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Wo Soll Ich Fliehen Hin
"" (Where should I flee) is a hymn in seven stanzas by the German Baroque poet, Lutheran minister and hymn-writer Johann Heermann. It was first published in 1630 during the Thirty Years' War. It is a penitential hymn for Lent. History Heermann, the hymn's poet, was influenced by the tract (Book of the German poetry) by Martin Opitz's, published in 1624, which defended German poetry and set guidelines on how German poetry should be composed. Heermann lived in Köben, Silesia, when he wrote the hymn, an area which suffered under the war. The town was plundered four times. Several times, he lost his possessions and had to flee for his life. Nonetheless, in 1630 in Breslau (now Wrocław, Poland), Silesia, he published a volume of hymns, ''Devoti musica cordis, Hauss-und Herz-Musica'' (Latin, German: "music for a devout heart, house and heart music"), including "". The volume also contained the Passion hymn "". These hymns have been described as "the first in which the correct and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Hymn
Martin Luther was a great enthusiast for music, and this is why it forms a large part of Lutheran services; in particular, Luther admired the composers Josquin des Prez and Ludwig Senfl and wanted singing in the church to move away from the ''ars perfecta'' (Catholic Sacred Music of the late Renaissance) and towards singing as a ''Gemeinschaft'' (community). Lutheran hymns are sometimes known as chorales. Lutheran hymnody is well known for its doctrinal, didactic, and musical richness. Most Lutheran churches are active musically with choirs, handbell choirs, children's choirs, and occasionally change ringing groups that ring bells in a bell tower. Johann Sebastian Bach, a devout Lutheran, composed music for the Lutheran church: more than half of his over 1000 compositions are or contain Lutheran hymns. History Lutheran hymnals include: * ''Achtliederbuch'', a.k.a. the first Lutheran hymnal (1524). Contains, among others, "Nun freut euch, lieben Christen g'mein", "Es ist das ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Mighty Fortress Is Our God
"A Mighty Fortress Is Our God" (originally written in the German language with the title ) is one of the best known hymns by the Protestant Reformer Martin Luther, a prolific hymnwriter. Luther wrote the words and composed the hymn tune between 1527 and 1529. Julian, John, ed., ''A Dictionary of Hymnology: Setting forth the Origin and History of Christian Hymns of All Ages and Nations'', Second revised edition, 2 vols., n.p., 1907, reprint, New York: Dover Publications, Inc., 1957, 1:322–25 It has been translated into English at least seventy times and also into many other languages. The words are mostly original, although the first line paraphrases that of Psalm 46.Marilyn Kay Stulken, ''Hymnal Companion to the Lutheran Book of Worship'' (Philadelphia: Fortress Press, 1981), 307–08, nos. 228–229. History "A Mighty Fortress" is one of the best known hymns of the Lutheran tradition, and among Protestants more generally. It has been called the "Battle Hymn of the Reformati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of Bach family, his family. Early manuscripts of such compositions are a major focus of the website, which provides access to high-resolution digitized versions of many of these. Scholarship on manuscripts and versions of compositions is summarized on separate pages, with references to scholarly sources and editions. The database portal has been online since 2010. History In 2000, two years after Uwe Wolf (musicologist), Uwe Wolf had suggested the possibility of supporting the publication of the New Bach Edition (NBE) with digital media, a project named Bach Digital started as an initiative of the Internationale Bachakademie Stuttgart, but without direct involvement of the then editor of the NBE, the Johann Sebastian Bach Institute in Göttingen. After four years the project remained unconvincing: it lagge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertelsmann
Bertelsmann SE & Co. KGaA () is a German private multinational conglomerate corporation based in Gütersloh, North Rhine-Westphalia, Germany. It is one of the world's largest media conglomerates, and is also active in the service sector and education. Bertelsmann was founded as a publishing house by Carl Bertelsmann in 1835. After World War II, Bertelsmann, under the leadership of Reinhard Mohn, went from being a medium-sized enterprise to a major conglomerate, offering not only books but also television, radio, music, magazines and services. Its principal divisions include the RTL Group, Penguin Random House, BMG, Arvato, the Bertelsmann Printing Group, the Bertelsmann Education Group and Bertelsmann Investments. Bertelsmann is an unlisted and capital market-oriented company, which remains primarily controlled by the Mohn family. History 1835 to 1933 The nucleus of the corporation is the ''C. Bertelsmann Verlag'', a publishing house established on July 1, 1835 by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Melodien Der Deutschen Evangelischen Kirchenlieder (Zahn, Johannes)
A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service. The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a ''chorale harmonization''. Lutheran hymns Starting in 1523, Martin Luther began translating worship texts into German from the Latin. He composed melodies for some hymns himself, such as "Ein feste Burg ist unser Gott" ("A Mighty Fortress Is Our God"), and even a few harmonized settings. For other hymns he adapted Gregorian chant melodies used in Catholic worship to fit new German texts, sometimes using the same melody more than once. For example, he fitted the melody of the hymn "Veni redemptor gentium" to three different texts, " Verleih uns Frieden gnädiglich", "Erhalt uns, Herr, bei deinem Wort", and "Nun komm, der Heiden Heiland". The first Lutheran hymns were published in 1524. These inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vandenhoeck & Ruprecht
