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Walking On The Milky Way (song)
"Walking on the Milky Way" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD). It was released as a single on 5 August 1996 and appeared on their ''Universal'' album a month later. The song reached number 17 on the UK Singles Chart, becoming the group's first UK top-20 hit in over five years, and their last UK top-40 single. The band were flanked by a full string orchestra for their ''Top of the Pops'' performance of the song broadcast on 16 August 1996. Reception Simon Williams of ''NME'' called the song "seethingly splendid" and "euphorically daft". In a retrospective article, AllMusic critic Dave Thompson praised Andy McCluskey's "rousing" vocal, and wrote, "With its sublime melody and a suitably anthemic chorus, this stellar single, released in August 1996, was a deserving Top 20 British hit." Jack Watkins of ''Record Collector'' described the track as a "powerful song" that "went largely unnoticed by radio stations". Band response McCluskey comme ...
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Orchestral Manoeuvres In The Dark
Orchestral Manoeuvres in the Dark (OMD) are an English electronic music, electronic band formed in Wirral Peninsula, Wirral, Merseyside, in 1978. The group consists of co-founders Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), along with Martin Cooper (musician), Martin Cooper (keyboards, saxophone) and Stuart Kershaw (drums); McCluskey has been the only constant member. Regarded as pioneers of electronic music, OMD combined an Experimental music, experimental, Minimal music, minimalist ethos with pop sensibilities, becoming key figures in the late-1970s/early-1980s emergence of synth-pop. The band were also one of the original acts involved in the MTV-driven Second British Invasion of the US. McCluskey and Humphreys led precursor group The Id (band), the Id from 1977–1978, and re-recorded their track "Electricity (Orchestral Manoeuvres in the Dark song), Electricity" as OMD's debut single in 1979. Weathering an "uncool" image and a degree of host ...
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Woolworths Group (United Kingdom)
Woolworth (officially Woolworths Group PLC) was a listed British company that owned the High Street retail chain Woolworths. It also owned other companies such as the entertainment distributor Entertainment UK, and book and resource distributor Bertram Books. The Woolworths store chain was the main enterprise of the group. Originally a division of the American F. W. Woolworth Company until its sale in the early 1980s, it had more than 800 stores in the UK prior to closure. Woolworths sold many goods and had its own Ladybird (clothing), Ladybird children's clothing range, WorthIt! value range and Chad Valley (toy brand), Chad Valley toys. They were also well known for selling Candyking pick 'n' mix sweets. It was sometimes referred to as Woolies by the UK media, the general public, and occasionally in its own television adverts. The British company also owned and ran F. W. Woolworth Ireland until 1984 and Woolworths (Cyprus) until 2003. On 26 November 2008, trading of shares i ...
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Architecture & Morality
''Architecture & Morality'' is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with Brett Wickens, while its title was derived from the book ''Morality and Architecture'' by David Watkin. ''Architecture & Morality'' reached number three on the UK Albums Chart, and was a top-10 entry across Europe. It met with a lukewarm critical response, but has since been recognised as one of the best and most influential works of its era; '' The Morning News'' named the album the greatest of 1981, and "the blueprint for synth-pop". The record became a commercial success, selling over four million copies and spawning three internation ...
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The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ...
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Liverpool
Liverpool is a city and metropolitan borough in Merseyside, England. With a population of in 2019, it is the 10th largest English district by population and its metropolitan area is the fifth largest in the United Kingdom, with a population of 2.24 million. On the eastern side of the Mersey Estuary, Liverpool historically lay within the ancient hundred of West Derby in the county of Lancashire. It became a borough in 1207, a city in 1880, and a county borough independent of the newly-created Lancashire County Council in 1889. Its growth as a major port was paralleled by the expansion of the city throughout the Industrial Revolution. Along with general cargo, freight, and raw materials such as coal and cotton, merchants were involved in the slave trade. In the 19th century, Liverpool was a major port of departure for English and Irish emigrants to North America. It was also home to both the Cunard and White Star Lines, and was the port of registry of the ocean li ...
