Schroth participated ...
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Hans Mierendorff
Hans Mierendorff (born Johannes Reingold Mierendorff; 30 June 1882 – 26 December 1955) was a German stage and film actor. Selected filmography * ''A Night of Horror'' (1916) * '' Vengeance Is Mine'' (1916) * ''Hilde Warren und der Tod'' (1917) *'' The Sacrifice'' (1918) * ''The Mistress of the World'' (1919) * ''Whitechapel'' (1920) * '' Hearts are Trumps'' (1920) * ''The White Peacock'' (1920) * ''Night and No Morning'' (1921) * ''The Conspiracy in Genoa'' (1921) * ''Children of Darkness'' (1921) * '' The Sleeping Volcano'' (1922) * '' The Black Star'' (1922) * '' Man Against Man'' (1924) * ''Girls You Don't Marry'' (1924) * '' The Enchantress'' (1924) * ''Debit and Credit'' (1924) * '' The Second Mother'' (1925) * ''The Motorist Bride'' (1925) * ''Old Mamsell's Secret'' (1925) * ''Hussar Fever'' (1925) * ''Cock of the Roost'' (1925) * '' Oh Those Glorious Old Student Days'' (1925) * '' The Man Who Sold Himself'' (1925) * ''The Dealer from Amsterdam'' (1925) * ''The Humbl ...
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Karl Dannemann
Karl Dannemann (22 March 1896 – 4 May 1945) was a German actor. He appeared in more than 50 films between 1934 and 1945. Partial filmography * ''Volldampf voraus!'' (1934) - Kramer, Obermaat * ''Trouble with Jolanthe'' (1934) - Rupf, der neue Gendarm * ''Schwarzer Jäger Johanna'' (1934) - Volkert Ummen * ''Eine Siebzehnjährige'' (1934) - Christoph, Knecht auf dem Gut * ''I for You, You for Me'' (1934) - Christian Busch * ''Sergeant Schwenke'' (1935) - Oberwachtmeister Wölfert * ''Ein Mädel aus guter Familie'' (1935) - Ein Gendarm * ''Joan of Arc'' (1935) - Englischer Soldat * ''An Ideal Husband'' (1935) - Parker, Oberingenieur * '' One Too Many on Board'' (1935) - III. Offizier Ackermann * ''Pillars of Society'' (1935) - Aune * ''The Higher Command'' (1935) - Wenzel Lukas, Bursche * ''Arzt aus Leidenschaft'' (1936) - Felgentreus Vetter * '' Moscow-Shanghai'' (1936) - Grischa * ''Es geht um mein Leben'' (1936) - Kriminalrat Jastrow * ''Der Katzensteg'' (1937) - Sohn Fri ...
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Andrews Engelmann
Andrews Engelmann (23 March 1901 – 25 February 1992) was a Russian-born German actor. He worked primarily in Germany, where he specialised in playing Russian roles, but also appeared in a number of British films during his career. He was born as Andrei Engelman and also credited by various other names during his career including André von Engelman. Selected filmography * '' The Two Boys'' (1924) * ''Mare Nostrum'' (1926) * ''Education of a Prince'' (1927) * ''Moulin Rouge'' (1928) * ''Diary of a Lost Girl'' (1929) * '' City of Play'' (1929) * ''The Three Passions'' (1929) * ''Cagliostro'' (1929) * '' Two Worlds'' (1930) * ''La Femme d'une nuit'' (1931) * '' The Wandering Beast'' (1932) * ''Baroud'' (1933) * ''Refugees'' (1933) * ''I Spy'' (1934) * '' The Island'' (1934) * ''The Crouching Beast'' (1935) * '' Return to Paradise'' (1935) * '' Stormy Weather'' (1935) * ''Prison Breaker'' (1936) * ''The Last Four on Santa Cruz'' (1936) * '' Toilers of the Sea'' (1936) * ''The Pearls ...
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Hilde Sessak
Hilde Sessak (27 July 1915 – 17 April 2003) was a German actress who appeared in more than ninety film and television series during her career. She appeared in a number of films during the Nazi era including ''Quax the Crash Pilot'' (1941).Reimer p. 97 Selected filmography * '' Trouble Backstairs'' (1935) * ''City of Anatol'' (1936) * '' Orders Are Orders'' (1936) * '' The Abduction of the Sabine Women'' (1936) * ''When Women Keep Silent'' (1937) * '' The Coral Princess'' (1937) * ''Water for Canitoga'' (1939) * ''The Curtain Falls'' (1939) * '' Left of the Isar, Right of the Spree'' (1940) * '' Kleider machen Leute'' (1940) * '' A Man Astray'' (1940) * ''Quax the Crash Pilot'' (1941) * ''Alarm'' (1941) * ''Happiness is the Main Thing'' (1941) * ''Luisa Sanfelice'' (1942) * ''Paracelsus'' (1943) * ''A Salzburg Comedy'' (1943) * ''Orient Express'' (1944) * ''Die Feuerzangenbowle'' (1944) * ''Who Drove the Grey Ford?'' (1950) * ''The Woman from Last Night'' (1950) * ''Not Without ...
