|
Walkin'
''Walkin'' (PRLP 7076) is a Miles Davis compilation album released in March 1957 by Prestige Records. The album compiles material previously released on two 10 inch LPs in 1954 (''Miles Davis All-Star Sextet'' and Side One of ''Miles Davis Quintet'', dropping "I'll Remember April" from Side Two (which had been on the 12" LP '' Blue Haze'', released the previous year, itself a collection of tunes from previous 10" LPs) and replacing it with the previously unreleased "Love Me or Leave Me" recorded at the same session. Here credited to the "Miles Davis All-Stars", the songs were recorded on 3 April and 29 April 1954 by two slightly different groups led by Davis. Both sessions were recorded at Rudy Van Gelder's home studio. The earlier session was a quintet with David Schildkraut on alto saxophone, and produced the three tracks on side two. Schildkraut is the only musician not credited on the cover, and is otherwise almost unknown. Two of these tracks were originally released on the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Schildkraut
Dave Schildkraut (January 7, 1925 – January 1, 1998) was an American jazz alto saxophonist. Biography Schildkraut first played professionally with Louis Prima in 1941. Following this he played with Buddy Rich (1946), Anita O'Day (1947), Stan Kenton (1953–54), Pete Rugolo (1954), Oscar Pettiford (1954), Miles Davis (" Solar" on: ''Walkin''', Prestige, 1954), George Handy (1955), Tony Aless (1955), Ralph Burns, Tito Puente, Johnny Richards, and Kenton again in 1959. From the 1960s, he played freelance in New York City, where he appeared regularly with Eddie Bert at the West End Cafe. Later in his life he went into semi-retirement. He recorded only one album as a leader, in 1979. However, the album was released only in 2000 by Endgame Records as ''Last Date''. By this time, Schildkraut's playing style was described as having adjusted from youthful mimicry of Parker to showing influence from the likes of John Coltrane, Warne Marsh and Lee Konitz. Style Schildkraut's playin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue 'n' Boogie
Blue 'n' Boogie is a 1944 jazz standard. It was written by Dizzy Gillespie and Frank Paparelli. It can be found on Gillespie's 1955 compilation album ''Groovin' High'', and was notably performed by trumpeter Miles Davis on ''Miles Davis All-Star Sextet'' (1954; later released as the first side of ''Walkin'''), guitarist Wes Montgomery on ''Full House'' (1962), and Sonny Rollins on '' Now's the Time'' (1964). See also *List of jazz standards A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union ... References 1940s jazz standards 1944 songs Bebop jazz standards Compositions by Dizzy Gillespie {{1940s-jazz-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuck Wayne
Chuck Wayne (February 27, 1923 – July 29, 1997) was an American jazz guitarist. He came to prominence in the 1940s, and was among the earliest jazz guitarists to play in the bebop style. Wayne was a member of Woody Herman's First Herd, the first guitarist in the George Shearing quintet, and Tony Bennett's music director and accompanist. He developed a systematic method for playing jazz guitar. Style Wayne was known for a bebop style influenced by saxophone players of his time, especially Charlie Parker and Coleman Hawkins. In an era when many guitarists used four-square, mandolin-style picking, with rigid up-down stroke articulation, Wayne developed a technique not widely adopted by others until decades later. He also developed a comprehensive approach to guitar chords and arpeggios – based on generic tetrad forms spanning all possible inversions, in varying degrees of open voicing. This highly analytic approach to the fretboard was later documented in a series of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Atlantic
''The Atlantic'' is an American magazine and multi-platform publisher. It features articles in the fields of politics, foreign affairs, business and the economy, culture and the arts, technology, and science. It was founded in 1857 in Boston, as ''The Atlantic Monthly'', a literary and cultural magazine that published leading writers' commentary on education, the abolition of slavery, and other major political issues of that time. Its founders included Francis H. Underwood and prominent writers Ralph Waldo Emerson, Oliver Wendell Holmes Sr., Henry Wadsworth Longfellow, Harriet Beecher Stowe, and John Greenleaf Whittier. James Russell Lowell was its first editor. In addition, ''The Atlantic Monthly Almanac'' was an annual almanac published for ''Atlantic Monthly'' readers during the 19th and 20th centuries. A change of name was not officially announced when the format first changed from a strict monthly (appearing 12 times a year) to a slightly lower frequency. It was a mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solar (composition)
