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Waldmeister Theorem Prover
''Waldmeister'' (''Woodruff'') is an operetta written by Johann Strauss II to a libretto by . It was first performed on 4 December 1895 at the Theater an der Wien. Although not as popular as some of Strauss' other operettas, such as ''Der Zigeunerbaron'' and ''Die Fledermaus'', it was given eighty-eight performances, and was much admired by Johannes Brahms, a friend of the composer. Roles Synopsis Overture \relative b' Act 1 ''The inside of a mill in the forest'' The apprentice foresters are on a hunting trip to the mill in the forest with the singer Pauline and her friends when they are surprised by the rain and get completely drenched. They are given dry clothes by the miller boys and maids of foreman Martin for a good price. Professor Müller, who is applying for a job at the forest academy and botanizing in the forest, is also driven into the mill by the rain. He meets the cute Jeanne, Pauline's travel companion, whom he likes and who, like everything that interests ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Strauss II
Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, ''Die Fledermaus'' and ''Der Zigeunerbaron'' are the best known. Strauss was the son of Johann Strauss I and his first wife Maria Anna Streim. Two younger brothers, Josef and Eduard Strauss, also became composers of light music, although they were never as well known as their brot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German-language Operettas
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italian province of South Tyrol. It is also a co-official language of Luxembourg and Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France ( Bas-Rhin), Czech Republic (North Bohemia), Poland ( Upper Silesia), Slovakia (Bratislava Region), and Hungary ( Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch, English, the Frisian languages, Low German, Luxembourgish, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic group, such as Danish, Norwegian, and Swedish. German is the second most widely spoken Germanic language after English, which is also a West Germanic language. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Johann Strauss II
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadrille
The quadrille is a dance that was fashionable in late 18th- and 19th-century Europe and its colonies. The quadrille consists of a chain of four to six '' contredanses''. Latterly the quadrille was frequently danced to a medley of opera melodies. Performed by four couples in a rectangular formation, it is related to American square dancing. The Lancers, a variant of the quadrille, became popular in the late 19th century and was still danced in the 20th century in folk-dance clubs. A derivative found in the Francophone Lesser Antilles is known as ''kwadril'', and the dance is also still found in Madagascar and is within old Caribbean culture. History The term ''quadrille'' originated in 17th-century military parades in which four mounted horsemen executed square formations. The word probably derived from the Italian ''quadriglia'' (diminutive of ''quadra'', hence a small square). The dance was introduced in France around 1760: originally it was a form of cotillion in whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
March (music)
A march, as a musical genre, is a piece of music with a strong regular rhythm which in origin was expressly written for marching to and most frequently performed by a military band. In mood, marches range from the moving death march in Richard Wagner, Wagner's ''Götterdämmerung'' to the brisk military marches of John Philip Sousa and the martial hymns of the late 19th century. Examples of the varied use of the march can be found in Ludwig van Beethoven, Beethoven's Symphony No. 3 (Beethoven), ''Eroica'' Symphony, in the Three Marches Militaires (Schubert), Marches Militaires of Franz Schubert, in the Marche funèbre in Frédéric Chopin, Chopin's Piano Sonata No. 2 (Chopin), Sonata in B flat minor, the "''Jäger March''" in the by Jean Sibelius, and in the Dead March in George Frideric Handel, Handel's ''Saul (Handel), Saul''. Characteristics Marches can be written in any time signature, but the most common time signatures are , (''alla breve'' , although this may refer to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polka-mazurka