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The Cavern Club
The Cavern Club is a nightclub on Mathew Street, Liverpool, England. The Cavern Club opened in 1957 as a jazz club, later becoming a centre of the rock and roll scene in Liverpool in the late 50s and early 1960s. The club became closely associated with Merseybeat and regularly played host to the Beatles in their early years.. The Cavern Club closed and opened on a new site in 1973 and was filled in during construction work on the Merseyrail underground rail loop. It reopened in 1984. History of the Cavern Club Early history Alan Sytner, having been inspired by the jazz district in Paris where there were a number of clubs in cellars, returned to Liverpool and strove to open a club similar to the Le Caveau de la Huchette jazz club. He eventually found a fruit warehouse where people were leasing the cellar, which had been used as an air raid shelter in World War II. Tropical fruit used to be stored there and during warm months the scent from the ripening fruit was absorbed int ...
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Eric's Club
Eric's Club was a music club in Liverpool, England. It opened on 1 October 1976 in the basement of The Fruit Exchange in Victoria Street, with performances by The Runaways and The Sex Pistols (their only Liverpool gig) before soon moving around the block to its long-term site on Mathew Street opposite The Cavern Club where The Beatles and other bands of the 1960s played, and became notable for hosting early performances by many punk and post-punk bands. The club was started by Roger Eagle and Ken Testi (manager of cult Liverpool band Deaf School) and joined later by Pete Fulwell (owner of a small record label "Inevitable" and later to become manager of Liverpool bands It's Immaterial and The Christians). The club was given the name 'Eric's' by Ken Testi as an antidote to disco clubs with names such as 'Tiffany's' and 'Samantha's' Music The club played host to many local, national and international bands primarily within the music sub-cultures of the time, such as Elvis Costell ...
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Karl Bartos
Karl Bartos (born 31 May 1952) is a German musician and composer known for his contributions to the electronic band Kraftwerk. Career Karlheinz Bartos was born on 31 May 1952 in Marktschellenberg, Germany, named after his grandfathers Karl and Heinz. He was the drummer in a college band called The Jokers (later The Jolly Jokers in 1975) as Carlos Bartos, around 1965 to 1975. Between 1975 and 1991, he was, along with Wolfgang Flür, a member of the electronic music band Kraftwerk. This lineup of the group remains the most stable and productive yet assembled. He was originally recruited to play on Kraftwerk's US "Autobahn" tour where he changed his name to "Karl", as the band member's names were displayed on stage in neon lighting; "Karlheinz" was deemed too long and thus too expensive by Kraftwerk's front man Ralf Hütter. In addition to his percussion playing, Bartos was credited with songwriting on the ''Man-Machine'', ''Computer World'', and ''Electric Café'' albums and sang ...
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Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Greatest Hits
A greatest hits album or best-of album is a type of compilation album that collects popular and commercially successful songs by a particular artist or band. While greatest hits albums are typically supported by the artist, they can also be created by record companies without express approval from the original artist as a means to generate sales. They are typically regarded as a good starting point for new fans of an artist, but are sometimes criticized by longtime fans as not inclusive enough or necessary at all. It is also common for greatest hits albums to include new recordings, remixes or unreleased alternate takes of the hit songs, plus other new material as bonus tracks to increase appeal for longtime fans (who might otherwise already own the recordings included). At times, a greatest hits compilation marks the first album appearance of a successful single that was never attached to a previous studio album. History The first greatest hits album was Johnny Mathis's ''John ...
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The OMD Singles
''The OMD Singles'' is a singles compilation album by Orchestral Manoeuvres in the Dark, released in 1998. It reached number 16 on the UK Albums Chart. Originally, the compilation was to include a second disc of new remixes; however, this idea was abandoned due to budget limitations. The few remixes that were produced were released separately as ''The OMD Remixes''. In 2003, ''The OMD Singles'' was reissued in France with the remix disc finally included, comprising the 1998 remixes as well as additional remixes. In the same year Virgin also released a two-disc box set comprising ''The OMD Singles'' and '' Navigation: The OMD B-Sides''. Reception Tom Schulte of AllMusic wrote, "Originating in post-punk synth experimentation and closing in dated, but still strong, pop productions, ''The OMD Singles'' is an excellent time line of the band whose sound covered in a single career that same territory explored by the Human League, Erasure, azoo New Order, and beyond." In the ''Pres ...
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