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Wierd Records
Wierd Records is an American independent record label, founded in New York City by Pieter Schoolwerth in 2006.Jonathan Garrett, "The Wierd Records Social Club", ''Village Voice'', May 26, 2009Access date: May 29, 2009. "Wierd" was also the name for an associated weekly DJ night, now defunct, that started at Southside Lounge in Brooklyn in 2003, later held at Home Sweet Home in Manhattan. Schoolwerth has also performed with power electronics outfit Bloodyminded since the mid-'90s and was previously a member of Crash Worship. Associated groups include Røsenkøpf, Martial Canterel, Led Er Est, Xeno & Oaklander, Blacklist, Frank (just Frank), Plastic Flowers, and Opus Finis. The groups are also linked to developments in the visual arts; Schoolwerth is a noted conceptualist painter. Liz Wendelbo, a member of Xeno & Oaklander, is also a filmmaker, positing "cold cinema" as filmmaking that "predicates resistance to cinema as a virtual medium".
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Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ...
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Blacklist (band)
Blacklist is a band from Brooklyn, New York composed of Joshua Strachan (vocals, guitar), Ryan Rayhill (bass), Glenn Maryansky (drums) and James Minor (guitar). They were one of the flagship bands of painter Pieter Schoolwerth's Wierd Records imprint. The band's atmospheric modern rock music was described as "anthemic"; "darkly erotic, strangely sensual"; and "a much-needed anomaly in NYC's music scene". They were sometimes classified as part of the post-punk revival, though their sound was generally more dense, incorporating elements of shoegaze and heavy metal with cold wave. The members often cited influences like My Bloody Valentine, Motörhead and Black Sabbath as influences alongside bands like the Comsat Angels, Killing Joke and the Sound. The band's last live performance was in April 2011 with Locrian and labelmate Martial Canterel, co-presented by Wierd Records and Stereogum. Releases Blacklist's eponymous first EP was self-released in 2006, but subsequently went out ...
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Vice (magazine)
''Vice'' (stylized in all caps) is a Canadian-American magazine focused on lifestyle, arts, culture, and news/politics. Founded in 1994 in Montreal as an alternative punk magazine, the founders later launched the youth media company Vice Media, which consists of divisions including the printed magazine as well as a website, broadcast news unit, a film production company, a record label, and a publishing imprint. As of February 2015, the magazine's editor-in-chief is Ellis Jones. History Founded by Suroosh Alvi, Gavin McInnes, and Shane Smith (the latter two being childhood friends), the magazine was launched in 1994 as the ''Voice of Montreal'' with government funding. The intention of the founders was to provide work and a community service. When the editors later sought to dissolve their commitments with the original publisher, Alix Laurent, they bought him out and changed the name to ''Vice'' in 1996. Richard Szalwinski, a Canadian software millionaire, acquired the magazi ...
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Goth Subculture
Goth is a music-based subculture that began in the United Kingdom during the early 1980s. It was developed by fans of Gothic rock, an offshoot of the post-punk music genre. The name ''Goth'' was derived directly from the genre. Notable post-punk artists who presaged the gothic rock genre and helped develop and shape the subculture include: Siouxsie and the Banshees, Bauhaus, the Cure, and Joy Division. The goth subculture has survived much longer than others of the same era, and has continued to diversify and spread throughout the world. Its imagery and cultural proclivities indicate influences from 19th-century Gothic fiction and from horror films. The scene is centered on music festivals, nightclubs, and organized meetings, especially in Western Europe. The subculture has associated tastes in music, aesthetics, and fashion. The music preferred by goths includes a number of styles such as gothic rock, death rock, cold wave, dark wave, and ethereal wave. Styles of dress wi ...
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Electropunk
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s, when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno, and synth-pop, which has helped spur subgenres such as indietronica, dance-punk, and electroclash. Overview Being a fusion of rock and electronic, electronic rock features instruments found in both genres, such as synthesizers, mellotrons, tape music techniques, electric guitars, and drums. Some electronic rock artists, however, often eschew guitar in favor of using technology to emulate a rock sound. Vocals are typically mellow or upbeat, but instrumentals are also common in the genre. A trend of rock bands that incorporated electronic sounds began during the late 1960s. According to crit ...
