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Waiting For The Worms
"Waiting for the Worms" (working title "Follow the Worms") is a song from the 1979 Pink Floyd album ''The Wall''. It is preceded by "Run Like Hell" and followed by "Stop". Composition and plot At this point in the album, protagonist Pink has lost hope (''"You cannot reach me now"'') and his thinking has decayed, bringing to mind the "worms". In his hallucination, he is a fascist dictator, fomenting racist outrage and violence, as begun in the preceding song, "Run Like Hell". The count-in is —German for "one, two, three, all". In the beginning and end the crowd chants, "Hammer", a recurring representation of fascism and violence in ''The Wall''. The song is a slow, leaden march in G Major, begun with David Gilmour and Roger Waters alternating calm and strident voices, respectively. Waters takes over with an extended vamp on A minor, musically similar to the album's earlier "The Happiest Days of Our Lives". Through a megaphone, he barks forceful invectives (''"Waiting to put on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pink Floyd
Pink Floyd are an English rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic music, psychedelic groups, they were distinguished by their extended compositions, sonic experimentation, philosophical lyrics and elaborate Pink Floyd live performances, live shows. They became a leading band of the progressive rock genre, cited by some as the greatest progressive rock band of all time. Pink Floyd were founded in 1965 by Syd Barrett (guitar, lead vocals), Nick Mason (drums), Roger Waters (bass guitar, vocals), and Richard Wright (musician), Richard Wright (keyboards, vocals). Under Barrett's leadership, they released two charting singles and the successful debut album ''The Piper at the Gates of Dawn'' (1967). Guitarist and vocalist David Gilmour joined in December 1967; Barrett left in April 1968 due to deteriorating mental health. Waters became the primary lyricist and thematic leader, devising the concept album, concepts behind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In The Flesh?
"In the Flesh?" and "In the Flesh" are two songs by the English rock band Pink Floyd, released on their 1979 album, ''The Wall''. "In the Flesh?" is the opening track, and introduces the story concept of the album. "In the Flesh" is the twenty-first song of the album, and is a reprise of the first with a choir, different verses and more extended instrumentation. The title is a reference to the band's 1977 In the Flesh Tour, during which Roger Waters, in frustration, spat at a fan attempting to climb the fence separating the band from the crowd. Composition The majority of the songs are in the key of A Major and its time signature is 6/8. The arrangement is highly dynamic and dramatic. The first few seconds of the first song ("In the Flesh?") are very quiet, and feature the melody of the song " Outside the Wall", which is the album's closing track. The recording begins abruptly as a man quietly speaks the phrase "...we came in?" completing the sentence cut off at the end of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Trial (song)
"The Trial" (working title "Trial by Puppet") is a track from Pink Floyd's 1979 rock opera/concept album ''The Wall''. Written by Roger Waters and Bob Ezrin, it marks the climax of the album and film. Plot The song centres on the main character, Pink, who having lived a life filled with emotional trauma and substance abuse has reached a critical psychological break. "The Trial" is the fulcrum on which Pink's mental state balances. In the song, Pink is charged with "showing feelings of an almost human nature." This means that Pink has committed a crime against himself by attempting to interact with his fellow human beings, defying the mission towards self-isolation that defined much of his life. Through the course of the song, he is confronted by the primary influences of his life (who have been introduced over the course of the album): an abusive schoolmaster, his wife, and his overprotective mother; in the animated sequence, they are depicted as grotesque caricatures. Pink's subco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hey You (Pink Floyd Song)
"Hey You" is a song by English rock band Pink Floyd, released on their 1979 double album ''The Wall''. The song, along with "The Show Must Go On", was edited out of the film for fear on the part of the filmmakers that the film was running too long; however, a rough version is available as an extra on the ''25th Anniversary Edition'' DVD. Composition The song starts off with an acoustic guitar, restrung in a fashion similar to Nashville tuning, but with the low E string replaced by a high E tuned two full octaves higher than normal. It plays arpeggios over E and D minor added ninth chords. The alternate stringing allows for adjacent pitches (such as the E, F♯, and G of the Em9 chord) to ring out separately on separate strings throughout the arpeggio. A fretless bass enters, also played by guitarist David Gilmour rather than usual bassist Roger Waters. Next to join in is the Fender Rhodes electric piano by Richard Wright, Gilmour's vocals, singing in the first person, as the ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Another Brick In The Wall
"Another Brick in the Wall" is a three-part composition on Pink Floyd's 1979 rock opera ''The Wall,'' written by bassist Roger Waters. "Part 2", a protest song against corporal punishment, and rigid and abusive schooling, features a children's choir. At the suggestion of producer Bob Ezrin, Pink Floyd added elements of disco. "Part 2" was released as a single, Pink Floyd's first in the UK since " Point Me at the Sky" (1968). It sold over four million copies worldwide and topped singles charts in fourteen countries, including in the UK and United States. It was nominated for a Grammy Award and was ranked number 384 on ''Rolling Stone''s list of "The 500 Greatest Songs of All Time". Concept The three parts of "Another Brick in the Wall" appear on Pink Floyd's 1979 rock opera album ''The Wall''. They are essentially one verse each, although Part 2 sees its own verse sung twice: once by Floyd members, and the second time by the guest choir. During "Part 1", the protagonist, P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Third
