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Walkin'
''Walkin'' (PRLP 7076) is a Miles Davis compilation album released in March 1957 by Prestige Records. The album compiles material previously released on two 10 inch LPs in 1954 (''Miles Davis All-Star Sextet'' and Side One of ''Miles Davis Quintet'', dropping "I'll Remember April" from Side Two (which had been on the 12" LP ''Blue Haze'', released the previous year, itself a collection of tunes from previous 10" LPs) and replacing it with the previously unreleased "Love Me or Leave Me" recorded at the same session. Here credited to the "Miles Davis All-Stars", the songs were recorded on 3 April and 29 April 1954 by two slightly different groups led by Davis. Both sessions were recorded at Rudy Van Gelder's home studio. The earlier session was a quintet with David Schildkraut on alto saxophone, and produced the three tracks on side two. Schildkraut is the only musician not credited on the cover, and is otherwise almost unknown. Two of these tracks were originally released on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Gelder Studio
The Van Gelder Studio is a recording studio at 445 Sylvan Avenue, Englewood Cliffs, New Jersey, United States. Following the use of his parents' home at 25 Prospect Avenue, Hackensack, New Jersey, for the original studio, Rudy Van Gelder (1924–2016) moved to the new location for his recording studio in July 1959. It has been used to record many albums released by jazz labels such as Blue Note, Prestige, Impulse!, Verve and CTI. It was added to the National Register of Historic Places on April 25, 2022, for its significance in performing arts and engineering. With accompanying 24 photos. Background From around 1952, beginning with a session led by Gil Melle that was sold to Blue Note, recordings were made by Van Gelder for commercial release in the living room of his parents' house at 25 Prospect Avenue in Hackensack, a house that had been built with the intention of doubling as a recording studio (the area was later subsumed by the Hackensack University Medical Center). In July ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis All-Star Sextet
''Miles Davis All Star Sextet'' (PRLP 182) is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The two side-long tracks were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, April 29, 1954. Davis claimed in his autobiography that the release of this material turned his "whole life and career around", along with Capitol Records' release around the same time of the ''Birth of the Cool'' tracks in LP form, which made the critics notice him once again. Davis goes on to describe the goal of this recording: to return to "the fire and improvisation of bebop", but combined with a more forward looking funky kind of blues. Davis says the concepts were worked out in Horace Silver's room at the Arlington Hotel. J.J. Johnson and Lucky Thompson provided a big horn sound, on top of Silver's funky piano and Clarke’s "bad rhythms" behind on the drums. When the recording was complete, all involved, including Bob Weinstock and Van Gelder, knew they had achiev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucky Thompson
Eli "Lucky" Thompson (June 16, 1924 – July 30, 2005) was an American jazz tenor and soprano saxophonist whose playing combined elements of swing music, swing and bebop. Although John Coltrane usually receives the most credit for bringing the soprano saxophone out of obsolescence in the early 1960s, Thompson (along with Steve Lacy (saxophonist), Steve Lacy) embraced the instrument earlier than Coltrane. Early life Thompson was born in Columbia, South Carolina, and moved to Detroit, Michigan, during his childhood. Thompson had to raise his siblings after his mother died, and he practiced saxophone fingerings on a broom handle before acquiring his first instrument. He joined Erskine Hawkins' band in 1942 upon graduating from high school. Career After playing with the swing music, swing orchestras of Lionel Hampton, Don Redman, Billy Eckstine (alongside Dizzy Gillespie and Charlie Parker), Lucky Millinder, and Count Basie, he worked in rhythm and blues and then established ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis Quintet (album)
''Miles Davis Quintet'' (PRLP 185) is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The album title is not to be confused with either of Davis' later Great Quintets. The three tracks on this LP, and one other, were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on April 3, 1954. This was the first session for Prestige Davis recorded at Gelder's home studio, as he would all his remaining sessions for the label. Miles Ahead: A Miles Davis Website, accessed May 26, 2014 After the 10" LP format was discontinued, tracks 1 & 2 were included on Side 2 of the 12" album '''' (PRLP 7076), and track 3 was reissued on the 12" album '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'Round About Midnight
