Woman With Black Glove
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Woman With Black Glove
''Woman with Black Glove'' (French: ''Femme au gant noir'', or ''Femme Assise'') is a painting by the French artist, theorist and writer Albert Gleizes. Painted in 1920, after returning to Paris in the wake of World War I, the paintings highly abstract structure is consistent with style of experimentation that transpired during the second synthetic phase of Cubism, called Crystal Cubism. As other post-wartime works by Gleizes, ''Woman with Black Glove'' represents a break from the first phase of Cubism, with emphasis placed on flat surface activity and large overlapping geometric planes. There are several smaller versions of ''Woman with Black Glove'', illustrating a facet of Gleizes' pursuits during the early 1920s: "reminiscences of specific reality evoked within the context of increasingly careful picture construction", writes art historian Daniel Robbins. ''Woman with Black Glove'' was exhibited at the Salon d'Automne, Grand Palais, Paris, 15 October – 12 December 1920. T ...
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Albert Gleizes
Albert Gleizes (; 8 December 1881 – 23 June 1953) was a French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris. Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, ''Du "Cubisme"'', 1912. Gleizes was a founding member of the Section d'Or group of artists. He was also a member of ''Der Sturm'', and his many theoretical writings were originally most appreciated in Germany, where especially at the Bauhaus his ideas were given thoughtful consideration. Gleizes spent four crucial years in New York, and played an important role in making America aware of modern art. He was a member of the Society of Independent Artists, founder of the Ernest-Renan Association, and both a founder and participant in the Abbaye de Créteil. Gleizes exhibited regularly at Léonce Rosenberg's ''Galerie de l’Effort Moderne'' in Paris; he was also a founder, organizer and director of Abstraction-Création. From the mid-1 ...
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Albert Gleizes, Drawing (zeichnung), Der Sturm, 5 June 1920
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1920 Paintings
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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Cubist Paintings
Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form—instead of depicting objects from a single viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre and Montparnasse) or near Paris (Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional space, three-dimensional form in ...
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Paintings By Albert Gleizes
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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Centre Pompidou
The Centre Pompidou (), more fully the Centre national d'art et de culture Georges-Pompidou ( en, National Georges Pompidou Centre of Art and Culture), also known as the Pompidou Centre in English, is a complex building in the Beaubourg area of the 4th arrondissement of Paris, near Les Halles, rue Montorgueil, and the Marais. It was designed in the style of high-tech architecture by the architectural team of Richard Rogers, Su Rogers, Renzo Piano, along with Gianfranco Franchini. It houses the Bibliothèque publique d'information (Public Information Library), a vast public library; the Musée National d'Art Moderne, which is the largest museum for modern art in Europe; and IRCAM, a centre for music and acoustic research. Because of its location, the centre is known locally as Beaubourg (). It is named after Georges Pompidou, the President of France from 1969 to 1974 who commissioned the building, and was officially opened on 31 January 1977 by President Valéry Giscard d'Esta ...
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Musée Des Beaux-Arts De Rouen
The Musée des Beaux-Arts de Rouen is an art museum in Rouen, in Normandy in north-western France. It was established by Napoléon Bonaparte in 1801, and is housed in a building designed by and built between 1877 and 1888. Its collections include paintings, sculptures, drawings and objets d'art. History The museum was established by Napoléon Bonaparte in 1801. The museum building was built between 1877 and 1888 to designs by . The collections include paintings, sculptures, drawings and objets d'art from the Renaissance to the present day, including a collection of Russian icons dating from the fifteenth to the early nineteenth century, and some 8000 drawings. The Depeaux collection of Impressionist works was donated to the museum in 1909. Paintings The museum holds paintings of several European schools from the sixteenth century to the present day. Among them is work by: * sixteenth century: Jacopo Bassano, Annibale Carracci, François Clouet, Gerard David, Perugino and V ...
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Der Sturm
''Der Sturm'' () was a German List of avant-garde magazines, avant-garde art and literary magazine founded by Herwarth Walden, covering Expressionism, Cubism, Dada and Surrealism, among other artistic movements. It was published between 1910 and 1932. History and profile ''Der Sturm'' was established in Berlin in 1910 by Herwarth Walden. It ran weekly from 1910 to 1914, monthly from 1914 to 1924, and quarterly until it ceased publication in 1932. From 1916 to 1928, it was edited by the artist and Bauhaus teacher Lothar SchreyerBauhaus100. Lothar Schreyer
Retrieved 6 December 2018
The magazine was modeled on the Italian literary magazine ''La Voce (magazine), La Voce'' which was published in Florence from 1908 to 1916. Among the literary contributors were Peter Altenberg, Max ...
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Los Angeles County Museum Of Art
The Los Angeles County Museum of Art (LACMA) is an art museum located on Wilshire Boulevard in the Miracle Mile, Los Angeles, California, Miracle Mile vicinity of Los Angeles. LACMA is on Museum Row, adjacent to the La Brea Tar Pits (George C. Page Museum). LACMA was founded in 1961, splitting from the Los Angeles Museum of History, Science and Art. Four years later, it moved to the Wilshire Boulevard complex designed by William Pereira. The museum's wealth and collections grew in the 1980s, and it added several buildings beginning in that decade and continuing in subsequent decades. In 2020, four buildings on the campus were demolished to make way for a reconstructed facility designed by Peter Zumthor. His design drew strong community opposition and was lambasted by architectural critics and museum curators, who objected to its reduced gallery space, poor design, and exorbitant costs. LACMA is the list of largest art museums, largest art museum in the western United States. It a ...
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Solomon R
Solomon (; , ),, ; ar, سُلَيْمَان, ', , ; el, Σολομών, ; la, Salomon also called Jedidiah ( Hebrew: , Modern: , Tiberian: ''Yăḏīḏăyāh'', "beloved of Yah"), was a monarch of ancient Israel and the son and successor of David, according to the Hebrew Bible and the Old Testament. He is described as having been the penultimate ruler of an amalgamated Israel and Judah. The hypothesized dates of Solomon's reign are 970–931 BCE. After his death, his son and successor Rehoboam would adopt harsh policy towards the northern tribes, eventually leading to the splitting of the Israelites between the Kingdom of Israel in the north and the Kingdom of Judah in the south. Following the split, his patrilineal descendants ruled over Judah alone. The Bible says Solomon built the First Temple in Jerusalem, dedicating the temple to Yahweh, or God in Judaism. Solomon is portrayed as wealthy, wise and powerful, and as one of the 48 Jewish prophets. He is also th ...
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Portrait Of An Army Doctor
''Portrait of an Army Doctor'' (in French ''Portrait d'un médecin militaire'') is a 1914-15 painting by the French artist, theorist and writer Albert Gleizes. Painted at the fortress city of Toul (Lorraine) while Gleizes served in the military during the First World War, the paintings abstract circular rhythms and intersecting aslant planes announce the beginning of the second synthetic phase of Cubism. The work represents Gleizes's commanding officer, Major Mayer-Simon Lambert (1870-1943), the regimental surgeon in charge of the military hospital at Toul. At least eight preparatory sketches, gouaches and watercolors of the work have survived, though ''Portrait of an Army Doctor'' is one of the only major oil paintings of the period. As other wartime works by Gleizes, ''Portrait of an Army Doctor'' represents a break from the first phase of Cubism. These wartime works mark "the beginning of an attempt to preserve specific and individual visual characteristics while experimenting ...
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