In music theory, a minor third is a musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval number). The minor third is one of two commonly occurring thirds. It is called ''minor'' because it is the smaller of the two: the major third spans an additional semitone. For example, the interval from A to C is a minor third, as the note C lies three semitones above A. Coincidentally, there are three staff positions from A to C. Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The minor third is a skip melodically. Notable examples of ascending minor thirds include the opening two notes of " Greensleeves" and of " Light My Fire". The minor third may be derived from the harmonic series as the interval between the fifth and sixth harmonics, or from the 19th harmonic. The minor third is co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Second
In Western music theory, a major second (sometimes also called whole tone or a whole step) is a second spanning two semitones (). A second is a musical interval encompassing two adjacent staff positions (see Interval number for more details). For example, the interval from C to D is a major second, as the note D lies two semitones above C, and the two notes are notated on adjacent staff positions. Diminished, minor and augmented seconds are notated on adjacent staff positions as well, but consist of a different number of semitones (zero, one, and three). The major second is the interval that occurs between the first and second degrees of a major scale, the tonic and the supertonic. On a musical keyboard, a major second is the interval between two keys separated by one key, counting white and black keys alike. On a guitar string, it is the interval separated by two frets. In moveable-do solfège, it is the interval between ''do'' and ''re''. It is considered a melo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Root (music)
In music theory, the concept of root is the idea that a chord can be represented and named by one of its notes. It is linked to harmonic thinking—the idea that vertical aggregates of notes can form a single unit, a chord. It is in this sense that one speaks of a "C chord" or a "chord on C"—a chord built from C and of which the note (or pitch) C is the root. When a chord is referred to in Classical music or popular music without a reference to what type of chord it is (either major or minor, in most cases), it is assumed a major triad, which for C contains the notes C, E and G. The root need not be the bass note, the lowest note of the chord: the concept of root is linked to that of the inversion of chords, which is derived from the notion of invertible counterpoint. In this concept, chords can be inverted while still retaining their root. In tertian harmonic theory, wherein chords can be considered stacks of third intervals (e.g. in common practice tonality), the root of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antisemitism In The United Kingdom
Antisemitism in the United Kingdom signifies hatred of and discrimination against Jews in Britain. Discrimination and hostility against the community since its establishment in 1070 resulted in a series of massacres on several occasions and their expulsion from the country in 1290. They were readmitted by Oliver Cromwell in 1655. In the 19th century, increasing toleration of religious minorities gradually eliminated legal restrictions on public employment and political representation. However, Jewish financiers were seen by some as having an undue influence on government policy, particularly regarding the British Empire and foreign affairs. Significant Jewish immigration from Eastern Europe in the years prior to World War I generated some opposition and resulted in increasingly restrictive immigration laws. Similarly, an emerging fascist movement in the 1930s which launched antisemitic campaigns was accompanied by a government policy of restricting the inflow of Jewish refugee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of The Socialist Movement In The United Kingdom
Socialism in the United Kingdom is thought to stretch back to the 19th century from roots arising in the aftermath of the English Civil War. Notions of socialism in Great Britain have taken many different forms from the utopian philanthropism of Robert Owen through to the reformist electoral project enshrined in the birth of the Labour Party. Origins The Reformation occurred later in Britain than in most of mainland Europe. As in the rest of Europe, various liberal thinkers such as Thomas More became prominent, but another important current was the emergence of the radical Puritans who wanted to reform both religion and the nation. The Puritans were oppressed by both the monarchy and by the established church. Eventually these pressures exploded in the violent social revolution known as the English Civil War, which many Marxists see as the world's first successful bourgeois revolution. During the war several proto-socialist groups emerged. The most important of these groups ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Ethnic Slurs
The following is a list of ethnic slurs or ethnophaulisms or ethnic epithets that are, or have been, used as insinuations or allegations about members of a given ethnicity or racial group or to refer to them in a derogatory, pejorative, or otherwise insulting manner. Some of the terms listed below (such as "gringo", "yank", etc.) can be used in casual speech without any intention of causing offense. The connotation of a term and prevalence of its use as a pejorative or neutral descriptor varies over time and by geography. For the purposes of this list, an ''ethnic slur'' is a term designed to insult others on the basis of race, ethnicity, or nationality. Each term is listed followed by its country or region of usage, a definition, and a reference to that term. Ethnic slurs may also be produced as a racial epithet by combining a general-purpose insult with the name of ethnicity, such as "dirty Jew", "Russian pig", etc. Other common insulting modifiers include "dog", "filthy" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
