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Walking Blues
"Walkin' Blues" or "Walking Blues" is a blues standard written and recorded by American Delta blues musician Son House in 1930. Although unissued at the time, it was part of House's repertoire and other musicians, including Robert Johnson and Muddy Waters, adapted the song and recorded their own versions. Besides "Walking Blues", Johnson's 1936 rendition incorporates melodic and rhythmic elements from House's "My Black Mama" (which House also used for his "Death Letter") and slide guitar techniques Johnson learned from House. In 1941, Waters recorded the song with some different lyrics as "Country Blues" in his first field recording session for Alan Lomax. It served as the basis for his first charting song, "(I Feel Like) Going Home", for Chess Records in 1948. He later recorded "Walkin' Blues" with lyrics closer to House's and Johnson's for his first single, released by Chess in 1950. Various musicians have recorded the song over the years, usually as an electric ensemble piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son House
Edward James "Son" House Jr. (March 21, 1902His date of birth is a matter of some debate. House alleged that he was middle-aged during World War I and that he was 79 in 1965, which would make his date of birth around 1886. However, all legal records give his date of birth as March 21, 1902. – October 19, 1988) was an American Delta blues singer and guitarist, noted for his highly emotional style of singing and slide guitar playing. After years of hostility to secular music, as a preacher and for a few years also working as a church pastor, he turned to blues performance at the age of 25. He quickly developed a unique style by applying the rhythmic drive, vocal power and emotional intensity of his preaching to the newly learned idiom. In a short career interrupted by a spell in Parchman Farm penitentiary, he developed his musicianship to the point that Charley Patton, the foremost blues artist of the Mississippi Delta region, invited him to share engagements and to accomp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death Letter Blues
"Death Letter", also known as "Death Letter Blues", is the signature song of the Delta blues musician Son House. It is structured upon House's earlier recording "My Black Mama, Part 2" from 1930. House's 1965 performance was on a metal-bodied National resonator guitar using a copper slide. One commentator noted that it is "one of the most anguished and emotionally stunning laments in the Delta blues œuvre." Lyrics Lyrically, the song is about a man who learns of the death of the woman he loves through a letter delivered to him early in the morning. The narrator later views her body on the cooling board at the morgue, attends her funeral and returns to his home in a state of depression. House's lyrics draw from traditional sources. Other blues musicians recorded related songs, including Lead Belly ("Death Letter Blues"), Ishman Bracey ("Trouble Hearted Blues"), Ida Cox ("Death Letter Blues"), Robert Wilkins ("Nashville Stonewall") and Blind Willie McTell ("On the Cooling Boar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Johnson Songs
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dust My Broom
"Dust My Broom" is a blues song originally recorded as "I Believe I'll Dust My Broom" by American blues artist Robert Johnson in 1936. It is a solo performance in the Delta blues-style with Johnson's vocal accompanied by his acoustic guitar. As with many of his songs, it is based on earlier blues songs, the earliest of which has been identified as "I Believe I'll Make a Change", recorded by the Sparks brothers as " Pinetop and Lindberg" in 1932. Johnson's guitar work features an early use of a boogie rhythm pattern, which is seen as a major innovation, as well as a repeating triplets figure. In 1951, Elmore James recorded the song as "Dust My Broom" and "made it the classic as we know it", according to blues historian Gerard Herzhaft. James' slide guitar adaptation of Johnson's triplet figure has been identified as one of the most famous blues guitar riffs and has inspired many rock performers. The song has become a blues standard, with numerous renditions by a variety of mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Home Chicago
"Sweet Home Chicago" is a blues standard first recorded by Robert Johnson in 1936. Although he is often credited as the songwriter, several songs have been identified as precedents. The song has become a popular anthem for the city of Chicago despite ambiguity in Johnson's original lyrics. Numerous artists have interpreted the song in a variety of styles. Earlier songs The melody of "Sweet Home Chicago" is found in several blues songs, including "Honey Dripper Blues", "Red Cross Blues", and the immediate model for the song, "Kokomo Blues". The lyrics for "Honey Dripper Blues No. 2" by Edith North Johnson follow a typical AAB structure: Lucille Bogan's (as Bessie Jackson) "Red Cross Man" uses an AB plus refrain structure: Blues historian Elijah Wald suggests that Scrapper Blackwell was the first to introduce a reference to a city in his "Kokomo Blues", using a AAB verse: "Kokola Blues", recorded by Madlyn Davis a year earlier in 1927, also references Kokomo, Indiana, in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terraplane Blues
