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We'll All Go Riding On A Rainbow
''We'll All Go Riding on a Rainbow'' is the third studio album by the Caretaker, an alias of musician Leyland Kirby. Released in 2003, it was the last of Kirby's "haunted ballroom trilogy", which spans his albums influenced by the film '' The Shining''. It features looped melodies and vinyl crackle to create the ambience of ''The Shining''s ballroom, with its artwork emphasizing this style. ''We'll All Go Riding on a Rainbow'' was met with positive reception from music critics, who praised its haunted ballroom ambiance. However, other critics felt that the album's length was an issue. Kirby's next album as the Caretaker, ''Theoretically Pure Anterograde Amnesia'' (2005) would abandon the haunted ballroom concept and install themes of memory loss. Background The Caretaker's first record, ''Selected Memories from the Haunted Ballroom'' (1999), was inspired by the haunted ballroom scene from the film '' The Shining''. Leyland Kirby, the English musician responsible for the Caretaker ...
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The Caretaker (musician)
The Caretaker was a long-running project by English ambient musician Leyland James Kirby (born 9 May 1974). His work as the Caretaker is characterized as exploring memory and its gradual deterioration, nostalgia, and melancholia. The project was inspired by the haunted ballroom scene in the 1980 film '' The Shining''. His first several releases comprised treated and manipulated samples of 1930s ballroom pop recordings. The Caretaker's works have received critical acclaim in publications such as ''The Wire,'' ''The New York Times'', and BBC Music. History 1999–2003: Haunted Ballroom trilogy Simon Reynolds refers to the Caretaker's first three releases as "the haunted ballroom trilogy", spanning 1999-2003: ''Selected Memories from the Haunted Ballroom'', ''A Stairway to the Stars'', ''We'll All Go Riding on a Rainbow''. Jon Fletcher described the sound as "instantly recognisable musical identity of British tea-room pop (dance-band and swing music from the 1920s, 1930s ...
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Ballroom
A ballroom or ballhall is a large room inside a building, the primary purpose of which is holding large formal parties called balls. Traditionally, most balls were held in private residences; many mansions and palaces, especially historic mansions and palaces, contain one or more ballrooms. In other large houses, a large room such as the main drawing room, long gallery, or hall may double as a ballroom, but a good ballroom should have the right type of flooring, such as hardwood flooring or stone flooring (usually marble or stone). In later times the term ballroom has been used to describe nightclubs where customers dance, the Top Rank Suites in the United Kingdom for example were also often referred to as ballrooms. The phrase "having a ball" has grown to encompass many events where person(s) are having fun, not just dancing. Ballrooms are generally quite large, and may have ceilings higher than other rooms in the same building. The large amount of space for dancing, as well ...
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Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration. Pitch is closely related to frequency, but ...
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Reverberation
Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100  ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude of t ...
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Echo
In audio signal processing and acoustics, an echo is a reflection of sound that arrives at the listener with a delay after the direct sound. The delay is directly proportional to the distance of the reflecting surface from the source and the listener. Typical examples are the echo produced by the bottom of a well, by a building, or by the walls of an enclosed room and an empty room. A true echo is a single reflection of the sound source. The word ''echo'' derives from the Greek ἠχώ (''ēchō''), itself from ἦχος (''ēchos''), "sound". Echo in the Greek folk story is a mountain nymph whose ability to speak was cursed, leaving her able only to repeat the last words spoken to her. Some animals use echo for location sensing and navigation, such as cetaceans (dolphins and whales) and bats in a process known as echolocation. Echoes are also the basis of Sonar technology. Acoustic phenomenon Acoustic waves are reflected by walls or other hard surfaces, such as mountains and pr ...
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Brass
Brass is an alloy of copper (Cu) and zinc (Zn), in proportions which can be varied to achieve different mechanical, electrical, and chemical properties. It is a substitutional alloy: atoms of the two constituents may replace each other within the same crystal structure. Brass is similar to bronze, another copper alloy, that uses tin instead of zinc. Both bronze and brass may include small proportions of a range of other elements including arsenic (As), lead (Pb), phosphorus (P), aluminium (Al), manganese (Mn), and silicon (Si). Historically, the distinction between the two alloys has been less consistent and clear, and modern practice in museums and archaeology increasingly avoids both terms for historical objects in favor of the more general "copper alloy". Brass has long been a popular material for decoration due to its bright, gold-like appearance; being used for drawer pulls and doorknobs. It has also been widely used to make utensils because of its low melting ...
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Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ...
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The Lady In Red (Chris De Burgh Song)
"The Lady in Red" is a song by British-Irish singer-songwriter Chris de Burgh. It was released on 20 June 1986 as the second single from the album '' Into the Light''. The song was responsible for introducing de Burgh's music to a mainstream audience worldwide. Creation The song was written in reference to his wife Diane, who used to come and watch him perform at his parents' hotel. It was released on the album ''Into the Light''. On the British TV series '' This Is Your Life'', de Burgh said that the song was inspired by the memory of when he first saw Diane, and how men so often cannot even remember what their wives were wearing when they first met. Critical reception and impact The song was a massive hit across the world, quickly becoming de Burgh's best-selling single and his signature song, transforming him from a cult artist into a household name in many countries. It reached the number one position in Canada, the United Kingdom, the Republic of Ireland, Norway and the F ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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