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Welcome To The Club (Nat King Cole Album)
''Welcome to the Club'' is a 1959 album by Nat King Cole, arranged by Dave Cavanaugh. Cole is accompanied by an uncredited Count Basie Orchestra, without Count Basie himself. ''Welcome to the Club'' was chosen as one of ''Billboard'' magazine's 'Spotlight Winners of the Week' upon its release in February 1959. ''Billboard'' commented that "Cole works out on a group of swinging, jazz-oriented offerings with interesting backings by Dave Cavanaugh...Cole himself, as usual, is fine and somewhat reminiscent of his earlier swinging efforts." The review also noted the similarity of the album's arrangements to Count Basie's, and praised Cole's efforts on the blues tracks, "I Want a Little Girl" and "Wee Baby Blues". Track listing # "Welcome to the Club" (Noel Sherman, Dick Wolf) – 2:44 # "Anytime, Anyday, Anywhere" (Ned Washington, Lee Wiley, Victor Young) – 2:19 # "The Blues Don't Care" (Vic Abrams) – 2:10 # "Mood Indigo" (Barney Bigard, Duke Ellington, Irving Mills) – 3:21 # ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat King Cole
Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American singer, jazz pianist, and actor. Cole's music career began after he dropped out of school at the age of 15, and continued for the remainder of his life. He found great popular success and recorded over 100 songs that became hits on the pop charts. His trio was the model for small jazz ensembles that followed. Cole also acted in films and on television and performed on Broadway. He was the first African-American man to host an American television series. He was the father of singer Natalie Cole (1950–2015). Biography Early life Nathaniel Adams Coles was born in Montgomery, Alabama, on March 17, 1919. He had three brothers: Eddie (1910–1970), Ike (1927–2001), and Freddy (1931–2020), and a half-sister, Joyce Coles. Each of the Coles brothers pursued careers in music. When Nat King Cole was four years old, the family moved to Chicago, Illinois, where his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mood Indigo
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills. Composition Although Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, Mitchell Parish claimed in a 1987 interview that he had written the lyrics. The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues". It was "the first tune I ever wrote specially for microphone transmission", Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo", it became a jazz standard." The main theme was provided by Bigard, who learned it in New Orleans, Louisiana from his clarinet teacher Lorenzo Tio, who called it a "Mexican Blues". Ellington's arrangement was first recorded by his band for Brunswick on October 17, 1930. It was recorded twice more in 1930. These recordings included Arthur Whetsel (trumpet), Tricky Sam Nanton (tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Johnson (musician)
Pete Johnson (born Kermit H. Johnson, March 25, 1904 – March 23, 1967) was an American boogie-woogie and jazz pianist. Tony Russell stated in his book ''The Blues – From Robert Johnson to Robert Cray'' that "Johnson shared with the other members of the 'Boogie Woogie Trio' the technical virtuosity and melodic fertility that can make this the most exciting of all piano music styles, but he was more comfortable than Meade Lux Lewis in a band setting; and as an accompanist, unlike Lewis or Albert Ammons, he could sparkle but not outshine his singing partner". Scott Yanow for AllMusic, wrote: "Johnson was one of the three great boogie-woogie pianists", the others being Lewis and Ammons "whose sudden prominence in the late 1930s helped make the style very popular". Biography Johnson was born in Kansas City, Missouri. He was raised by his mother after his father deserted the family. Things got so bad financially, Pete was placed in an orphanage when he was three. He became so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard A
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", "Dick", "Dickon", " Dickie", "Rich", "Rick", "Rico", "Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (other) * Ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neil Moret
Neil is a masculine name of Gaelic and Irish origin. The name is an anglicisation of the Irish ''Niall'' which is of disputed derivation. The Irish name may be derived from words meaning "cloud", "passionate", "victory", "honour" or "champion".. As a surname, Neil is traced back to Niall of the Nine Hostages who was an Irish king and eponymous ancestor of the Uí Néill and MacNeil kindred. Most authorities cite the meaning of Neil in the context of a surname as meaning "champion". Origins The Gaelic name was adopted by the Vikings and taken to Iceland as ''Njáll'' (see Nigel). From Iceland it went via Norway, Denmark, and Normandy to England. The name also entered Northern England and Yorkshire directly from Ireland, and from Norwegian settlers. ''Neal'' or ''Neall'' is the Middle English form of ''Nigel''. As a first name, during the Middle Ages, the Gaelic name of Irish origins was popular in Ireland and later Scotland. During the 20th century ''Neil'' began to be used in Engl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Rose
Billy Rose (born William Samuel Rosenberg; September 6, 1899 – February 10, 1966) was an American impresario, theatrical showman and lyricist. For years both before and after World War II, Billy Rose was a major force in entertainment, with shows such as ''Billy Rose's Crazy Quilt'' (1931), ''Jumbo'' (1935), '' Billy Rose's Aquacade'' (1937), and ''Carmen Jones'' (1943). As a lyricist, he is credited with many songs, notably "Don't Bring Lulu" (1925), "Tonight You Belong To Me" (1926), "Me and My Shadow" (1927), "More Than You Know" (1929), "Without a Song" (1929), " It Happened in Monterrey" (1930) and "It's Only a Paper Moon" (1933). Despite his accomplishments, Rose may be best known today as the husband of famed comedian and singer Fanny Brice (1891–1951). Life and work Rose was born to a Jewish family in New York City, United States. He attended Public School 44, where he was the 50-yard dash champion. While in high school, Billy studied shorthand under John Robert G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Jolson
