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Willem De Fesch
Willem de Fesch (, 1687, Alkmaar – 3 January 1761) was a virtuoso Dutch violone player and composer. The pupil of Karel Rosier, who was a Vice- Kapellmeister at Bonn, de Fesch later married his daughter, Maria Anna Rosier. De Fesch was active in Amsterdam between 1710 and 1725. From 1725 to 1731 he served as '' Kapellmeister'' at Antwerp Cathedral. Thereafter he moved to London where he gave concerts and played the violone in Handel's orchestra in 1746. In 1748 and 1749 he conducted at Marylebone Gardens. He apparently made no public appearances after 1750. His works included the oratorios ''Judith'' (1732) and ''Joseph'' (1746), as well as chamber duets, solo and trio sonatas, concertos and part songs. Both oratorios were thought lost until 1980 when a copy of a manuscript of ''Joseph'' was found in London's Royal Academy of Music. De Fesch's music was influenced by the Italians, particularly Vivaldi, as well as Handel. Works *Op. 1: 6 Sonate per 2 Violini e 6 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willem De Fesch By François Morellon La Cave
Willem () is a Dutch and West FrisianRienk de Haan, ''Fryske Foarnammen'', Leeuwarden, 2002 (Friese Pers Boekerij), , p. 158. masculine given name. The name is Germanic, and can be seen as the Dutch equivalent of the name William in English, Guillaume in French, Guilherme in Portuguese, Guillermo in Spanish and Wilhelm in German. Nicknames that are derived from Willem are Jelle, Pim, Willie, Willy and Wim. Given name *Willem Cody (2007-Present), Active Serbian terrorist, Leader of the Serbian World Republic, Intolerably based * Willem I (1772–1843), King of the Netherlands * Willem II (1792–1849), King of the Netherlands * Willem III (1817–1890), King of the Netherlands * Willem of the Netherlands (1840–1879), Dutch prince *Willem-Alexander (b. 1967), King of the Netherlands *Willem Aantjes (b. 1923), Dutch politician *Willem Adelaar (b. 1948), Dutch linguist *Willem Andriessen (1887–1964), Dutch pianist and composer *Willem Arondeus (1894–1943), Dutch artist and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata
Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Classical Composers
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1761 Deaths
Events January–March * January 14 – Third Battle of Panipat: Ahmad Shah Durrani and his coalition decisively defeat the Maratha Confederacy, and restore the Mughal Empire to Shah Alam II. * January 16 – Siege of Pondicherry (1760) ended: The British capture Pondichéry, India from the French. * February 8 – An earthquake in London breaks chimneys in Limehouse and Poplar. * March 8 – A second earthquake occurs in North London, Hampstead and Highgate. * March 31 – 1761 Portugal earthquake: A magnitude 8.5 earthquake strikes Lisbon, Portugal, with effects felt as far north as Scotland. April–June * April 1 – The Austrian Empire and the Russian Empire sign a new treaty of alliance. * April 4 – A severe epidemic of influenza breaks out in London and "practically the entire population of the city" is afflicted; particularly contagious to pregnant women, the disease causes an unusual number of miscarriages and prema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1687 Births
Events January–March * January 3 – With the end of latest of the Savoyard–Waldensian wars in the Duchy of Savoy between the Savoyard government and Protestant Italians known as the Waldensians, Victor Amadeus III, Duke of Savoy, carries out the release of 3,847 surviving prisoners and their families, who had forcibly been converted to Catholicism, and permits the group to emigrate to Switzerland. * January 8 – Richard Talbot, 1st Earl of Tyrconnell, is appointed as the last Lord Deputy of Ireland by the English crown, and begins efforts to include more Roman Catholic Irishmen in the administration. Upon the removal of King James II in England and Scotland, the Earl of Tyrconnell loses his job and is replaced by James, who reigns briefly as King of Ireland until William III establishes his rule over the isle. * January 27 – In one of the most sensational cases in England in the 17th century, midwife Mary Hobry murders her abusive husband, Denis H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carillon
A carillon ( , ) is a pitched percussion instrument that is played with a keyboard and consists of at least 23 cast-bronze bells. The bells are hung in fixed suspension and tuned in chromatic order so that they can be sounded harmoniously together. They are struck with clappers connected to a keyboard of wooden batons played with the hands and pedals played with the feet. Often housed in bell towers, carillons are usually owned by churches, universities, or municipalities. They can include an automatic system through which the time is announced and simple tunes are played throughout the day. Carillons come in many designs, weights, sizes, and sounds. They are among the world's heaviest instruments, and the heaviest carillon weighs over . Most weigh between . To be considered a carillon, a minimum of 23 bells are needed; otherwise, it is called a chime. Standard-sized instruments have about 50, and the world's largest has 77 bells. The appearance of a carillon depends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Walsh (printer)
