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What's The 411
''What's the 411?'' is the debut album by American R&B singer Mary J. Blige. It was released on July 28, 1992, by Uptown Records and MCA Records. After signing a record contract with Uptown, Blige began working on the album with producer Sean "Puffy" Combs. Other producers and songwriters included DeVante Swing, Tony Dofat, Dave Hall, Mark Morales and Mark "Cory" Rooney. The resulting music covered hip hop soul, contemporary R&B, and new jack swing styles. ''What's the 411?'' was also met with positive reviews from critics, who applauded Blige's singing and the combination of hip hop and soul music, which led to her being named the " Queen of Hip Hop Soul". The album peaked at number six on the US ''Billboard'' 200 and topped the US Top R&B/Hip-Hop Albums chart. It was certified triple platinum by the Recording Industry Association of America (RIAA) and eventually sold 3.5 million copies. Background At the age of 17, Blige recorded a cover version of Anita Baker's "Cau ...
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Mary J
Mary may refer to: People * Mary (name), a female given name (includes a list of people with the name) Religion * New Testament people named Mary, overview article linking to many of those below * Mary, mother of Jesus, also called the Blessed Virgin Mary * Mary Magdalene, devoted follower of Jesus * Mary of Bethany, follower of Jesus, considered by Western medieval tradition to be the same person as Mary Magdalene * Mary, mother of James * Mary of Clopas, follower of Jesus * Mary, mother of John Mark * Mary of Egypt, patron saint of penitents * Mary of Rome, a New Testament woman * Mary the Jewess, one of the reputed founders of alchemy, referred to by Zosimus. Royalty * Mary, Countess of Blois (1200–1241), daughter of Walter of Avesnes and Margaret of Blois * Mary of Burgundy (1457–1482), daughter of Charles the Bold, Duke of Burgundy * Queen Mary of Denmark (born 1972), wife of Frederik X of Denmark * Mary I of England (1516–1558), aka "Bloody Mary", Queen of England ...
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Real Love (Mary J
Real Love may refer to: Film and television * ''Real Love'' (film), a film by Claire Burger Music Albums * ''Real Love'' (Derek Johnson album) * ''Real Love'' (Dolly Parton album), or the title song (see below) * ''Real Love'' (Lisa Stansfield album) * ''Real Love'' (Oh My Girl album) * ''Real Love'' (Sarah Connor album) * ''Real Love'' (Swans album) Songs * "Real Love" (Beatles song), written and first performed by John Lennon * "Real Love" (Clean Bandit and Jess Glynne song), 2014 * "Real Love" (Dolly Parton and Kenny Rogers song), 1985 * "Real Love" (Doobie Brothers song), 1980 * "Real Love" (Jody Watley song), 1989 * "Real Love" (Lee Ryan song), 2005 * "Real Love" (Lucinda Williams song), 2008 * "Real Love" (Mary J. Blige song), 1992 * "Real Love" (Sarah Connor song), 2010 * "Real Love" (Skyy song), 1989 * "Real Love" (The Time Frequency song), 1992 * "Real Love", by Beach House from ''Teen Dream'', 2010 * "Real Love", by Berryz Kobo from '' 5'', 2008 * ...
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Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 2 ...
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RIAA Certification
In the United States, the Recording Industry Association of America (RIAA) operates an awards program based on the certified number of albums and singles sold through retail and other ancillary markets.RIAA certification criteria
Retrieved on September 11, 2006
Other countries have similar awards (see ). Certification is not automatic; for an award to be made, the must first request certification. The audit is conducted against net shi ...
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Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip-hop albums based on sales in the United States and is compiled by Luminate. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965, in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account for overal ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine to convey the popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its " number ones" that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985), ''Billboard'' Top Pop Albums (1985–1991), and ''Billboard'' 200 Top Albums (1991–1992). The chart is based mostly on sales—both at retail and digital – of albums in the United States. The weekly sales period was Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, the tracking week begins on Friday (to coincide ...
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List Of Honorific Titles In Popular Music
A list is a set of discrete items of information collected and set forth in some format for utility, entertainment, or other purposes. A list may be memorialized in any number of ways, including existing only in the mind of the list-maker, but lists are frequently written down on paper, or maintained electronically. Lists are "most frequently a tool", and "one does not ''read'' but only ''uses'' a list: one looks up the relevant information in it, but usually does not need to deal with it as a whole".Lucie Doležalová,The Potential and Limitations of Studying Lists, in Lucie Doležalová, ed., ''The Charm of a List: From the Sumerians to Computerised Data Processing'' (2009). Purpose It has been observed that, with a few exceptions, "the scholarship on lists remains fragmented". David Wallechinsky, a co-author of '' The Book of Lists'', described the attraction of lists as being "because we live in an era of overstimulation, especially in terms of information, and lists help us ...