"Terraplane Blues" is a blues song recorded in 1936 in San Antonio, Texas, by bluesman Robert Johnson. Vocalion issued it as Johnson's first 78 rpm record, backed with "Kind Hearted Woman Blues", in March 1937. The song became a moderate regional hit, selling up to 10,000 copies. Johnson used the car model Terraplane as a metaphor for sex. In the lyrical narrative, the car will not start and Johnson suspects that his girlfriend let another man drive it when he was gone. In describing the various mechanical problems with his Terraplane, Johnson creates a setting of thinly veiled sexual innuendo. The guitar parts in "Terraplane Blues" are similar to those in Johnson's "Stones in My Passway". References {{Robert Johnson Robert Johnson songs 1936 songs Songs written by Robert Johnson Vocalion Records singles Song recordings produced by Don Law ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross Road Blues
"Cross Road Blues" (also known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talents, although the lyrics do not contain any specific references. Bluesman Elmore James revived the song with recordings in 1954 and 1960–1961. English guitarist Eric Clapton with Cream popularized the song as "Crossroads" in the late 1960s. Their blues rock interpretation inspired many cover versions and the Rock and Roll Hall of Fame included it as one of the "500 Songs That Shaped Rock and Roll". ''Rolling Stone'' placed it at number three on the magazine's list of the "Greatest Guitar Songs of All Time" in recognition of Clapton's guitar work. Recording In October 1936, Johnson audi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Of The Delta Blues Singers
''King of the Delta Blues Singers'' is a compilation album by American Delta blues musician Robert Johnson, released in 1961 on Columbia Records. It is considered one of the greatest and most influential blues releases. In 2020, ''Rolling Stone'' ranked it number 374 on its list of the 500 Greatest Albums of All Time. Music The album compiles sixteen mono recordings, nine of which were previously available as 78 rpm records on the Vocalion label, originally recorded during two sessions in 1936 and 1937. The records sold well in their target market of the American south and southwest, with "Terraplane Blues" something of a regional hit, but their sales figures were never beyond 5000 or so in total. By the time this album appeared, Johnson was mostly rumor, if known at all, except to a small group of collectors and those who had purchased the original 78s. An advance copy of the album was given by its instigator, John Hammond, to his newest signing to Columbia, Bob Dylan, who had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
From Spirituals To Swing
''From Spirituals to Swing'' was the title of two concerts presented by John Hammond in Carnegie Hall on 23 December 1938 and 24 December 1939. The concerts included performances by Count Basie, Benny Goodman, Big Joe Turner and Pete Johnson, Helen Humes, Meade Lux Lewis, Albert Ammons, Mitchell's Christian Singers, the Golden Gate Quartet, James P. Johnson, Big Bill Broonzy and Sonny Terry. Concert The idea was a history, starting with spirituals and leading up to big swing bands, involving African American performers. Hammond had difficulty gaining sponsorship for the event because it involved African American artists and an integrated audience. However, ''The New Masses'', the journal of the American Communist Party, agreed to finance it. Hammond, according to the liner notes of the boxed set, " 1938... conceived a concert at Carnegie Hall in New York City to showcase African-American music from its raw beginnings to the most current jazz. Hammond... was one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John H
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope Jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Race Record
Race records were 78-rpm phonograph records marketed to African Americans between the 1920s and 1940s.Oliver, Paul. "Race record." Grove Music Online. Oxford Music Online. 13 Feb. 2015. They primarily contained race music, comprising various African-American musical genres, blues, jazz, and gospel music, Rhythm and blues and also comedy. These records were, at the time, the majority of commercial recordings of African American artists in the U.S., and few African American artists were marketed to white audiences. Race records were marketed by Okeh Records, Emerson Records, Vocalion Records, Victor Talking Machine Company, Paramount Records, and several other companies. History Before the rise of the record industry in America, the cost of phonographs prevented most African Americans from listening to recorded music. At the turn of the twentieth century, the cost of listening to music went down, providing a majority of Americans with the ability to afford records. The primary pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blind Lemon Jefferson
Lemon Henry "Blind Lemon" Jefferson (September 24, 1893 – December 19, 1929)Some sources indicate Jefferson was born on October 26, 1894. was an American blues and gospel singer-songwriter and musician. He was one of the most popular blues singers of the 1920s and has been called the "Father of the Texas Blues".Dicaire, David (1999). ''Blues Singers: Biographies of 50 Legendary Artists of the Early 20th Century''. Jefferson, North Carolina: McFarland and Company. pp. 140–144. . Due mainly to his high-pitched voice and the originality of his guitar playing, Jefferson's performances were distinctive. His recordings sold well, but he was not a strong influence on younger blues singers of his generation, who could not imitate him as easily as they could other commercially successful artists. Charters, Samuel (1977). ''The Blues Makers''. New York: Da Capo Press. . Later blues and rock and roll musicians, however, did attempt to imitate both his songs and his musical style. Biogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