"Solar" ( or ) is a composition written by Chuck Wayne and later recorded and copyrighted with small alterations by Miles Davis. It first appeared on Davis's 1954 album ''Miles Davis Quintet'' and is considered a modern jazz standard. Chord structure Solar is considered a blues by most listeners, and the commonly accepted chord structure for this piece is: Recordings and popularity The first released recording of the piece appeared on Davis's album ''Miles Davis Quintet'' in 1954; and then appeared on his album '' Walkin'''. It was the only time that he recorded the piece. Probably the best-known version is on pianist Bill Evans's trio album '' Sunday at the Village Vanguard'' from 1961. The composition is popular with educators and learners, partly because the structure is "both rich and succinct". Authorship The composition was copyrighted in Davis's name in 1963. However, some musicians and others believed that it had been written by Wayne, with some making the assertion in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Ammons
Eugene "Jug" Ammons (April 14, 1925 – August 6, 1974), also known as "The Boss", was an American jazz tenor saxophonist. The son of boogie-woogie pianist Albert Ammons, Gene Ammons is remembered for his accessible music, steeped in soul and R&B. Biography Born in Chicago, Illinois, Ammons studied music with instructor Walter Dyett at DuSable High School. Ammons began to gain recognition while still at high school when in 1943, at the age of 18, he went on the road with trumpeter King Kolax's band. In 1944, he joined the band of Billy Eckstine (who bestowed on him the nickname "Jug" when straw hats ordered for the band did not fit), playing alongside Charlie Parker and later Dexter Gordon. Performances from this period include "Blowin' the Blues Away," featuring a saxophone duel between Ammons and Gordon. After 1947, when Eckstine became a solo performer, Ammons then led a group, including Miles Davis and Sonny Stitt, that performed at Chicago's Jumptown Club. In 1949, Ammon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Mundy
James Mundy (June 28, 1907 – April 24, 1983) was an American jazz tenor saxophonist, arranger, and composer, best known for his arrangements for Benny Goodman, Count Basie, and Earl Hines. Mundy died of cancer in New York City at the age of 75. Discography *1937–1947: ''Jimmy Mundy 1947–1947'' (Classics) *May 1946: "Bumble Boogie" / "One O'Clock Boogie" (Aladdin 131) *June 1946: "I Gotta Put You Down Pt 1" / "I Gotta Put You Down Pt 2" (Aladdin 132) *1958: ''On a Mundy Flight'' (Epic) *2002: ''Fiesta in Brass'' (Golden Era) As arranger ;With Chet Baker *'' Baker's Holiday'' (Limelight, 1965) With Al Hibbler *'' After the Lights Go Down Low'' (Atlantic 1957) With Illinois Jacquet *'' The Soul Explosion'' (Prestige, 1969) With Harry James *''Harry James and His Orchestra 1948–49'' (Big Band Landmarks Vol. X & XI, 1969) With Sonny Stitt *''Sonny Stitt & the Top Brass'' (Atlantic, 1962) *''Little Green Apples'' (Solid State, 1969) *''Come Hither'' (Solid State, 1969) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis All-Star Sextet
''Miles Davis All Star Sextet'' (PRLP 182) is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The two side-long tracks were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, April 29, 1954. Davis claimed in his autobiography that the release of this material turned his "whole life and career around", along with Capitol Records' release around the same time of the ''Birth of the Cool'' tracks in LP form, which made the critics notice him once again. Davis goes on to describe the goal of this recording: to return to "the fire and improvisation of bebop", but combined with a more forward looking funky kind of blues. Davis says the concepts were worked out in Horace Silver's room at the Arlington Hotel. J.J. Johnson and Lucky Thompson provided a big horn sound, on top of Silver's funky piano and Clarke’s "bad rhythms" behind on the drums. When the recording was complete, all involved, including Bob Weinstock and Van Gelder, knew they had achiev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucky Thompson
Eli "Lucky" Thompson (June 16, 1924 – July 30, 2005) was an American jazz tenor and soprano saxophonist whose playing combined elements of swing music, swing and bebop. Although John Coltrane usually receives the most credit for bringing the soprano saxophone out of obsolescence in the early 1960s, