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Wanted Dead Or Alive (David Bromberg Album)
''Wanted Dead or Alive'' is an album by David Bromberg. It was his third album, released by Columbia Records as a vinyl LP in 1974. It has been released as a CD several times − by Sony Music Media in 2004, by SBME Special Markets in 2008, and by Columbia Records in 2011. It was also released as a double CD, combined with Bromberg's subsequent album '' Midnight on the Water'', by BGO Records in 2010. The title ''Wanted Dead or Alive'' is a play on words, referring to how the record was created. Side one of the LP was recorded in the studio with various musicians, including four members of the Grateful Dead − Jerry Garcia, Phil Lesh, Keith Godchaux and Bill Kreutzmann. Side two was recorded live. Critical reception Writing in ''Driftwood Magazine'' in 2011, Craig Harris said: "With their masterfully executed mix of America’s musical roots, the albums released by David Bromberg in the mid-1970s remain as much fun as they were more than a third of a century ago.... Reaching i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ticknor & Fields
Ticknor and Fields was an American publishing company based in Boston, Massachusetts. Founded as a bookstore in 1832, the business would publish many 19th century American authors including Ralph Waldo Emerson, Nathaniel Hawthorne, Henry James, Henry Wadsworth Longfellow, Harriet Beecher Stowe, Henry David Thoreau, and Mark Twain. It also became an early publisher of ''The Atlantic Monthly'' and ''North American Review''. The firm was named after founder William Davis Ticknor and apprentice James T. Fields, although the names of additional business partners would come and go, notably that of James R. Osgood in the firm's later years. Financial problems led Osgood to merge the company with the publishing firm of Henry Oscar Houghton in 1878, forming a precursor to the modern publisher Houghton Mifflin Harcourt. Houghton Mifflin revived the Ticknor and Fields name as an imprint from 1979 to 1989. Company history Early years In 1832 William Davis Ticknor and John All ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acoustic Guitar
An acoustic guitar is a musical instrument in the string family. When a string is plucked its vibration is transmitted from the bridge, resonating throughout the top of the guitar. It is also transmitted to the side and back of the instrument, resonating through the air in the body, and producing sound from the sound hole. The original, general term for this stringed instrument is ''guitar'', and the retronym 'acoustic guitar' distinguishes it from an electric guitar, which relies on electronic amplification. Typically, a guitar's body is a sound box, of which the top side serves as a sound board that enhances the vibration sounds of the strings. In standard tuning the guitar's six strings are tuned (low to high) E2 A2 D3 G3 B3 E4. Guitar strings may be plucked individually with a pick (plectrum) or fingertip, or strummed to play chords. Plucking a string causes it to vibrate at a fundamental pitch determined by the string's length, mass, and tension. (Overtones are also pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Leiber And Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such crossover hit songs as " Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), " Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and " King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry Mann and Cynthia Weil; " Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co-written by Leiber and Phil Spect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kansas City (Jerry Leiber And Mike Stoller Song)
"Kansas City" is a rhythm and blues song written by Jerry Leiber and Mike Stoller in 1952. First recorded by Little Willie Littlefield the same year, the song later became a chart-topping hit when it was recorded by Wilbert Harrison in 1959. "Kansas City" is one of Leiber and Stoller's "most recorded tunes, with more than three hundred versions", with several appearing in the R&B and pop record charts. Original song "Kansas City" was written by Jerry Leiber and Mike Stoller, two nineteen-year-old rhythm and blues fans from Los Angeles. Neither had been to Kansas City, but were inspired by Big Joe Turner records. Through a connection to producer Ralph Bass, they wrote "Kansas City" specifically for West Coast blues/R&B artist Little Willie Littlefield. There was an initial disagreement between the two writers over the song's melody: Leiber (who wrote the lyrics) preferred a traditional blues song, while Stoller wanted a more distinctive vocal line; Stoller ultimately prevailed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luke Jordan