Vandenhoeck & Ruprecht (V&R) is a scholarly publishing house based in Göttingen, Germany. It was founded in 1735 by (1700-1750) in connection with the establishment of the Georg-August-Universität in the same city. After Abraham Vandenhoeck's death in 1750, his English-born widow, Anna Vandenhoeck, née Parry (d. 1787) successfully continued the business together with Carl Friedrich Günther Ruprecht (born 1730), who had entered the business as an eighteen-year-old apprentice in 1748. At the death of Anna Vandenhoeck in 1787, Ruprecht took over the business which he led until his death in 1816, when he was succeeded by his 25-year-old son Carl August Adolf Ruprecht (1791-1861). The management of the company remained in the hands of the Ruprecht family for seven generations. The traditional core areas of the publications of V&R are Theology and Religion, History, Ancient History, Philosophy and Philology. Current production also includes schoolbooks and non-academic publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wo Soll Ich Fliehen Hin, BWV 5
Johann Sebastian Bach composed the church cantata (Where shall I flee), 5, in Leipzig for the 19th Sunday after Trinity Sunday, Trinity and first performed it on 15 October 1724. The Chorale cantata (Bach), chorale cantata is based on the hymn "" by Johann Heermann. History and words Bach wrote the cantata in his second year in Leipzig for the List of church cantatas by liturgical occasion#19th Sunday after Trinity (Trinity XIX), 19th Sunday after Trinity and first performed it on 15 October 1724. It is part of his Bach's second cantata cycle, second annual cycle of cantatas, a cycle of chorale cantatas. The prescribed readings for the Sunday were from Paul the Apostle, Paul's Epistle to the Ephesians – "put on the new man, which after God is created" () – and from the Gospel of Matthew, Healing the paralytic at Capernaum (). The cantata text is based on the hymn in eleven stanzas "" by Johann Heermann, published in 1630, which is recommended for the Sunday in the ''Dresdne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Cantata (Bach)
There are 52 chorale cantatas by Johann Sebastian Bach surviving in at least one complete version. Around 40 of these were composed during his second year as Thomaskantor in Leipzig, which started after Trinity Sunday 4 June 1724, and form the backbone of his chorale cantata cycle. The eldest known cantata by Bach, an early version of ''Christ lag in Todes Banden'', BWV 4, presumably written in 1707, was a chorale cantata. The last chorale cantata he wrote in his second year in Leipzig was ''Wie schön leuchtet der Morgenstern'', BWV 1, first performed on Palm Sunday, 25 March 1725. In the ten years after that he wrote at least a dozen further chorale cantatas and other cantatas that were added to his chorale cantata cycle. Lutheran hymns, also known as chorales, have a prominent place in the liturgy of that denomination. A chorale cantata is a church cantata based on a single hymn, both its text and tune. Bach was not the first to compose them, but for his 1724-25 second Leipzi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zahn 2164
"" ("In God, My Faithful God", literally: In my dear God trust is a Lutheran hymn from the 17th century. Several hymns are sung to the same hymn tune, including "", and it was set in compositions. The hymn was translated into English as "In God, My Faithful God". It is part of modern hymnals and songbooks. History In 1607, "" was printed in ''766 Geistliche Psalmen'' in Nürnberg. The publication does not name a text author for the hymn. In a 1611 hymnal, the hymn "Auf Jesum Christ steht all mein Thun" appears as a text written by Sigismund Weingärtner, an author about whom little is known. For the next hymn, "", no author name is given: it has been assumed that Weingärtner wrote this text too. The beginning is "", expressing trust in God even in anxiety and distress. A modified version of Zahn No. 2160, the melody of "Venus du und dein Kind" (Venus, you and your child), a 1574 secular song by Jacob Regnart, appeared in 1609 with the "Auf meinen lieben Gott" text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auf Meinen Lieben Gott
"" ("In God, My Faithful God", literally: In my dear God trust is a Lutheran hymn from the 17th century. Several hymns are sung to the same hymn tune, including "", and it was set in compositions. The hymn was translated into English as "In God, My Faithful God". It is part of modern hymnals and songbooks. History In 1607, "" was printed in ''766 Geistliche Psalmen'' in Nürnberg. The publication does not name a text author for the hymn. In a 1611 hymnal, the hymn "Auf Jesum Christ steht all mein Thun" appears as a text written by Sigismund Weingärtner, an author about whom little is known. For the next hymn, "", no author name is given: it has been assumed that Weingärtner wrote this text too. The beginning is "", expressing trust in God even in anxiety and distress. A modified version of Zahn No. 2160, the melody of "Venus du und dein Kind" (Venus, you and your child), a 1574 secular song by Jacob Regnart, appeared in 1609 with the "Auf meinen lieben Gott" text (Z ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn Tune
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony, a fast harmonic rhythm (chords change frequently), with or without refrain or chorus. From the late sixteenth century in England and Scotland, when most people were not musically literate and learned melodies by rote, it was a common practice to sing a new text to a hymn tune the singers already knew which had a suitable meter and character. There are many hymn tunes which might fit a particular hymn: a hymn in Long Metre might be sung to any hymn tune in Long Metre, but the tunes might be as different as those tunes that have been used for centuries with hymns such as ''Te lucis ante terminum'', on one hand, and an arrangement of the calypso tune used with ''Jamaica Farewell'', on the other. Hymnal editors Editors bring extensive knowledge of theology, poetry, and music to the process of compiling a new hymn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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