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Watch Out (René McLean Album)
''Watch Out'' is the debut album by saxophonist René McLean recorded in 1975 and released on the SteepleChase Records, SteepleChase label. accessed July 24, 2017 Reception AllMusic reviewer Scott Yanow stated "The son of Jackie McLean, Rene did not yet have a distinctive voice, but he showed much potential for the future. His sextet hints at the innovations of the avant-garde while remaining closer to the style of Art Blakey's Jazz Messengers. It's a worthwhile if not overly memorable effort".Track listing All compositions by René McLean except where noted. # "Bilad as Sudan (Land of the Blacks)" – 7:02 # "Aida" – 5:30 # "What It Is" – 9:05 # "Watch Out" (Nathan Page) – 6:18 # "Jack's Tune" (Jackie McLean) – ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René McLean
René McLean (born December 16, 1946) is a hard bop saxophonist and flutist. He was born in New York City. He started playing guitar before receiving an alto saxophone and instruction from his father, the alto saxophonist Jackie McLean.Allmusic biography/ref> Biography McLean played in the mid-1970s in a quintet with Woody Shaw and Louis Hayes and toured with Hugh Masekela in 1978. He later studied music at New York College of Music and the University of Massachusetts Amherst. McLean received the Creative Artist Fellowship by the Japan-U.S. Friendship Commission and the National Endowment for the Arts in 1986 to reside in Japan to research traditional Japanese music, arts and culture, and to perform and teach. He has recorded extensively and also has thorough experience as a music educator in the United States and South Africa. Born in New York City, René McLean, multi-reed instrumentalist (alto, tenor, soprano saxophones, flutes, ney, shakuhachi), composer, band leader, educ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Waits
Frederick "Freddie" Douglas Waits (April 27, 1943 – November 18, 1989) was a hard bop and post-bop drummer. Waits never officially recorded as leader, but was a prominent member and composer in Max Roach's M'Boom percussion ensemble. He worked as sideman with such pianists as McCoy Tyner, Kenny Barron, Andrew Hill, Gene Harris, Billy Taylor and Joe Zawinul. In 1967, Waits recorded with Freddie Hubbard. He was a member of the last Lee Morgan Quintet, an association ended by Morgan's murder in 1972. In the late 1970s, Waits formed ''Colloquium III'' with fellow drummers Horace Arnold and Billy Hart. In the 1980s he became a music faculty member of Rutgers University. He died of pneumonia and kidney failure in New York in 1989. His son is the drummer Nasheet Waits. Discography As sideman With Roy Ayers *''Daddy Bug'' (Atlantic, 1969) With Kenny Barron *''You Had Better Listen'' (Atlantic, 1967) with Jimmy Owens *''Sunset to Dawn'' (Muse, 1973) *'' Autumn in New York'' (Uptown ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buster Williams
Charles Anthony "Buster" Williams (born April 17, 1942) is an American jazz bassist. Williams is known for his membership in pianist Herbie Hancock's early 1970s group, working with guitarist Larry Coryell from the 1980s to present, working in the Thelonious Monk repertory band Sphere and as the accompanist of choice for many singers, including Nancy Wilson. Biography Early life and career Williams' father, Charles Anthony Williams Sr., was a musician who played bass, drums, and piano, and had band rehearsals in the family home in Camden, New Jersey, exposing Williams to jazz at an early age. Williams was particularly inspired to focus on bass after hearing his father's record of '' Star Dust'', performed by Oscar Pettiford, and started playing in his early teens. He had his first professional gig while he was still a junior high school student, filling in for Charles Sr., who had double booked himself one evening. Williams later spent his days practicing with Sam Dockery, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Eaves III
Hubert Eaves III is a keyboardist, songwriter and record producer. In the early 1980s, he worked on hits by the dance act D-Train. He also did session work with Mtume. Biography Eaves was born in St. Paul, Minnesota, where he was taught piano by his father. ''Soul Interviews''. Retrieved 25 March 2020 He began his career in the 1970s as a session player for the band . He later produced for artists such as , [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Messengers
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career. The group evolved into a proving ground for young jazz talent. While veterans occasionally re-appeared in the group, by and large, each iteration of the Messengers included a lineup of new young players. Having the Messengers on one's resume was a rite of passage in the jazz world, and conveyed immediate bona fides. Many former members of the Jazz Messengers established careers as solo musicians, such as Lee Morgan, Benny Golson, Wayne Shorter, Freddie Hubbard, Bobby Timmons, Curtis Fuller, Cedar Walton, Keith Jarrett, Joanne Brackeen, Woody ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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