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Soul Music
Soul music is a popular music genre that originated in African-American culture, African-American African-American neighborhood, communities throughout the United States in the late 1950s and early 1960s. Catchy rhythms, stressed by handclaps and extemporaneous body movements, are an important hallmark of soul. Other characteristics are a Call and response (music), call and response between the lead and Backing vocalist, backing vocalists, an especially tense vocal sound, and occasional Musical improvisation, improvisational additions, twirls, and auxiliary sounds. Soul music is known for reflecting African-American identity and stressing the importance of African-American culture. Soul has its roots in African-American gospel music and rhythm and blues, and primarily combines elements of gospel, R&B and jazz. The genre emerged from the power struggle to increase black Americans' awareness of their African ancestry, as a newfound consciousness led to the creation of music ...
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Hip-hop
Hip-hop or hip hop (originally disco rap) is a popular music genre that emerged in the early 1970s from the African-American community of New York City. The style is characterized by its synthesis of a wide range of musical techniques. Hip-hop includes rapping often enough that the terms can be used synonymously. However, "hip-hop" more properly denotes an entire subculture. Other key markers of the genre are the disc jockey, turntablism, scratching, beatboxing, and instrumental tracks. Cultural interchange has always been central to the hip-hop genre. It simultaneously borrows from its social environment while commenting on it. The hip-hop genre and culture emerged from block parties in ethnic minority neighborhoods of New York City, particularly Bronx. DJs began expanding the instrumental breaks of popular records when they noticed how excited it would make the crowds. The extended instrumental breaks provided a platform for break dancers and rappers. These br ...
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Hip-hop Soul
Hip hop soul is a subgenre of contemporary R&B music, most popular during the early and mid 1990s, which fuses R&B or soul singing with hip hop musical production. The subgenre had evolved from a previous R&B subgenre, new jack swing, which had incorporated hip-hop influences into R&B music. By contrast, hip hop soul is, as described in ''The Encyclopedia of African American Music'', "quite literally soul singing over hip hop grooves". The genre was most popular during the mid and late 1990s with artists such as Mary J. Blige (known as the "Queen of Hip-Hop Soul"), Jodeci, Faith Evans, TLC, and R. Kelly. By the late 1990s, hip hop soul would lead to the creation of neo soul, which retained the hip hop and R&B influences while also adding elements of classic 1970s soul music. Description Hip hop soul evolved directly from new jack swing, a form of contemporary R&B popularized by artists and producers such as Teddy Riley and his group Guy, Keith Sweat, and Bobby Brown. New jack ...
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Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music Music genre, genre, originating from African Americans, African-American musicians in the 1980s that combines rhythm and blues with elements of Pop music, pop, Soul music, soul, funk, Hip-hop, hip hop, and electronic music. The genre features a distinctive Record producer, record production style and a smooth, lush style of vocal arrangement. Electronic music, Electronic influences and the use of hip hop or electronic dance music, dance-inspired beat (music), beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music, pop culture and pop music. Precursors According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of [R&B] in ways that haven't been equaled since" ...
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Love No Limit
"Love No Limit" is a song by American recording artist Mary J. Blige. It was co-written by Kenny Greene and Dave "Jam" Hall for her debut album, '' What's the 411?'' (1992), while production was overseen by Hall. Released in May 1993, by Uptown and MCA as the album's fourth and final single, the song became a top-5 hit, reaching number five on the US ''Billboard'' R&B singles chart. It also peaked at numbers 44 and 43 on the ''Billboard'' Hot 100 and ''Cash Box'' Top 100. Hall has stated in interviews, that he wanted to give the song an urban, hip-hop feel to a much more jazzy sound, when it was created. R&B singer Monica sang the song as a tribute at the Essence Awards 2003. Blige later performed the song at the 3rd BET Honors in 2010, as part of a medley of her hits, when she paid tribute to honoree Diddy. The song was also briefly played in the 1993 American comedy film '' CB4'', starring Chris Rock. Critical reception In a retrospective review, Daryl McIntosh fro ...
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