Al Jolson (born Eizer Yoelson; June 9, 1886 – October 23, 1950) was a Lithuanian-American Jews, Jewish singer, comedian, actor, and vaudevillian. He was one of the United States' most famous and highest-paid stars of the 1920s, and was self-billed as "The World's Greatest Entertainer." Jolson was known for his "shamelessly sentimental, melodramatic approach" towards performing, as well as for popularizing many of the songs he sang. Jolson has been referred to by modern critics as "the king of blackface performers." Although best remembered today as the star of the first talking picture, ''The Jazz Singer'' (1927), he starred in a series of successful musical films during the 1930s. After the attack on Pearl Harbor in December 1941, he was the first star to entertain troops overseas during World War II. After a period of inactivity, his stardom returned with ''The Jolson Story'' (1946), in which Larry Parks played Jolson, with the singer dubbing for Parks. The formula was repeat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy DeSylva
George Gard "Buddy" DeSylva (January 27, 1895 – July 11, 1950) was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs and, along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records. Biography DeSylva was born in New York City, but grew up in California, and attended the University of Southern California, where he joined the Theta Xi Fraternity. His Portuguese-born father, Aloysius J. De Sylva, was better known to American audiences as actor Hal De Forrest. His father was also a lawyer as well as an actor. His mother, Georgetta Miles Gard, was the daughter of Los Angeles police chief George E. Gard. DeSylva's first successful songs were those used by Al Jolson on Broadway in the 1918 production of ''Sinbad'', which included "I'll Say She Does". Soon thereafter, he met Jolson and in 1918 the pair went to New York and DeSylva began working as a songwriter in Tin Pan Alley. In the early 1920s, DeSylva frequent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avalon (Al Jolson Song)
"Avalon" is a 1920 popular song written by Al Jolson, Buddy DeSylva and Vincent Rose referencing Avalon, California. It was introduced by Jolson and interpolated in the musicals '' Sinbad'' and ''Bombo.'' Jolson's recording rose to number two on the charts in 1921. The song was possibly written by Rose, but Jolson's popularity as a performer allowed him to claim composer co-credit. Originally, only Rose and Jolson were credited, and DeSylva's name was added later. A popular jazz standard, the song has been recorded by many artists, including Cab Calloway (1934), Coleman Hawkins (1935) and Eddie Durham (1936). The Benny Goodman Quartet played the song in their famous 1938 Carnegie Hall concert. The tune remains popular in the gypsy jazz repertoire, having been performed by Wawau Adler and others. The tune's opening melody resembles a part of Giacomo Puccini's aria ''E lucevan le stelle'', from the opera ''Tosca'', but in the major key. Puccini's publishers sued the song's co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Alfred
Roy Alfred (May 14, 1916 – 2008) was an American Tin Pan Alley lyricist whose successful songs included "The Hucklebuck", " Rock and Roll Waltz", " Who Can Explain?", and "Let's Lock the Door (And Throw Away the Key)". His first major success as a lyricist was "The Best Man", written with Fred Wise, and a hit for Nat "King" Cole in 1946. In 1949, Alfred wrote the words for "The Hucklebuck", a tune originally written as an instrumental credited to Andy Gibson, which was first recorded by Paul Williams and his Hucklebuckers. The vocal version became a hit for Roy Milton, the Tommy Dorsey Orchestra, and Frank Sinatra in 1949, and was later also successful for Chubby Checker (1960) and in Britain for Coast to Coast (1981). Songs written by Roy Alfred, ''MusicVF.com'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence Williams (musician)
Clarence Williams (October 6, 1898 or October 8, 1893 – November 6, 1965) was an American jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher. Biography Williams was born in Plaquemine, Louisiana, to Dennis, a bassist, and Sally Williams, and ran away from home at age 12 to join Billy Kersands' Traveling Minstrel Show, then moved to New Orleans. At first, Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s, he was a well-regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good businessman and worked arranging and managing entertainment at the local African American vaudeville theater as well as at various saloons and dance halls around Rampart Street, and at clubs and houses in Storyville. Williams started a music publishing business with violinist/bandleader Armand J. Piron in 1915, which by the 1920s was the leading African-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baby Won't You Please Come Home
"Baby Won't You Please Come Home" is a blues song written by Charles Warfield and Clarence Williams in 1919. The song's authorship is disputed; Warfield claims that he was the sole composer of the song. The song has been covered by many musicians and has become a jazz standard. The first hit version was Bessie Smith's 1923 recording, which stayed on the charts for four weeks peaking at No. 6. Renditions * Bessie Smith (1923) * Clarence Williams' Blue Five (1927) * George Thomas with McKinney's Cotton Pickers (1930) * Clarence Williams and His Orchestra (1930) * Clarence Williams and His Jazz Kings (1931) * The Mills Brothers (1932) * Django Reinhardt (1937) * Lionel Hampton (1938) * Louis Armstrong (1939) * Count Basie Orchestra (1944) * Bing Crosby with Eddie Heywood, recorded August 9, 1945. * Benny Goodman and His Orchestra (1945) * Jo Stafford with the Nat King Cole Trio (1946) * Sidney Bechet & His Feetwarmers (1949) * Ray Charles (1952) * Jack Teagarden (1954) * Frank ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
