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Water Music (Handel)
The ''Water Music'' is a collection of orchestral movements, often published as three suites, composed by George Frideric Handel. It premiered on 17 July 1717, in response to King George I's request for a concert on the River Thames. Structure The ''Water Music'' opens with a French overture and includes minuets, bourrées, and hornpipes. It is divided into three suites: Suite in F major (HWV 348) # #Overture ( Largo – Allegro) # Adagio e staccato # Allegro – Andante – Allegro da capo # Passepied # Air # Minuet # Bourrée # Hornpipe # Andante # Allegro # Hornpipe Suite in D major (HWV 349) # Overture (Allegro) # Alla Hornpipe # Lentement # Bourree # Minuet Suite in G major (HWV 350) # Sarabande # Rigaudon # Menuet # Gigue There is evidence for the different arrangement found in Chrysander's Gesellschaft edition of Handel's works (in volume 47, published in 1886), where the movements from the "suites" in D and G were mingled and published as on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestral Suite
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andante (tempo)
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tideway
The Tideway is a part of the River Thames in England which is subject to tides. This stretch of water is downstream from Teddington Lock. The Tideway comprises the upper Thames Estuary including the Pool of London. Tidal activity Depending on the time of year, the river tide rises and falls twice a day by up to 7 m (24 ft). Because the tide goes against the outflow of fresh water from the Thames Basin, it takes longer to subside (6–9 hours) than it does to flow in (4–5 hours). London Bridge is used as the basis for published tide tables giving the times of high tide. High tide reaches Putney about 30 minutes later. Low-lying banks of London are naturally vulnerable to flooding by storm surges. The threat has increased due to a slow but continuous rise in high water level, caused by the extremely slow 'tilting' of Britain (up in the north and down in the south) due to post-glacial rebound and the gradual rise in sea levels due to climate change. The city and sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chelsea, London
Chelsea is an affluent area in west London, England, due south-west of Charing Cross by approximately 2.5 miles. It lies on the north bank of the River Thames and for postal purposes is part of the south-western postal area. Chelsea historically formed a manor and parish in the Ossulstone hundred of Middlesex, which became the Metropolitan Borough of Chelsea in 1900. It merged with the Metropolitan Borough of Kensington, forming the Royal Borough of Kensington and Chelsea upon the creation of Greater London in 1965. The exclusivity of Chelsea as a result of its high property prices historically resulted in the coining of the term "Sloane Ranger" in the 1970s to describe some of its residents, and some of those of nearby areas. Chelsea is home to one of the largest communities of Americans living outside the United States, with 6.53% of Chelsea residents having been born in the U.S. History Early history The word ''Chelsea'' (also formerly ''Chelceth'', ''Chelchith' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whitehall Palace
The Palace of Whitehall (also spelt White Hall) at Westminster was the main residence of the English monarchs from 1530 until 1698, when most of its structures, except notably Inigo Jones's Banqueting House of 1622, were destroyed by fire. Henry VIII moved the royal residence to White Hall after the old royal apartments at the nearby Palace of Westminster were themselves destroyed by fire. Although the Whitehall palace has not survived, the area where it was located is still called Whitehall and has remained a centre of government. White Hall was at one time the largest palace in Europe, with more than 1,500 rooms, overtaking the Vatican, before itself being overtaken by the expanding Palace of Versailles, which was to reach 2,400 rooms. The palace gives its name, Whitehall, to the street located on the site on which many of the current administrative buildings of the present-day British government are situated, and hence metonymically to the central government itself. At its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pleasure Barge
A pleasure barge is a flat-bottomed, slow-moving boat used for leisure. It is contrasted with a standard barge, which is used to transport freight. Many places where canals or rivers play a prominent role have developed pleasure barges for conducting religious ceremonies, holding waterborne festivities, or viewing scenery. History Barges of all kinds were commonly used on the Nile in ancient Egypt. When the Pharaoh Akhenaten revolutionized Egyptian religion, he renamed his pleasure barge "Splendor of Aten", after his dominant god. A miniature of a royal barge was found amongst the items in the tomb of Tutankhamun. The most famous Egyptian barge, the Thalamegos, is that used by Cleopatra VII of Ptolemaic Egypt when she arrived in luxurious state to seduce Mark Antony and also allegedly when she sailed up the Nile with Julius Caesar. 11th-century Chinese writer Ouyang Xiu mentions a pleasure barge in his poetry with oars the color of orchids (or magnolias, depending on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Daily Courant
''The Daily Courant'', initially published on 11 March 1702, was the first British daily newspaper. It was produced by Elizabeth Mallet at her premises next to the King's Arms tavern at Fleet Bridge in London. The newspaper consisted of a single page, with advertisements on the reverse side. Mallet advertised that she intended to publish only foreign news and would not add any comments of her own, supposing her readers to have "sense enough to make reflections for themselves". After only forty days Mallet sold ''The Daily Courant'' to Samuel Buckley, who moved it to premises in the area of Little Britain in London, at "the sign of the Dolphin". Buckley later became the publisher of ''The Spectator.'' ''The Daily Courant'' lasted until 1735, when it was merged with the ''Daily Gazetteer The ''Daily Gazetteer'' was an English newspaper which was published from 30 June 1735 until 1746. The paper was printed for T. Cooper, at the Globe in Pater-Noster Row, London by W. Arnall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Händel-Gesellschaft
Between 1858 and 1902, the Händel-Gesellschaft ("German Handel Society") produced a collected 105-volume edition of the List of compositions by George Frideric Handel, works of George Frideric Handel. Even though the collection was initiated by the society, many of the volumes were published by Friedrich Chrysander working alone (Chrysander was the major contributor for almost all of the volumes). The wording on the title page of the volumes is "''Georg Friedrich Händel's Werke. Ausgabe der Deutschen Händelgesellschaft''" which translates as "Georg Friedrich Handel's works. Edition of the German Handel Society". Chrysander's work has been criticised, however the scale of his achievement is also praised. The collection's abbreviation of "HG" can be used to identify individual works by Handel; for example Handel's ''Messiah (Handel), Messiah'' can be referred to as "HG xlv" (with the Roman numerals "xlv" indicating that the work is in volume 45). For practical use, the HG system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Chrysander
Karl Franz Friedrich Chrysander (8 July 1826 – 3 September 1901) was a German music historian, critic and publisher, whose edition of the works of George Frideric Handel and authoritative writings on many other composers established him as a pioneer of 19th-century musicology. Biography Born at Lübtheen, in Mecklenburg-Schwerin, Chrysander was the son of a miller. He earned a Doctorate in Philosophy from the University of Rostock in 1853. He then focused his studies on music, and in an obituary for Chrysander in October 1901, the ''Musical Times'' said of him that :"From the beginning he assumed the role of an historian in rigorously defending the right and claims of musical masterpieces of a distant past to a legitimate and faithful reproduction, i.e., without modernising, and without instrumental or vocal additions." Chrysander is also credited with rediscovering the autograph score of Johann Sebastian Bach's ''Mass in B Minor,'' which he then sold to the Royal Library in B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarabande
The sarabande (from es, zarabanda) is a dance in triple metre, or the music written for such a dance. History The Sarabande evolved from a Spanish dance with Arab influences, danced by a lively double line of couples with castanets. A dance called ''zarabanda'' is first mentioned in 1539 in Central America in the poem ''Vida y tiempo de Maricastaña'', written in Panama by Fernando de Guzmán Mejía. In 1596, Alonso López, "el Pinciano", traces its origins even to the Dionysian cult. The dance seems to have been especially popular in the 16th and 17th centuries, initially in Spain and in the Spanish colonies. The Jesuit priest Juan de Mariana thought it indecent, describing it in his ''Tratato contra los juegos públicos'' (Treatise Against Public Amusements, 1609) as "a dance and song so loose in its words and so ugly in its motions that it is enough to excite bad emotions in even very decent people".Jane Bellingham, "Sarabande", ''The Oxford Companion to Music'', edited by A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hornpipe
The hornpipe is any of several dance forms played and danced in Britain and Ireland and elsewhere from the 16th century until the present day. The earliest references to hornpipes are from England with Hugh Aston's Hornepype of 1522 and others referring to Lancashire hornpipes in 1609 and 1613. It is suggested that the hornpipe as a dance began around the 16th century on English sailing vessels. However, the dance does not seem to have become associated with sailors until after 1740 when the dancer Yates performed 'a hornpipe in the character of a Jack Tar' at Drury Lane Theatre, after which, in 1741 at Covent Garden we hear of "a hornpipe by a gentleman in the character of a sailor". Movements were those familiar to sailors of that time: "looking out to sea" with the right hand to the forehead, then the left, lurching as in heavy weather, and giving the occasional rhythmic tug to their breeches both fore and aft. Folk hornpipes The hornpipe is an Irish, Scottish and English d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourrée
The bourrée ( oc, borrèia; also in England, borry or bore) is a dance of French origin and the words and music that accompany it. The bourrée resembles the gavotte in that it is in double time and often has a dactylic rhythm. However, it is somewhat quicker, and its phrase starts with a quarter-bar anacrusis or "pick-up", whereas a gavotte has a half-bar anacrusis. In the Baroque era, after the Academie de Dance was established by Louis XIV in 1661, the French court adapted the bourrée, like many such dances, for the purposes of concert dance. In this way it gave its name to a ballet step characteristic of the dance, a rapid movement of the feet while en pointe or demi-pointe, and so to the sequence of steps called . The bourrée became an optional movement in the classical suite of dances, and J. S. Bach, Handel and Chopin wrote bourrées, not necessarily intending them to be danced. History The bourrée originates in Auvergne in France. It is sometimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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