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Wenzel Trnka
Wenzel Trnka von Krzowitz (Czech: Václav Trnka z Křovic; 1739–1791) was a physician, professor, and amateur composer of the 18th century. Life He was born 16 October 1739 in Tábor in Bohemia. In 1769, during his medical studies, the famous physician Gerard van Swieten named him to serve as his assistant in the military hospital (Militärkrankenhaus). He received his doctorate 19 February 1770 with a treatise entitled "De morbo coxario"; ("On disease of the hip"). In June of the same year he was appointed to a professorial chair in anatomy at the University of Nagyszombat. Trnka thus became one of five who first formed the medical faculty there. He continued his service when the university was moved, first to Buda in 1777 and later to Pest, in 1784. He switched academic chairs twice, becoming the professor of general pathology in 1781 and of special pathology in 1786. 19th-century sources describe Trnka's medical career as a distinguished one; for instance lists him among t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wenzel Johann Trnka
Wenzel is a male given name (long version Wenzeslaus) as the German and Old English form of the Czech given name Václav or Venceslav, meaning "praised with glory". Variations are Вячеслав (Ukrainian and Russian), Vencel (Hungarian), Wacław, Więcław, Wiesław (Polish), Venceslas/ Wenceslas (French), Venceslao (Italian), Venceslau (Portuguese), Wenceslao (Spanish). Given name * Wenzel Jamnitzer (ca. 1507–1585), Austrian-German etcher and goldsmith * Wenzel, Archduke of Austria (1561–1578), Austrian prince and Grand Prior of the Order of Malta * Wenzel Anton Graf Kaunitz (1711–1794), Austrian statesman * Wenzel Raimund Birck (1718–1763), Austrian composer * Wenzel Parler (1333–1399), German-Bohemian architect * Wenzel Pichl (1741–1805), Czech composer * Wenzel Thomas Matiegka (1773–1830), Bohemian composer * Prince Klemens Wenzel von Metternich (1773–1859), German-Austrian politician and statesman * Wolfgang Wenzel von Haffner (1806–1892), Norwegian M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leck Mir Den Arsch Fein Recht Schön Sauber
"" ("Lick my arse right well and clean") is a canon for three voices in B-flat major, K. 233/382d. The music was long thought to have been composed by Wolfgang Amadeus Mozart during 1782 in Vienna, but now thought to be the work of Wenzel Trnka. The lyrics appear to stem from Mozart. Authenticity In 1988, Wolfgang Plath presented evidence that the composer of this piece, as well as K. 234/382e, was in fact Wenzel Trnka (1739–1791). That Mozart might not be the author of K. 229, K. 230, K. 231, K. 233, K. 234 was already mentioned in the Bärenreiter '' Neue Mozart-Ausgabe'' (NMA) in 1974. The Trnka canon's original lyrics were "Tu sei gelosa, è vero," but Mozart set the canon to his own scatological lyrics. Mozart's widow Constanze Mozart submitted the modified canon to publisher Breitkopf & Härtel. Lyrics The rediscovered, probably original, text reads: Leck mire den A... recht schon, fein sauber lecke ihn, fein sauber lecke, leck mir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neal Zaslaw
Neal Zaslaw (born June 28, 1939) is an American musicologist. Life and career Born in New York, Zaslaw graduated from Harvard in 1961 with a BA and obtained his master's from Juilliard in 1963. He played flute in the American Symphony Orchestra under Leopold Stokowski from 1962 to 1965. In 1970 he received his Ph.D from Columbia University; he also taught at CUNY, 1968-70. Since 1970 he has taught at Cornell University. Zaslaw's early work dealt with performance practice, especially tempo and ornamentation with respect to French and Italian styles. Zaslaw has done extended work on the works of Wolfgang Amadeus Mozart, including a landmark 1989 work on his symphonies. In 1993, he was named the principal editor of the revised Köchel catalogue. Works *Zaslaw, Neal (1994) "Mozart as a working stiff," in James M. Morris, ed., ''On Mozart'', Cambridge University Press. An influential assertion of the practicality of Mozart's motivations in composition, attacking older conceptions a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tobias Smollett
