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Wheat Field With Cypresses
''A Wheatfield with Cypresses'' is any of three similar 1889 oil paintings by Vincent van Gogh, as part of his wheat field series. All were exhibited at the Saint-Paul-de-Mausole mental asylum at Saint-Rémy near Arles, France, where Van Gogh was voluntarily a patient from May 1889 to May 1890. The works were inspired by the view from the window at the asylum towards the Alpilles mountains. Description The painting depicts golden fields of ripe wheat, a dark fastigiate Provençal cypress towering like a green obelisk to the right and lighter green olive trees in the middle distance, with hills and mountains visible behind, and white clouds swirling in an azure sky above. The first version (F717) was painted in late June or early July 1889, during a period of frantic painting and shortly after Van Gogh completed ''The Starry Night'', at a time when he was fascinated by the cypress. It is likely to have been painted "en plein air", near the subject, when Van Gogh was able to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionism, Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include Trees and Undergrowth (Van Gogh series), landscapes, Still life paintings by Vincent van Gogh (Paris), still lifes, Portraits by Vincent van Gogh, portraits and Portraits of Vincent van Gogh, self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive paintwork, brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven. Born into an upper-middle class family, Van Gogh drew as a child and was serious, quiet, and thoughtful. As a young man, he worked as an ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Monticelli
Adolphe Joseph Thomas Monticelli (October 14, 1824 – June 29, 1886) was a French painter of the generation preceding the Impressionists. Biography Monticelli was born in Marseille in humble circumstances. He attended the École Municipale de Dessin in Marseille from 1842 to 1846, and continued his artistic training in Paris, where he studied under Paul Delaroche at the École des Beaux-Arts. In Paris he made copies after the Old Masters in the Louvre, and admired the oil sketches of Eugène Delacroix.Turner 2000, p. 314. In 1855 he met Narcisse Diaz, a member of the Barbizon school, and the two often painted together in the Fontainebleau Forest. Monticelli frequently adopted Diaz's practice of introducing nudes or elegantly costumed figures into his landscapes. He developed a highly individual Romantic style of painting, in which richly colored, dappled, textured and glazed surfaces produce a scintillating effect. He painted courtly subjects inspired by Antoine Watteau; he al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vermilion
Vermilion (sometimes vermillion) is a color, color family, and pigment most often made, since ancient history, antiquity until the 19th century, from the powdered mineral cinnabar (a form of mercury sulfide, which is toxic) and its corresponding color. It is very often synonymous with red orange, which often takes a modern form just 11% brighter (at full brightness). Etymology and orthography The word vermilion came from the Old French language, Old French word ''vermeillon'', which was derived from ''vermeil'', from the Latin ''vermiculus'', the diminutive of the Latin word ''vermis'', or worm. The name originated because it had a similar color to the natural red dye made from an insect, ''Kermes vermilio'', which was widely used in Europe. The first recorded use of "vermilion" as a color name in English language, English was in 1289. The term cinnabar was used interchangeably with vermilion until the 17th century, when vermilion became the more common name. Now the term "ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emerald Green
Varieties of the color green may differ in hue, chroma (also called saturation or intensity) or lightness (or value, tone, or brightness), or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a green or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below. Computer web color greens Green The color defined as ''green'' in the RGB color model is the brightest green that can be reproduced on a computer screen, and is the color named ''green'' in X11. It is one of the three primary colors used in the RGB color space along with red and blue. The three additive primaries in the RGB color system are the three colors of light chosen such as to provide the maximum range of colors that are capable of being represented on a computer or television set. This color is also called ''regular green''. It is at precisely 120 degrees on the HSV color wheel, also known a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viridian
Viridian is a blue-green pigment, a hydrated chromium(III) oxide, of medium saturation and relatively dark in value. It is composed of a majority of green, followed by blue. Specifically, it is a shade of spring green, which places the color between green and teal on the color wheel, or, in paint, a tertiary blue–green color. Viridian takes its name from the Latin ''viridis'', meaning "green". The first recorded use of ''viridian'' as a color name in English was in the 1860s (exact year uncertain). __TOC__ Variations of viridian Paolo Veronese green Paolo Veronese green is the color that is called ''Verde Verones'' in the ''Guía de coloraciones'' (''Guide to colorations'') by Rosa Gallego and Juan Carlos Sanz, a color dictionary published in 2005 that is widely popular in the Hispanophone realm. ''Paolo Veronese green'' was a color formulated and used by the noted 16th-century Venetian artist Paolo Veronese. ''Paolo Veronese green'' began to be used as a color name in E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chrome Yellow
