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WRTC-FM
WRTC-FM (89.3 MHz) is a non-commercial music radio station primarily serving the Hartford, Connecticut metropolitan area. Owned and operated by Trinity College, it broadcasts weekly programs in various formats including rock, jazz, and urban contemporary. Background WRTC made its on-air debut on February 26, 1947. It airs a wide range of rock styles for around 40 hours per week. Programming Music and interviews with artists In the 1970s, ''Alien Rock'' was one of the first programs in the state to introduce art, progressive, and punk rock to listeners. Although there’s less progressive and art rock on the air today, it was once a mainstay during the 1970s and still has a place at WRTC, as do album-oriented (AOR) and Indie rock, house music, and techno offerings. WRTC also airs around 30 hours of jazz programming each week. Types of jazz include: fusion, hard bop, modern, and smooth/ cool. The station also runs 20 hours of Caribbean sounds each week, including bomba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hartford, Connecticut
Hartford is the capital city of the U.S. state of Connecticut. It was the seat of Hartford County until Connecticut disbanded county government in 1960. It is the core city in the Greater Hartford metropolitan area. Census estimates since the 2010 United States census have indicated that Hartford is the fourth-largest city in Connecticut with a 2020 population of 121,054, behind the coastal cities of Bridgeport, New Haven, and Stamford. Hartford was founded in 1635 and is among the oldest cities in the United States. It is home to the country's oldest public art museum (Wadsworth Atheneum), the oldest publicly funded park (Bushnell Park), the oldest continuously published newspaper (the ''Hartford Courant''), and the second-oldest secondary school (Hartford Public High School). It is also home to the Mark Twain House, where the author wrote his most famous works and raised his family, among other historically significant sites. Mark Twain wrote in 1868, "Of all the beautifu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hard Bop
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing. David H. Rosenthal contends in his book ''Hard Bop'' that the genre is, to a large degree, the natural creation of a generation of African-American musicians who grew up at a time when bop and rhythm and blues were the dominant forms of black American music. Prominent hard bop musicians included Horace Silver, Clifford Brown, Charles Mingus, Art Blakey, Cannonball Adderley, Miles Davis, John Coltrane, Hank Mobley, Thelonious Monk and Lee Morgan. Musical style Hard bop is sometimes referred to as "funky hard bop". The "funky" label refers to the rollicking, rhythmic feeling associated with the style. The descriptor is also used to describe soul jazz, which is commonly a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rocksteady
Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term ''rocksteady'' comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today. Characteristics The Jamaican musicians and producers who developed the rocksteady sound and ska were well-versed in jazz and influenced by other genres, most notably rhythm and blues, and by Caribbean music plus African m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggaeton
Reggaeton (, ), also known as reggaetón and reguetón (), is a music style that originated in Panama during the late 1980s. It was later popularized in Puerto Rico. It has evolved from dancehall and has been influenced by American Hip hop music, hip hop, Latin American music, Latin American, and Caribbean music. Vocals include rapping and singing, typically in Spanish. Reggaeton is regarded as one of the most popular music genres in the Caribbean Spanish, Spanish-speaking Caribbean, including Puerto Rico, Panama, Dominican Republic, Cuba, Colombia, and Venezuela. Over the 2010s, the genre has seen increased popularity across Latin America, as well as acceptance within Pop music, mainstream Western music. Etymology The word ''reggaeton'' (formed from the word ''reggae'' plus the augmentative suffix ) was first used in 1988 when El General's representative Michael Ellis gave it that name to describe it as "''reggae grande''" (big reggae). The spellings ''reggaeton'' and ''r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merengue Music
Merengue is a type of music and dance originating in the Dominican Republic, which has become a very popular genre throughout Latin America, and also in several major cities in the United States with Latino communities. Merengue was inscribed on November 30, 2016 in the representative list of the Intangible Cultural Heritage of Humanity of UNESCO. Merengue was developed in the middle of the 1800s, originally played with European stringed instruments ( bandurria and guitar). Years later, the stringed instruments were replaced by the accordion, thus conforming, together with the güira and the tambora, the instrumental structure of the typical merengue ensemble. This set, with its three instruments, represents the synthesis of the three cultures that made up the idiosyncrasy of Dominican culture. The European influence is represented by the accordion, the African by the Tambora, which is a two-head drum, and the Taino or aboriginal by the güira. The genre was later promoted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lovers Rock