''Round About Midnight'' is an album by jazz trumpeter Miles Davis that was originally released by Columbia Records in March 1957. It was Davis' first album with Columbia. Background At the Newport Jazz Festival in 1955, Davis performed the song Round Midnight" as part of an all-star jam session, with the song's composer Thelonious Monk, along with Connie Kay and Percy Heath of the Modern Jazz Quartet, Zoot Sims, and Gerry Mulligan. Davis's solo received a positive reception from many jazz fans and critics. His response to this performance was typically laconic: "What are they talking about? I just played the way I always play." George Avakian of Columbia Records was in the audience, and his brother Aram persuaded him that he ought to sign Davis to the label. Davis signed with Columbia and formed his " first great quintet" with John Coltrane on saxophone. ''Round About Midnight'' was his first album for the label. He was still under contract to Prestige, but he had an agreement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Schildkraut
Dave Schildkraut (January 7, 1925 – January 1, 1998) was an American jazz alto saxophonist. Biography Schildkraut first played professionally with Louis Prima in 1941. Following this he played with Buddy Rich (1946), Anita O'Day (1947), Stan Kenton (1953–54), Pete Rugolo (1954), Oscar Pettiford (1954), Miles Davis (" Solar" on: ''Walkin''', Prestige, 1954), George Handy (1955), Tony Aless (1955), Ralph Burns, Tito Puente, Johnny Richards, and Kenton again in 1959. From the 1960s, he played freelance in New York City, where he appeared regularly with Eddie Bert at the West End Cafe. Later in his life he went into semi-retirement. He recorded only one album as a leader, in 1979. However, the album was released only in 2000 by Endgame Records as ''Last Date''. By this time, Schildkraut's playing style was described as having adjusted from youthful mimicry of Parker to showing influence from the likes of John Coltrane, Warne Marsh and Lee Konitz. Style Schildkraut's playin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue 'n' Boogie
Blue 'n' Boogie is a 1944 jazz standard. It was written by Dizzy Gillespie and Frank Paparelli. It can be found on Gillespie's 1955 compilation album ''Groovin' High'', and was notably performed by trumpeter Miles Davis on ''Miles Davis All-Star Sextet'' (1954; later released as the first side of ''Walkin'''), guitarist Wes Montgomery on ''Full House'' (1962), and Sonny Rollins on '' Now's the Time'' (1964). See also *List of jazz standards A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union ... References 1940s jazz standards 1944 songs Bebop jazz standards Compositions by Dizzy Gillespie {{1940s-jazz-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solar (composition)
"Solar" ( or ) is a composition written by Chuck Wayne and later recorded and copyrighted with small alterations by Miles Davis. It first appeared on Davis's 1954 album ''Miles Davis Quintet'' and is considered a modern jazz standard. Chord structure Solar is considered a blues by most listeners, and the commonly accepted chord structure for this piece is: Recordings and popularity The first released recording of the piece appeared on Davis's album ''Miles Davis Quintet'' in 1954; and then appeared on his album '' Walkin'''. It was the only time that he recorded the piece. Probably the best-known version is on pianist Bill Evans's trio album '' Sunday at the Village Vanguard'' from 1961. The composition is popular with educators and learners, partly because the structure is "both rich and succinct". Authorship The composition was copyrighted in Davis's name in 1963. However, some musicians and others believed that it had been written by Wayne, with some making the assertion in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudy Van Gelder
Rudolph Van Gelder (November 2, 1924 – August 25, 2016) was an American recording engineer who specialized in jazz. Over more than half a century, he recorded several thousand sessions, with musicians including John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Lee Morgan, Joe Henderson, Freddie Hubbard, Wayne Shorter, Horace Silver, Herbie Hancock and Grant Green. He worked with many different record companies, and recorded almost every session on Blue Note Records from 1953 to 1967. He worked on albums including John Coltrane's ''A Love Supreme'', Miles Davis's ''Walkin''', Herbie Hancock's '' Maiden Voyage'', Sonny Rollins's ''Saxophone Colossus'', and Horace Silver's ''Song for My Father''. He is regarded as one of the most influential engineers in jazz. Early life Van Gelder was born in Jersey City, New Jersey. His parents, Louis Van Gelder and the former Sarah Cohen, ran a women's clothing store in Passaic. His interest in microphones and electronics ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Don't Know What Love Is
"You Don't Know What Love Is" is a popular song of the Great American Songbook, written by Don Raye (lyrics) and Gene de Paul (music) for the Abbott and Costello film ''Keep 'Em Flying'' (1941), in which it was sung by Carol Bruce. The song was deleted from the film prior to release. The song was later included in '' Behind the Eight Ball'' (1942), starring the Ritz Brothers. "You Don't Know What Love Is" was again sung by Carol Bruce; it was her third and final film until the 1980s.Wilson, Jeremy"'You Don't Know What Love Is' (1941)" JazzStandards.com, accessed October 15, 2017 After Miles Davis recorded an instrumental version of the song in 1954, it became a jazz standard, with Dinah Washington releasing the definitive vocal version a year later. Other noteworthy recordings were made by Billie Holiday and Sonny Rollins. Other versions * Louis Armstrong * Chet Baker – ''Chet Baker Sings and Plays'' (1955) *Art Blakey - ''Art Blakey!!!!! Jazz Messengers!!!!! (1961)'' * John Col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