__NOTOC__ Chrome yellow is a yellow pigment in paints using monoclinic lead(II) chromate (PbCrO4). It occurs naturally as the mineral crocoite but the mineral ore itself was never used as a pigment for paint. After the French chemist Louis Vauquelin discovered the new element chromium in 1797 lead chromate was synthesized in the laboratory and used as a pigment beginning in the second decade of the nineteenth century. Chrome yellow had been commonly made by mixing solutions of lead nitrate and potassium chromate and filtering off the lead chromate precipitate. The pigment tends to react with hydrogen sulfide and darken on exposure to air over time, forming lead sulfide, and it contains the toxic heavy metal lead plus the toxic, carcinogenic chromate. For these reasons, it was replaced by another pigment, cadmium yellow (mixed with enough cadmium orange to produce a color equivalent to chrome yellow). Darkening may also occur from reduction by sulfur dioxide. Good quality ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cobalt Blue
Cobalt blue is a blue pigment made by sintering cobalt(II) oxide with aluminum(III) oxide (alumina) at 1200 °C. Chemically, cobalt blue pigment is cobalt(II) oxide-aluminium oxide, or cobalt(II) aluminate, CoAl2O4. Cobalt blue is lighter and less intense than the (iron-cyanide based) pigment Prussian blue. It is extremely stable and historically has been used as a coloring agent in ceramics (especially Chinese porcelain), jewelry, and paint. Transparent glasses are tinted with the silica-based cobalt pigment smalt. Historical uses and production Cobalt blue in impure forms had long been used in Chinese porcelain. The first recorded use of ''cobalt blue'' as a color name in English was in 1777. It was independently discovered as a pure alumina-based pigment by Louis Jacques Thénard in 1802. Commercial production began in France in 1807. The leading world manufacturer of cobalt blue in the nineteenth century was Benjamin Wegner's Norwegian company Blaafarveværket ("blue c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palette (painting)
A palette , in the original sense of the word, is a rigid, flat surface on which a painter arranges and mixes paints. A palette is usually made of wood, plastic, ceramic, or other hard, inert, nonporous material, and can vary greatly in size and shape. The most commonly known type of painter's palette is made of a thin wood board designed to be held in the artist's hand and rest on the artist's arm. Watercolor palettes are generally made of plastic or porcelain with rectangular or wheel format with built in wells and mixing areas for colors. Palettes are also a universal symbol of painting and art in general, alongside paintbrushes, for example in the symbol of Microsoft Paint. See also {{Commons category, Painting palettes * Palette (computing) * Color scheme * Palette knife A palette knife is a blunt tool used for mixing or applying paint, with a flexible steel blade. It is primarily used for applying paint to the canvas, mixing paint colors, adding texture to the painted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead White
White lead is the basic lead carbonate 2PbCO3·Pb(OH)2. It is a complex salt, containing both carbonate and hydroxide ions. White lead occurs naturally as a mineral, in which context it is known as hydrocerussite, a hydrate of cerussite. It was formerly used as an ingredient for lead paint and a cosmetic called Venetian ceruse, because of its opacity and the satiny smooth mixture it made with dryable oils. However, it tended to cause lead poisoning, and its use has been banned in most countries. White lead compounds known as lead soap were also used as additive for lubricants for bearings and in machine shops. Lead soap was also used as an oil drying agent for paints made with drying oil or air drying paints made with alkyd resins. Lead is often used with cobalt driers. Lead free substitutes have been developed to replace this use of lead in paint. History What is commonly known today as the "Dutch method" for the preparation of white lead was described as early as Theoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zinc White
Zinc oxide is an inorganic compound with the formula . It is a white powder that is insoluble in water. ZnO is used as an additive in numerous materials and products including cosmetics, food supplements, rubbers, plastics, ceramics, glass, cement, lubricants, paints, ointments, adhesives, sealants, pigments, foods, batteries, ferrites, fire retardants, and first-aid tapes. Although it occurs naturally as the mineral zincite, most zinc oxide is produced synthetically. ZnO is a wide-band gap semiconductor of the II-VI semiconductor group. The native doping of the semiconductor due to oxygen vacancies or zinc interstitials is n-type. Other favorable properties include good transparency, high electron mobility, wide band gap, and strong room-temperature luminescence. Those properties make ZnO valuable for a variety of emerging applications: transparent electrodes in liquid crystal displays, energy-saving or heat-protecting windows, and electronics as thin-film transistors and light- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impasto
''Impasto'' is a technique used in painting, where paint is laid on an area of the surface thickly, usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture; the paint appears to be coming ''out'' of the canvas. Origins The word ''impasto'' is Italian in origin; in which it means "dough" or "mixture"; related to the verb , "to knead", or "to paste". Italian usage of includes both a painting and a potting technique. According to Webster's ''New World College Dictionary'', the root noun of is , whose primary meaning in Italian is "paste". Mediums Oil paint is the traditional medium for impasto painting, due to its thick consistency and slow drying time. Acrylic paint can also be used for impasto by adding heavy body acrylic gels. Impasto is generally not used in watercolor or tempera without the addition of thickening agent due to the inherent thinness of these media. An artist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underdrawing
Underdrawing is a preparatory drawing done on a painting ground before paint is applied, for example, an imprimatura or an underpainting. Underdrawing was used extensively by 15th century painters like Jan van Eyck and Rogier van der Weyden. These artists "underdrew" with a brush, using hatching strokes for shading, using water-based black paint, before underpainting and overpainting with oils. Cennino D'Andrea Cennini (14th century most likely) describes a different type of underdrawing, made with graded tones rather than hatching, for egg tempera. In some cases, underdrawing can be clearly visualized using infrared reflectography because carbon black pigments absorb infrared light, whereas opaque pigments such as lead white are transparent with infrared light. Underdrawing in many works, for example, the ''Annunciation'' (van Eyck, Washington) or the ''Arnolfini Portrait'', reveals that artists made alterations, sometimes radical ones, to their compositions. The underdrawing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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