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Peter Voß
Peter Voß (29 June 1891 – 9 January 1979) was a German film actor. Partial filmography * '' Love and Trumpets'' (1925) - Rekrut Dirmoser * ''Struggle for the Matterhorn'' (1928) - Edward Whymper * ''Diane - Die Geschichte einer Pariserin'' (1929) - Kapitän Rimbaud * ''The Jolly Peasant'' (1929) * '' Tracks in the Snow'' (1929) - Klaus Meill * ''Storm of Love'' (1929) - Matei * '' Katharina Knie'' (1929) - Rothhacker, Gutsbesitzer * ''The Ring of the Empress'' (1930) * '' Two Worlds'' (1930) - Stanislaus (German Version) * '' Love's Carnival'' (1930) - Harold Hofmann - Oberleutnant * '' Two Worlds'' (1930) - Leutnant Stanislaus von Kaminsky * '' The Stranger'' (1931) * '' The Night of Decision'' (1931) - Viktor Boris Sablin * ''The Paw'' (1931) - Propagandachef Gastal * ''Sergeant X'' (1932) * ''Die Vier vom Bob 13'' (1932) - Baron Plessow * '' The Heath Is Green'' (1932) - Walter - Ein junger Förster * '' Death Over Shanghai'' (1932) - John Baxter * ''Schüsse an der Grenze' ...
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Arthur Schwarz
Arthur is a common male given name of Brythonic origin. Its popularity derives from it being the name of the legendary hero King Arthur. The etymology is disputed. It may derive from the Celtic ''Artos'' meaning “Bear”. Another theory, more widely believed, is that the name is derived from the Roman clan '' Artorius'' who lived in Roman Britain for centuries. A common spelling variant used in many Slavic, Romance, and Germanic languages is Artur. In Spanish and Italian it is Arturo. Etymology The earliest datable attestation of the name Arthur is in the early 9th century Welsh-Latin text ''Historia Brittonum'', where it refers to a circa 5th to 6th-century Briton general who fought against the invading Saxons, and who later gave rise to the famous King Arthur of medieval legend and literature. A possible earlier mention of the same man is to be found in the epic Welsh poem ''Y Gododdin'' by Aneirin, which some scholars assign to the late 6th century, though this is still a mat ...
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Ludwig Reiber
Ludwig Reiber (1904–1979) was a German art director.Capua p.159 The veteran Reiber worked on film and television set design from the silent era to the early 1970s. He was employed by the Munich-based Bavaria Film at the Emelka Studios. He worked on two Alfred Hitchcock films during the 1920s that were shot at Emekla. Following the Second World War he was employed on several European-made Hollywood productions such as ''Decision Before Dawn'' and ''Paths of Glory''. Selected filmography * '' The Shot in the Pavilion'' (1925) * ''Mrs Worrington's Perfume'' (1925) * '' The Adventurous Wedding'' (1925) * '' The Pleasure Garden'' (1925) * ''Our Emden'' (1926) * '' Little Inge and Her Three Fathers '' (1926) * '' The Hunter of Fall'' (1926) * ''The Mountain Eagle'' (1926) * ''Valencia'' (1927) * '' Did You Fall in Love Along the Beautiful Rhine?'' (1927) * ''Storm Tide'' (1927) * ''My Heidelberg, I Can Not Forget You'' (1927) * ''Restless Hearts'' (1928) * '' Behind Monastery Walls'' ( ...
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Wilhelm Depenau
Wilhelm Depenau (1884-1952) was a German art director.Reid p.99 Selected filmography * ''The Most Beautiful Woman in the World'' (1924) * ''Come Back, All Is Forgiven'' (1929) * ''Viennese Waltz'' (1932) * ''The Love Hotel'' (1933) * '' The Double'' (1934) * ''Little Dorrit'' (1934) * '' The Young Count'' (1935) * ''The Red Rider'' (1935) * '' She and the Three'' (1935) * '' The Blonde Carmen'' (1935) * '' Knockout'' (1935) * '' Ninety Minute Stopover'' (1936) * ''Water for Canitoga'' (1939) * '' Detours to Happiness'' (1939) * ''The Fox of Glenarvon'' (1940) * ''My Life for Ireland'' (1941) * '' Street Acquaintances'' (1948) * ''Don't Dream, Annette'' (1949) * ''The Last Year ''The Last Year'' (german: Die letzte Heuer) is a 1951 East German drama film directed by E.W. Fiedler and Hans Heinrich and starring Inge Keller, Hans Klering and Hermann Stövesand.Reimer p.21 It was made by the state-controlled DEFA in comm ...'' (1951) * '' Eyes of Love'' (1951) References Bibli ...
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Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it visual communication, communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style (visual arts), style(s) to use, and when to use motion graphic design, motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the col ...
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