The polka-mazurka is a dance, musically similar to the mazurka, but danced much like the polka. Many polka-mazurkas were composed by Johann Strauss II and his family. Johann Strauss I did not compose any of this type of music; the first polka-mazurka example written by the Strauss family was in the year 1854 by Johann Strauss II, entitled La Viennoise op. 144.The polka-mazurka was not credited to the Strauss family alone, as many Viennese composers in the 1850s era also wrote many examples. This variant of the polka was seen as cross-cultural, as many of its influences can be seen in the French-polka with its feminine and deliberate steps as well as the exciting schnell-polka, where Eduard Strauss composed many famous pieces of this type. Polka-mazurka music Its tempo of 3 beats to the bar ( time) meant that it was similar in rhythm to the waltz, but the emphasis of the polka-mazurka was on the first beat of the bar as opposed to the waltz which places its beats on the last two as e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polka
Polka is a dance and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas. History Etymology The term ''polka'' referring to the dance is derived from the Czech word ''Polka'' meaning "Polish woman" (feminine form corresponding to ''Polák'', a Pole)."polka, n.". Oxford University Press. (accessed 11 July 2012). Czech cultural historian Čeněk Zíbrt also attributes the term to the Czech word ''půlka'' (half), referring to both the half-tempo and the half-jump step of the dance.Čeněk Zíbrt, "Jak se kdy v Čechách tancovalo: dějiny tance v Čechách, na Moravě, ve Slezsku a na Slovensku z věků nejstarších až do nové doby se zvláštním zřetelem k dějinám tance vůbec", Prague, 189(Google eBook)/ref> The word was widely introduced into the major European languages in the early 1840s. Origin and popularity The polka' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trau, Schau, Wem!
Trau, schau, wem! (''Take Care in Whom You Trust!''), Op. 463, is a waltz composed by Johann Strauss II. The composition was dedicated to the portrait painter Franz von Lenbach. It was based on melodies from Strauss's operetta '' Waldmeister'' – the work is therefore also known as "Waldmeister Walzer". It premiered on 15 December 1895 in the Golden Hall of the Vienna Musikverein, conducted by Eduard Strauss Eduard "Edi" Strauss (15 March 1835 – 28 December 1916) was an Austrian composer who, together with his brothers Johann Strauss II and Josef Strauss made up the Strauss musical dynasty. He was the son of Johann Strauss I and Maria Anna Streim. .... References 1895 compositions Waltzes by Johann Strauss II {{classical-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Josephi
Josef Ichhäuser(1852–1920), known by the stage name Josef Josephi (also spelled Joseffy), was a Polish-born singer (tenor-baritone) and actor. Life Ichhäuser was born on in Kraków. He was the son of a cloth merchant. He graduated from high school in 1871 and made his debut in 1873 in Vienna in a small role as a soldier in Friedrich Schiller’s '' Fiesco''. His apprenticeship led him to Nagykanizsa, Chemnitz and Wrocław. In 1878 he joined the Ringtheater in Vienna. In 1880 he played at the Carltheater, and in 1883 at the Theater an der Wien. Successes in performing vocal roles led him to the decision to become a singer. He sang in Johann Strauss II's ''Eine Nacht in Venedig'' and ''The Gypsy Baron'', and in Vilém Blodek's comic one-act opera ' (''In the Well''). Together with Alexander Girardi, Karl Lindau, and , he formed the ''Elitekorps'' (elite corps) of the Viennese operetta. In 1900 he moved to Berlin. From 1906 he was for two years at the and then engaged for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Girardi
Alexander Girardi (pronounced ) (5 December 1850 – 20 April 1918) was an Austrian actor and tenor singer in operettas. Career Girardi was born in Graz; his father was the locksmith Andreas Girardi who had migrated to Graz from Cortina d'Ampezzo. Following the early death of his father, Alexander Girardi was raised by his stepfather who put him into a locksmith apprenticeship. Against his stepfather's wishes, he joined the amateur theatre ''Die Tonhalle'', where his acting talent was discovered; this led to an engagement at the Vienna Strampfer-Theater. In 1874 Girardi moved to the Theater an der Wien, where he continued to work for 22 years. In 1896/97 he worked at the Carltheater and then two years at the Volkstheater in Vienna. He also had guest appearances at other important theatres in Vienna and toured Germany (Berlin, Hamburg, Dresden). One of his most renowned roles was Valentin in Ferdinand Raimund's '' Der Verschwender'', particularly his rendition of the " Hob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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