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Worlds Away (Ian Moss Album)
''Worlds Away'' is the second studio album by Australian singer Ian Moss, a former member of Cold Chisel Cold Chisel are an Australian pub rock band, which formed in Adelaide in 1973 by mainstay members Ian Moss on guitar and vocals, Steve Prestwich on drums and Don Walker on piano and keyboards. They were soon joined by Jimmy Barnes (at the .... Like its predecessor, the album featured several songs written for him by Don Walker, also from Cold Chisel. The album was released in October 1991 and peaked in the top 50 in Australia and New Zealand. Track listing Charts References 1991 albums Ian Moss albums Mushroom Records albums {{1990s-pop-album-stub ...
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Ian Moss
Ian Richard Moss (born 20 March 1955) is an Australian rock musician from Alice Springs. He is the founding mainstay guitarist and occasional singer of Cold Chisel. In that group's initial eleven year phase from 1973 to 1984, Moss was recorded on all five studio albums, three of which reached number one on the national Kent Music Report Albums Chart. In August 1989 he released his debut solo album, ''Matchbook'', which peaked at number one on the ARIA Albums Chart. It was preceded by his debut single, "Tucker's Daughter", which reached number two on the related ARIA Singles Chart in March. The track was co-written by Moss with Don Walker, also from Cold Chisel. Moss had another top ten hit with "Telephone Booth" in June 1989. At the ARIA Music Awards of 1990 Moss won five categories: Album of the Year, Best Male Artist, Breakthrough Artist – Album, Single of the Year and Breakthrough Artist – Single. Since then his solo music career has been more ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ...
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Blues Rock
Blues rock is a fusion music genre that combines elements of blues and rock music. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, and drums, sometimes with keyboards and harmonica). From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal music, heavy metal. Blues rock started with rock musicians in the United Kingdom and the United States performing American blues songs. They typically recreated electric Chicago blues songs, such as those by Willie Dixon, Muddy Waters, and Jimmy Reed, at faster tempos and with a more aggressive sound common to rock. In the UK, the style was popularized by groups such as the Rolling Stones, the Yardbirds, and the Animals, who put several blues songs into the pop charts. In the US, Lonnie Mack, the Paul Butterfield Blues B ...
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Mushroom Records
Mushroom Records was an Australian flagship record label, founded in 1972 in Melbourne. It published and distributed many successful Australian artists and expanded internationally, until it was merged with Festival Records in 1998. Festival Mushroom Records was later acquired by Warner Bros. Records, which operated the label from 2005 to 2010 until it folded to Warner Bros. Records. Founder Michael Gudinski went on to become the leader of the Mushroom Group, the largest independent music and entertainment company in Australia, with divisions such as Frontier Touring. History Mushroom Records was an Australian record label formed by Michael Gudinski and Ray Evans in Melbourne in 1972. After its sale in 1998 along with Mushroom Distribution Services, they merged into Festival Mushroom Records. From 2005 to 2009, it was operated by Warner Bros. Records. Gudinski subsequently expanded a pre-existing label, Liberation Music, to release material by former Mushroom artists.McFarlane ...
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Matchbook (Ian Moss Album)
''Matchbook'' is the debut solo studio album by Australian singer-guitarist, Ian Moss, a member of pub rockers, Cold Chisel. Six of its ten tracks were written by fellow Cold Chisel bandmate, Don Walker, and three were co-written by Moss and Walker. The album was released in August 1989 and peaked at number 1 on the ARIA Albums Chart; it remained in the Top 10 for 14 weeks and shipped more than 200,000 copies. It also reached the Top 20 on the Official New Zealand Music Chart. Moss described the album's sound to Beryl Cook of ''The Canberra Times'', "it's definitely fairly R&B with a white soul edge to it, with a hint of rock and roll and plenty of big guitar over the top." ''Matchbook'' provided four singles, "Tucker's Daughter" (November 1988, which reached No. 2 on the ARIA Singles Chart), "Telephone Booth" (June 1989, No. 7), " Out of the Fire" (September, No. 29) and "Mr. Rain" (December). "Tucker's Daughter" also peaked at No.  ...