Tobias George Smollett (baptised 19 March 1721 – 17 September 1771) was a Scottish poet and author. He was best known for picaresque novels such as ''The Adventures of Roderick Random'' (1748), ''The Adventures of Peregrine Pickle'' (1751) and ''The Expedition of Humphry Clinker'' (1771), which influenced later novelists, including Charles Dickens. His novels were liberally altered by contemporary printers; an authoritative edition of each was edited by Dr O. M. Brack Jr and others. Early life and family Smollett was born at Dalquhurn, now part of Renton in present-day West Dunbartonshire, Scotland, and baptised on 19 March 1721 (his birth date is estimated as 3 days previously). He was the fourth son of Archibald Smollett of Bonhill, a judge and landowner, laird of Bonhill, living at Dalquhurn on the River Leven, who died about 1726, when Smollett was just five years old. His mother Barbara Smollett née Cunningham brought the family up there, until she died about 1766. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanspeter Bennwitz
Hanspeter Bennwitz (born 4 May 1930) in Dresden is a German musicologist. Publications * ''Die Donaueschinger Kammermusiktage von 1921–1926''. Dissertation Freiburg i.Br. 1961. * ''Kleines Musiklexikon''. Francke, Bern-München 1963. * ''Interpretenlexikon der Instrumentalmusik''. Francke, Bern/München 1964. * ''Deutsches Theater-Lexikon''. Biographisches und bibliographisches Handbuch von Wilhelm Kosch. Lieferung 20 und 21, Francke, Bern-München 1966 and 1971. * with Franz Emanuel Wienert: ''CIEL. Ein Förderprogramm zur Elementarerziehung und seine wissenschaftlichen Voraussetzungen''. Vandenhoeck, Göttingen 1973, . * with Georg Feder, Ludwig Finscher and Wolfgang Rehm: ''Musikalisches Erbe und Gegenwart. Musikergesamtausgaben in der Bundesrepublik Deutschland''. Bärenreiter, Kassel/Basel 1975, . * ''Gründungsgeschichten. Ein fiktives Tagebuch''. In ''Festschrift 10 Jahre Gesamtschule in Mainz. Von der Bürgerinitiative zum Förderverein''. Mainz 1989. * with Gabriele Buc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notes (journal)
''Notes'' is a quarterly journal devoted to "music librarianship, music bibliography and discography, the music trade, and on certain aspects of music history." Published by the Music Library Association, ''Notes'' offers reviews on current music-related books, digital media, and sound recordings as well as inventories of publishers’ catalogs and materials recently received. History First series Debuting in July 1934, the first series of ''Notes'' produced fifteen issues in eight years. The journal's first editor, Eva Judd O'Meara, wrote in the first issue: “The notes were intended for a chorus of voices from all the music libraries in the group, but so far none have joined in, and one drones on alone, lamenting the other parts that were expected to give volume and tone to the performance” Those first 23 pages of mimeographed notes included an article on the need to create subdivisions to the card catalog in order to accommodate the many works from or about Johann Sebasti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Keefe
Simon Patrick Keefe (born 24 December 1968) is a musicologist, author, and Mozart expert. He was educated at the University of Cambridge, Boston University and Columbia University. After being awarded his PhD in 1997, he was appointed to a lectureship at Christ Church, Oxford, and then lectured at Queen's University Belfast in 1999. In 2003, he took up a post at City, University of London, where he became a professor of music. In 2008, he was appointed to the James Rossiter Hoyle Chair of Music at the University of Sheffield. Keefe specialises in Mozart, and is the only British member of the Salzburg-based Akademie für Mozart-Forschung of the Internationale Stiftung Mozarteum, as of 2005. Keefe has also written on other composers such as Haydn and Beethoven, and has also studied Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bärenreiter
Bärenreiter (Bärenreiter-Verlag) is a German classical music publishing house based in Kassel. The firm was founded by Karl Vötterle (1903–1975) in Augsburg in 1923, and moved to Kassel in 1927, where it still has its headquarters; it also has offices in Basel, London, New York and Prague. The company is currently managed by Barbara Scheuch-Vötterle and Leonhard Scheuch. Since 1951, the company's focus has been on the New Complete Editions series for various composers. These are urtext editions, and cover the entire work of the selected composer. Series include: J. S. Bach (the ''Neue Bach-Ausgabe'', a joint project with the Deutscher Verlag für Musik), Berlioz, Fauré, Gluck, Handel, Janáček, Mozart (Neue Mozart-Ausgabe), Rossini, Saint-Saëns, Schubert (New Schubert Edition), Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Rehm