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Dream Pop
Dream pop (also typeset as dreampop) is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably. The genre came into prominence in the 1980s through the work of groups such as Cocteau Twins and A.R. Kane. Subsequently, acts such as My Bloody Valentine, Slowdive, Galaxie 500, Julee Cruise, Lush, and Mazzy Star released significant albums in the style. It saw renewed popularity among millennial listeners following the late-'00s success of Beach House. Characteristics The term dream pop is thought to relate to the "immersion" in the music experienced by the listener.Goddard, Michael et al. (2013) ''Resonances: Noise and Contemporary Music'', Bloomsbury Academic, ''The AllMusic G ...
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Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ...
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Kim Levin
Kim Levin is an American art critic and writer. Levin was a regular contributor to ''The Village Voice'' from 1982 to 2006. Since 2007 she has been contributing regularly to ''ARTnews''. Levin worked as a correspondent to ''Opus International'' from 1973-1977. From 1980-1994, she was a correspondent at ''Flash Art.'' She also worked as a contributing editor for Arts Magazine from 1973-1992. Levin has also contributed to the publications; ''Parkett'', ''Artstudio'', ''Sculpture'' and ''VOIR'', among others. Her essays are also in books and exhibition catalogues. Kim Levin received a B.A. from Vassar College and an M.A. in Egyptian Archaeology from Columbia University, Department of Art History and Architecture. She continued PhD course work at the New York University Institute of Fine Arts. Levin has lectured in the U.S. and internationally at: the Guggenheim Museum, The New School for Social Research, Barnard College, Brown University, the São Paulo Art Biennial, the Whitney ...
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Conceptual Art
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print: Tony Godfrey, author of ''Conceptual Art (Art & Ideas)'' (1998), asserts that conceptual art questions the nature of art, a notion that Joseph Kosuth elevated to a definition of art itself in his seminal, early manifesto of conceptual art, ''Art after Philosophy'' (1969). The notion that art should examine its own nature was already a potent aspect of the influential art critic Clement Greenberg's vision of Modern art during the 1950s. With the emergence of an exclusively language-based art in the 1960s, however, conceptual ...
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Xeno & Oaklander
Xeno & Oaklander is an American electronic music group formed in 2004, consisting of musicians Sean McBride and Liz Wendelbo. Originating from Brooklyn, the band is considered to be among the cold wave revival scene of the 2000s and 2010s. History Maryland-native Sean McBride and French-Norwegian conceptual artist Liz Wendelbo met in 2003; the former was involved in solo projects such as Moravagine and Martial Canterel, which were based on modular synthesizers, sequencers and drum machines. The duo started recording music in an abandoned factory building near the East River; its debut album, ''Vigils'', recorded in a single take, was released in 2006. The band then signed to Wierd Records, which released 2009's ''Sentinelle''. Following its 2011 record ''Sets & Lights'', which was also released on Wierd and showcased elements from darkwave, Italo disco and techno, the duo issued the single "Sheen" for Electric Voice and collaborated with Fabian Marti, composing a soundtrack for ...
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Noise (music)
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recording, computer-generated noise, stochastic process, and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as improvisation, extended technique, cacophony ...
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Crash Worship
Crash Worship or ADRV (''Adoración de rotura violenta'', Spanish for "crash worship") was a San Diego, California based experimental music and performance art ensemble formed in 1986. They were most renowned for live performances partly inspired by the confrontational Viennese Actionism movement of the 1960s. The musical element featured three stand-up percussionists who hammered out industrial and tribal poly-rhythms accompanied by highly unorthodox electric guitar, synthesizers, sound effects and dueling vocalists. Audience members were showered in various substances such as blood, wine and honey while, band members ignited combustibles and set fires within the performance area. Crash Worship also released several albums and singles of both live and studio-recorded music. Mostly self-produced (unusually packaged and laboriously handcrafted) works in visually stunning screen printed metal splattered with paint, urine, blood and other esoterica. Although they toured playing music ...
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