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Petrolhead
''Petrolhead'' is the third studio album by Australian musician Ian Moss. The album was a departure from Ian's previous albums with Moss saying “it was a conscious decision to get back to something I was always happy doing. The result is tough, ballsy blues meets rock...plenty of heart, alive and kicking.” Reception Australian musicologist Ian McFarlane declared it was "his best-ever album ... ya down'n'dirty blues-rock outfit ... with gritty, hard-edged tracks ... ndfinely honed guitar work". ''The Sydney Morning Herald'' said, "The irony of ''Petrolhead'' is while many of the songs seem forgettable on first listen, they are annoyingly difficult to forget. Just about everything is unoriginal, but is also done with enthusiasm and guitars turned up to 11." Track listing Personnel *Ian Moss - Vocals, Guitar *Ian Rilen - Bass *Paul DeMarco Paul J. DeMarco (born July 20, 1967) is an American lawyer and politician from the state of Alabama. He is a Rep ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Cold Chisel
Cold Chisel are an Australian pub rock band, which formed in Adelaide in 1973 by mainstay members Ian Moss on guitar and vocals, Steve Prestwich on drums and Don Walker on piano and keyboards. They were soon joined by Jimmy Barnes (at the time known as Jim Barnes) on lead vocals and, in 1975, Phil Small became their bass guitarist. The group disbanded in late 1983 but subsequently reformed several times. Musicologist Ian McFarlane wrote that they became "one of Australia's best-loved groups" as well as "one of the best live bands", fusing "a combination of rockabilly, hard rock and rough-house soul'n'blues that was defiantly Australian in outlook." Eight of their studio albums have reached the Australian top five, ''Breakfast at Sweethearts'' (February 1979), ''East'' (June 1980), '' Circus Animals'' (March 1982, No. 1), '' Twentieth Century'' (April 1984, No. 1), '' The Last Wave of Summer'' (October 1998, No. 1), '' No Plans'' (April 2012), '' The Per ...
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Don Walker (musician)
Donald Hugh Walker (born 29 November 1951) is an Australian musician and songwriter who wrote many of the hits for Australian pub rock band Cold Chisel. Walker is considered to be one of Australia's best songwriters. In 2012 he was inducted into the Australian Songwriter's Hall of Fame. He played piano and keyboard with the Cold Chisel from 1973 to 1983, when they disbanded. He has since continued to record and tour, both solo, initially under the name Catfish and as Tex, Don and Charlie, and worked as a songwriter for others. In 2009, he released his first book. Richard Clapton describes Walker as, "the most Australian writer there has ever been. Don just digs being a sort of Beat poet, who goes around observing, especially around the streets of Kings Cross. He soaks it up like a sponge and articulates it so well. Quite frankly, I think he's better than the rest of us." Biography 1951–1972: Early life and family Walker was born in Ayr, Queensland to a farmer father and ...
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Steve Prestwich
Steven William Prestwich (5 March 195416 January 2011) was an English-born Australian drummer, guitarist, singer and songwriter. After relocating from Liverpool, Prestwich was the founding and long-term drummer for the band Cold Chisel, which formed in Adelaide in 1973. He wrote the Cold Chisel songs "When the War Is Over" and "Forever Now (Cold Chisel song), Forever Now". Prestwich also had a short spell with the Little River Band in the 1980s. He released two solo albums in the 2000s. Prestwich died on 16 January 2011 following surgery to remove a brain tumour, two months before his 57th birthday. Biography Prestwich was born in Liverpool, England in 1954. He was a member of a folk-rock band called Sandy in 1970. His family relocated to Adelaide, South Australia in 1971 when he was 17. He was a member of Elizabeth, South Australia, Elizabeth band Ice from 1971 to 1973. In 1973, he was the founding drummer for heavy metal music, heavy metal group, Orange, with the line-up of Ji ...
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Jon Tiven
Jon Tiven (born January 3, 1955) is an American composer, guitarist, record producer, and music journalist. He has produced albums by Wilson Pickett, Frank Black and Don Covay as well as a series of tribute albums paying tribute to the songwriting of Don Covay, Arthur Alexander, Otis Blackwell, Curtis Mayfield, and Van Morrison. He was also the co-founder of the Memphis power pop band Prix, as well as the bands The Yankees and The Jon Tiven Group. Early career Tiven was born in New Haven, Connecticut. He began his career as a music journalist in the late 1960s, writing for ''Rolling Stone'', ''Fusion'', ''Melody Maker'', and a host of other magazines. Initially an alto saxophonist, he taught himself to play a variety of instruments and became fairly adept at guitar, enough to write songs and accompany himself. After a brief flirtation with higher education at Yale University and Sarah Lawrence College (1972–74), he dropped out to pursue his musical career. In 1975 Tiven went ...
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