Lovers' rock is a style of reggae music noted for its romantic sound and content. While love songs had been an important part of reggae since the late 1960s, the style was given a greater focus and a name in London in the mid-1970s.Larkin, Colin (1998) "The Virgin Encyclopedia of Reggae", Virgin Books, History The roots of lovers' rock lies in the last days of the rocksteady era and early days of reggae, with Jamaican and American singers such as Ken Boothe, Johnny Nash "I Can See Clearly Now"(1972) and John Holt enjoying international hits with versions of well-known love songs.Thompson, Dave (2002) "Reggae & Caribbean Music", Backbeat Books, A style suited to the London reggae scene, lovers rock represented an apolitical counterpoint to the conscious Rastafarian sound dominant in Jamaica at the time, a continuation of the soulful and commonly love-themed rocksteady style, based on singers like Alton Ellis, who were not very optimistic about the rise of Rastafarian reggae. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities. In the 2000s, dancehall experienced worldwide mainstream success, and by the 2010s, it began to heavily influence the work of established Western artists and producers, which has helped to furth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compas
Compas, also known as compas direct or compas direk (; Haitian Creole: ''konpa'', ''kompa'' or ''kompa dirèk''), is a modern méringue dance music genre of Haiti. The genre was popularized following the creation of Ensemble Aux Callebasses in (1955), which became Ensemble Nemours Jean-Baptiste In 1957. The frequent tours of the many Haitian bands have cemented the style in all the Caribbean. Therefore, compas is the main music of several countries such as Dominica and the French Antilles. Whether it is called zouk, where French Antilles artists of Martinique and Guadeloupe have taken it, or compas in places where Haitian artists have toured, this méringue style is influential in part of the Caribbean, Portugal, Cape Verde, France, part of Canada, South and North America. Etymology and characteristics The word "Compas" means "measure" in Spanish or "rhythm", and one of the most distinctive characteristics of compas is the consistent pulsating tanbou beat, a trait common to ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calypso Music
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to the mid-19th century and spread to the rest of the Caribbean Antilles and Venezuela by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century. It is characterized by highly rhythmic and harmonic vocals, and was historically most often sung in a French creole and led by a griot. As calypso developed, the role of the griot became known as a ''chantuelle'' and eventually, ''calypsonian''. As English replaced "patois" (Antillean creole) as the dominant language, calypso migrated into English, and in so doing it attracted more attention from the government. It allowed the masses to challenge the doings of the unelected Governor and Legislative Council, and the elected town councils of Port of Spain and San Fernando. Calypso continued to play an important role in politic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boomba Music
Boomba music, also referred to as kapuka (due to the beat pattern; not to be confused with kapuka rap), is a form of hip pop music popular in Kenya. It incorporates hip hop, reggae and African traditional musical styles. The lyrics are in Swahili, Sheng or local dialects. It is associated with the Ogopa Deejays and is believed to have originated in the late 1990s with artists such as Redsan, Bebe Cool and Chameleone. It went on to dominate East African airwaves (especially Kenya and Uganda) after the release of the Ogopa Deejays' first album in 2001, which included artists such as the late E-Sir, Nameless, Mr. Lenny, Amani, Mr. Googz and Vinnie Banton amongst others. The over-saturation of playlists with this music style caused some to criticise it, including the artists K-South who had a hit titled "Kapuka This, Kapuka That". This also led to other styles such as genge music being formed by producer Clemo to diversify the market. Despite the critics the music continue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caribbean Music
Caribbean music genres are very diverse. They are each synthesis of African, European, Arab, Asian, and Indigenous influences, largely created by descendants of African slaves (see Afro-Caribbean music), along with contributions from other communities (such as Indo-Caribbean music). Some of the styles to gain wide popularity outside the Caribbean include, bachata, merengue, palo, mambo, denbo, baithak gana, bouyon, cadence-lypso, calypso, soca, chutney, chutney-soca, compas, dancehall, jing ping, parang, pichakaree, punta, ragga, reggae, dembow, reggaeton, salsa, soca, and zouk. Caribbean music is also related to Central American and South American music. The history of Caribbean music originates from the history of the Caribbean itself. That history is one of the native land invaded by outsiders; violence, slavery, and even genocide factor in. Following Christopher Columbus' 1492 landing, Spain claimed the entire region as its own. That didn't sit well with either the nat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