Wolfgang Rehm (3 September 1929 – 6 April 2017) was a German musicologist active mostly in music publishing, especially the ''Neue Mozart-Ausgabe''. He was on the board of its editorial team for decades, and personally edited operas and piano music. While he worked on it for Bärenreiter in Kassel, he was responsible for the program of the Kasseler Musiktage festival, and after he moved for further work to Salzburg, he shaped the program of the Mozartwoche. He was also a member of the International Association of Music Libraries, Archives and Documentation Centres from 1959 to 1985, and also a founding member and treasurer of the Répertoire International des Sources Musicales data base. Career Born in Munich, Rehm studied musicology from 1948 to 1952 at the Albert-Ludwigs-Universität Freiburg (subsidiary subjects: modern German literary history and medieval history) and graduated in 1952 with a work on the chanson work of the Franco-Flemish composer Gilles Binchois. From 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dietrich Berke
Dietrich Berke (26 February 1938 – 16 October 2010) was a German musicologist and Chief editor of the Bärenreiter music publishing house. Born in Castrop-Rauxel, Berke studied musicology, German, and philosophy in Kiel and Würzburg where he received his doctorate in musicology in 1967. Afterwards, he was a scholarship holder of the Deutsche Forschungsgemeinschaft. From 1969 to 2002, he was a lecturer, and later chief lecturer at the Kasseler Bärenreiter publishing house. Since 1973, he has also been a member of the editorial management of the Neue Mozart-Ausgabe. Berke compiled and supervised editions in the Neue Mozart-Ausgabe and the Neue Schubert-Ausgabe. He published yearbooks and commemorative publications, wrote essays on Mozart and Schubert research as well as on the life and work of Heinrich Schütz Heinrich Schütz (; 6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebasti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Mozart-Ausgabe
The ''Neue Mozart-Ausgabe'' (''NMA''; English: ''New Mozart Edition'') is the second complete works edition of the music of Wolfgang Amadeus Mozart. A longer and more formal title for the edition is ''Wolfgang Amadeus Mozart (1756–1791): Neue Ausgabe sämtlicher Werke'' olfgang Amadeus Mozart (1756–1791): New Edition of the Complete Works Publication Published between 1956 and 2007 by Bärenreiter-Verlag, the ''NMA'' is a scholarly critical edition of all of Mozart's compositions. It consists of 132 volumes containing 25,000 pages of music, organised in 35 work groups, arranged in ten series. Each music volume is accompanied by a separate critical commentary, totalling 8,000 pages. The ten series are: Strengths The ''Neue Mozart-Ausgabe'' is an advance over the previous complete works edition of Mozart published by Breitkopf & Härtel from 1877 to 1883 (with supplements until 1910), which is sometimes referred to today as the ''Alte Mozart-Ausgabe'' (or "Old Mozart Editi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Köchel Catalogue
The Köchel catalogue (german: Köchel-Verzeichnis, links=no) is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated ''K.'', or ''KV''. The numbers of the Köchel catalogue reflect the continuing establishment of a complete chronology of Mozart's works, and provide a shorthand reference to the compositions. According to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated ''K. 626''; Köchel's original catalogue (1862) has been revised twice; catalogue numbers from the sixth edition are indicated either by parentheses or by superscript: K. 49 (47d) or K. 47d. History In the decades after Mozart's death there were several attempts to catalogue his compositions, for example by Franz Gleißner and Johann Anton André (published in 1833), but it was not until 1862 that Ludwig von Köchel succeeded in producing a comprehensive listing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
