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Wonderland (Stanley Turrentine Album)
''Wonderland'' is an album by jazz saxophonist Stanley Turrentine, his second recorded for the Blue Note label following his return to the label in 1984, featuring four performances of tunes associated with Stevie Wonder by Turrentine with Don Grusin, Ronnie Foster, Mike Miller, Abe Laboriel, Harvey Mason, and Paulinho Da Costa with guest appearances by Wonder and Eddie del Barrio. Reception The Allmusic review by Vince Ripol awarded the album 2 stars and states "The best results occur when Foster and Turrentine cut loose, taking liberties with familiar hits like "Boogie on Reggae Woman," which features Wonder on harmonica. Other times, Turrentine succumbs to routine tributes which are pleasant but unexceptional... overly familiar songs are given conservative treatments much of the time. There's too much talent assembled on ''Wonderland'' for any of these proven compositions to fail, which suggests Turrentine and Foster might have considered taking more risks".Ripol, V. Allmusic ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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You And I (We Can Conquer The World)
"You and I (We Can Conquer the World)" is a song written and sung by Stevie Wonder from his 1972 album ''Talking Book''. Wonder is also credited for playing piano and T.O.N.T.O. synthesizer on the song. Personnel *Stevie Wonder – lead vocal, piano, T.O.N.T.O. synthesizer, Moog bass Cover versions *Barbra Streisand included a rendition of the song in her 1975 album '' Lazy Afternoon''. This is the first time the song is listed and released as "You and I". *In a sixth season episode of the CBS sitcom ''Good Times'', Michael Evans (Ralph Carter) performs the song at the wedding of his sister Thelma (Bern Nadette Stanis) to Keith Anderson (Ben Powers). *Santita Jackson performed the song at the 1992 wedding of Barack and Michelle Obama *O'Bryan recorded the song as the title cut from his 1983 album of the same name. *Joe Cocker recorded a cover for his 1996 album ''Organic''. *Vesta Williams included a cover in her 1998 album ''Relationships''. *Mariah Carey sang the song on BET' ...
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Electric Bass
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck The neck is the part of the body on many vertebrates that connects the head with the torso. The neck supports the weight of the head and protects the nerves that carry sensory and motor information from the brain down to the rest of the body. In ... and Scale length (string instruments), scale length, and typically four to six string (music), strings or Course (music), courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a plectrum, pick. To be heard ...
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Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Arrangement (music)
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' pieces. ...
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Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Sir Duke
"Sir Duke" is a song composed and performed by Stevie Wonder from his 1976 album ''Songs in the Key of Life''. Released as a single in 1977, the track topped the U.S. ''Billboard'' Hot 100 and Black Singles charts, and reached number two in the UK Singles Chart, his joint biggest hit there at the time. ''Billboard'' ranked it as the No. 18 song of 1977. The song was written in tribute to Duke Ellington, the influential jazz legend who had died in 1974. The lyrics also refer to Count Basie, Glenn Miller, Louis Armstrong and Ella Fitzgerald. Wonder re-recorded the song for the 1995 live album '' Natural Wonder''. Background Wonder wrote the song as a tribute to Duke Ellington, the jazz composer, bandleader, and pianist who had influenced him as a musician. Wonder had already experienced the death of two of his idols (Dinah Washington and Wes Montgomery) after attempting to collaborate with them. After Ellington died in 1974, Wonder wanted to write a song acknowledging musi ...
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