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What Do I Have To Do
"What Do I Have to Do" is a song performed by Australian singer-songwriter Kylie Minogue from her third studio album, '' Rhythm of Love'' (1990). The song was written and produced by Stock, Aitken & Waterman. Originally, the song was planned to be released after the single "Better the Devil You Know", but instead "Step Back in Time" was released and this was released as the third single on 21 January 1991. The song received positive reviews from most music critics, who thought the song was an instant rave classic. The song peaked at number eleven in her native Australia. The song did however peak at number six in the United Kingdom, becoming a success there. The song was also hit in France and The Netherlands. The song has been performed on most of Minogue's concert tours, including her Rhythm of Love Tour, Let's Get to It Tour and Intimate and Live Tour. The song has also been performed at the Showgirl: The Greatest Hits Tour and the Homecoming Tour, and has been most recent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kylie Minogue
Kylie Ann Minogue (; born 28 May 1968) is an Australian singer, songwriter and actress. She is the highest-selling female Australian artist of all time, having sold over 80 million records worldwide. She has been recognised for reinventing herself in music and fashion, for which she is referred to by the European press as the " Princess of Pop" and a style icon. Her accolades include a Grammy Award, three Brit Awards and 17 ARIA Music Awards. Born and raised in Melbourne, Minogue first achieved recognition starring in the Australian soap opera '' Neighbours'', playing tomboy mechanic Charlene Robinson. She gained prominence as a recording artist in the late 1980s and released four bubblegum and dance-pop-influenced studio albums produced by Stock Aitken Waterman. By the early 1990s, she had amassed several top ten singles in the UK and Australia, including "I Should Be So Lucky", "The Loco-Motion", "Hand on Your Heart", and "Better the Devil You Know". Taking more cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Greatest Hits Tour
Greatest Hits Tour may refer to: * Greatest Hits Tour (Björk), a 2003 concert tour by Björk * Greatest Hits Tour (Boston), a 1997 concert tour by Boston * Greatest Hits Tour (Donna Summer), a 2005 concert tour by Donna Summer * Greatest Hits Tour (Elton John), a 2011 concert tour by Elton John * Greatest Hits Tour (Five), a 2013 concert tour by Five * The Greatest Hits Tour (Girls Aloud), a 2007 concert tour by Girls Aloud * Greatest Hits Tour (Olivia Newton-John), a 1999 concert tour by Olivia Newton-John * The Greatest Hits Tour (Sugababes), a 2007 concert tour by the Sugababes * The Greatest Hits Tour (Take That), a 2006 reunion tour by Take That * Greatest Hits Tour (Westlife), a 2012 concert tour by Westlife * ''Greatest Hits Live Tour'', a 2005 live album by Level 42 * More Today Than Yesterday: The Greatest Hits Tour, a 2010 concert tour by Diana Ross * Showgirl: The Greatest Hits Tour, a 2005 concert tour by Kylie Minogue See also * Greatest Hits (other) * Li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a Spin-off (media), spin-off Smash Hits (TV channel), digital television channel, now named Box Hits, and website. A Smash Hits Radio, digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronski Beat
Bronski Beat were a British synthpop trio which achieved success in the mid-1980s, particularly with the 1984 chart hit "Smalltown Boy", from their debut album '' The Age of Consent''. "Smalltown Boy" was their only US ''Billboard'' Hot 100 single. All members of the band were openly gay and their songs reflected this, often containing political commentary on gay-related issues. The initial line-up, which recorded the majority of the band's hits, consisted of Jimmy Somerville (vocals), Steve Bronski (born Steven William Forrest, keyboards, percussion) and Larry Steinbachek (keyboards, percussion). Simon Davolls regularly contributed backing vocals on many songs. Somerville left Bronski Beat in 1985, and went on to have success as lead singer of the Communards and as a solo artist. He was replaced by vocalist John Foster, with whom the band continued to have hits in the UK and Europe through 1986. Foster left Bronski Beat after their second album, and the band used a series o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-NRG
Hi-NRG (pronounced "high energy") is a genre of uptempo disco or electronic dance music (EDM) that originated in the United States during the late 1970s and early 1980s. As a music genre, typified by fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene. Its earliest association was with Italo disco. Characteristics Whether hi-NRG is more rock-oriented than standard disco music is a matter of opinion. Hi-NRG can be heavily synthesized but it is not a prerequisite, and whether it is devoid of "funkiness" is, again, in the ear of the beholder. Certainly, many artists perform their vocals in R&B and soul styles on hi-NRG tracks. The genre's tempo ranges between 120 and 140 beats per minute although typically it is around 127. The tempos cited here do not represent the full range of beats (BPM) of hi-NRG tracks; rather the tempos are retrieved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Harding (producer)
Philip James Harding (born 1957) is an English Record producer, music producer, Audio engineering, audio engineer, remixer, academic and author. Harding started in the music industry aged 16 at London's Marquee Studios in 1973, where he got to work as an assistant engineer under the guidance of top producers on albums for artists such as Elton John, Kiki Dee and Barry Blue. As Harding's career progressed, a long list of credits began to accumulate, with artists as diverse as The Clash, Killing Joke, Toyah Willcox, Amii Stewart and Matt Bianco, all taking advantage of Harding's fast-growing reputation as a top engineer. The very first band Harding worked with was Killing Joke where he was a young in-house engineer. By 1984, a newly formed production team at The Marquee – Stock Aitken Waterman – was added to the list. Harding engineered and mixed their first chart successes, Divine (performer), Divine and Hazell Dean, and their breakthrough international hit and first No. 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wouldn't Change A Thing (Kylie Minogue Song)
"Wouldn't Change a Thing" is a song performed by Australian singer-songwriter Kylie Minogue, recorded for her second studio album '' Enjoy Yourself'' (1989). The song was written by Stock Aitken Waterman, and was released on 24 July 1989 by Mushroom and PWL Records. The song was released as the second single off the album. Musically, "Wouldn't Change a Thing" is like Minogue's previous singles, which is dance-pop related, with instruments including guitars, drum machine and tambourine effects. Commercially, the song received success on the charts, peaking in the top 20 in countries including Australia, Denmark, Finland, France and the United Kingdom, while just missing the top twenty in New Zealand. Minogue has performed the song in most of her tours including Disco in Dream/The Hitman Roadshow, Enjoy Yourself Tour, Rhythm of Love Tour, Let's Get to It Tour, and Golden Tour. She also performed the song on a TV special entitled '' An Audience with Kylie'' (2001). Backgroun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
About '', one of the future constructions in English grammar
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About may refer to: * About (surname) * About.com, an online source for original information and advice * about.me, a personal web hosting service * ''abOUT'', a Canadian LGBT online magazine * ''About Magazine'', a Texas-based digital platform covering LGBT news * About URI scheme, an internal URI scheme * About box, a dialog box that displays information related to a computer software * About equal sign, symbol used to indicate values are approximately equal See also * About Face (other) * About Last Night (other) * About Time (other) * About us (other) * About You (other) * ''about to The ''going-to'' future is a grammatical construction used in English to refer to various types of future occurrences. It is made using appropriate forms of the expression ''to be going to''.Fleischman, Suzanne, ''The Future in Thought and Langua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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