Luke Jordan (January 28, 1892 or November 1893 – June 25, 1952) was an American blues guitarist and vocalist of some renown, particularly in the area of his home, in Lynchburg, Virginia. Biography Sources conflict on Jordan's birthplace. Some sources list his birthplace as Appomattox County, Virginia, or Bluefield, West Virginia. According to his World War I draft registration card, Jordan was born in Lynchburg, Virginia. At the time of his registration on June 5, 1917, he was living in Bluefield and worked as a delivery boy and janitor. Jordan's gravestone mentions that he served in the "7th Development Battalion" during the war. His professional career started at age 35, when he was noticed by Victor Records. He went to Charlotte, North Carolina in 1927 and made several records. The records sold moderately well, and Victor decided to take Jordan to New York in 1929 for two more sessions. He recorded few known tracks in his career. In comparison with the harsh voices of many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blind Willie McTell
Blind Willie McTell (born William Samuel McTier; May 5, 1898 – August 19, 1959) was a Piedmont blues and ragtime singer and guitarist. He played with a fluid, syncopated fingerstyle guitar technique, common among many exponents of Piedmont blues. Unlike his contemporaries, he came to use twelve-string guitars exclusively. McTell was also an adept slide guitarist, unusual among ragtime bluesmen. His vocal style, a smooth and often laid-back tenor, differed greatly from many of the harsher voices of Delta bluesmen such as Charley Patton. McTell performed in various musical styles, including blues, ragtime, religious music and hokum. McTell was born in Thomson, Georgia. He learned to play the guitar in his early teens. He soon became a street performer in several Georgia cities, including Atlanta and Augusta, and first recorded in 1927 for Victor Records. He never produced a major hit record, but he had a prolific recording career with different labels and under different names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Statesboro Blues
"Statesboro Blues" is a Piedmont blues song written by Blind Willie McTell, who recorded it in 1928. The title refers to the town of Statesboro, Georgia. In 1968, Taj Mahal recorded a popular blues rock adaptation of the song with a prominent slide guitar part by Jesse Ed Davis. His rendition inspired a recording by the Allman Brothers Band, which is ranked number nine on ''Rolling Stone'' magazine's list of the "100 Greatest Guitar Songs of All Time". In 2005, the ''Atlanta Journal-Constitution'' ranked "Statesboro Blues" number 57 on its list of "100 Songs of the South". Original song Although McTell was born in Thomson, Georgia, in an interview he called Statesboro "my real home." He made the first recording of the song for Victor, on October 17, 1928 (Victor #38001). The eight sides he recorded for Victor, including "Statesboro Blues", have been described as "superb examples of storytelling in music, coupled with dazzling guitar work." Lyrics The lyrics, a first-person narrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Send Me To The 'Lectric Chair
"Send Me to the 'Lectric Chair" is a late-1920s blues song written by composer George Brooks and made famous by Bessie Smith.Steve Terrell. "Terrell's tune-up - pop CD reviews" (column on death-penalty themed songs), ''The Santa Fe New Mexican'', 11 March 2005, ''Pasatiempo'' section, page PA-50: "This tune, circa 1928, is about someone who has murdered her lover and demands to be executed, showing no remorse. In the mid '70s, David Bromberg revived the song in a neo-Dixieland style, even better capturing its wicked humor." In the song, a female narrator confesses the murder of a deceitful loverPaul A. Harris. "Recordings" (roundup review of recent releases), ''St. Louis Post-Dispatch'', 2 March 1995, page 4G. and expresses her willingness to accept her punishment.Paul Jarvey. "Blue no more," ''Worcester Telegram & Gazette'', 11 May 1995, Time Out section, page C1.Joyce Marcel. "Tracy Nelson sings up a storm" (concert review), ''Union-News'', 2 December 1995, Arts & Entertainment sec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wallflower (Bob Dylan Song)
"Wallflower" is a song written and recorded in November 1971 by Bob Dylan. Dylan's own recording was not released until almost twenty years later as part of ''The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991''. An alternate version from the same 1971 session was released in 2013 on '' The Bootleg Series Vol. 10: Another Self Portrait (1969–1971)''. In October 1972, the song was recorded by Doug Sahm, with Dylan singing backing vocal, for Sahm's album ''Doug Sahm and Band'', released in 1973. The song has since been covered by many artists. Cover versions A number of artists have recorded a cover of the song (incomplete list): * David Bromberg, 1974, for '' Wanted Dead or Alive'' (Columbia Records) * Buddy and Julie Miller, 2001 for ''Buddy & Julie Miller'' ( Hightone) * Uncle Earl, 2007, for '' Waterloo, Tennessee'' (Rounder) * Diana Krall, 2015, for ''Wallflower'' (Verve) * Anna Elizabeth Laube, 2016, for ''Tree'' ( Ahh...Pockets! Records) * The Bottle Rockets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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