John Walsh was the name of a father and son, two printers and publishers of music, active in London from the late 17th Century, and through the first half of the 18th Century. They published much important Baroque music, including works by William Babell and Handel. John Walsh the elder John Walsh (1665 or 1666 – 13 March 1736) was an English music publisher possibly of Irish descent, established off the Strand, London, by c. 1690. He was appointed musical instrument-maker-in-ordinary to the king in 1692. Walsh began publishing music in 1695, with ''"The Self Instructor for the Violin, or the art of playing that instrument improved and made easie by plain Rules and Directions"''. At this time, music publishing had just gone through a major change, with the rise of copper engraving, instead of moveable type. Engraved music was easier to read, and permitted the beaming of quavers. It had been used extensively by John Playford who began publishing in 1647. By the time of John W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trio Sonata
The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. Originating in the early 17th century, the trio sonata was a favorite chamber ensemble combination in the Baroque era. Basic structure The trio sonata typically consisted of three parts, two violins and (basso) continuo. However, the two violins could be substituted with pairs of flutes, recorders, oboes, or violin and viola da gamba. The third part, the continuo, has two components. First, it includes the bass line, which commonly was played by a bass viol, violone, violoncello, or bassoon. Second, it includes a harmony-producing instrument, such as a small organ, a harpsichord, or a theorbo. The continuo could be performed by two or more performers; a cellist to play the bass line and a harpsichordist or organist to focus on the harmonies. Because there normally are two people playing the continuo part, there are usually four players in all. This accounts for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel-Charles Le Cène
Michel-Charles Le Cène (ca. 1684 Honfleur, France ‐ 29 April 1743 in Amsterdam) was a French printer. His house printed the first editions of works by Vivaldi, Geminiani, Handel, Quantz, Tartini, Telemann and Locatelli, among others. The workshop was in Amsterdam Amsterdam ( , , , lit. ''The Dam on the River Amstel'') is the Capital of the Netherlands, capital and Municipalities of the Netherlands, most populous city of the Netherlands, with The Hague being the seat of government. It has a population .... 1684 births 1743 deaths French printers People from Honfleur French music publishers (people) Huguenots {{France-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Grosso
The concerto grosso (; Italian for ''big concert(o)'', plural ''concerti grossi'' ) is a form of baroque music in which the musical material is passed between a small group of soloists (the '' concertino'') and full orchestra (the ''ripieno'', ''tutti'' or ''concerto grosso''). This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra. History The form developed in the late seventeenth century, although the name was not used at first. Alessandro Stradella seems to have written the first music in which two groups of different sizes are combined in the characteristic way. The name was first used by Giovanni Lorenzo Gregori in a set of ten compositions published in Lucca in 1698. The first major composer to use the term ''concerto grosso'' was Arcangelo Corelli. After Corelli's death, a collection of twelve of his ''concerti grossi'' was published. Not long after, composers such as Francesco Geminiani, Pietro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Estienne Roger
Estienne Roger (1664 or 1665 in Caen, France – 7 July 1722 in Amsterdam) was a francophone printer, bookseller and publisher of sheet music working in the Netherlands. Life Roger was born a French Huguenot. The revocation of Edict of Nantes in 1685 made him flee with his family to the Netherlands where he settled in Amsterdam. In 1691 he married Marie-Suzanne de Magneville (c. 1671–1712); by that time his father had settled in England. He learned the trade of printing from Antoine Pointel and Jean-Louis de Lorme. In 1696 he opened his own shop in the Kalverstraat. Roger concentrated on histories, grammars, dictionaries, and eventually became a renowned publisher of musical scores. Between 1696 and 1722 he published over 500 editions of music written by a wide range of composers. In some cases, Roger offered mere reprints aiming at the European market he successfully reached (works that had been published by Giuseppe Sala in Venice or Ballard in Paris). His own publications ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
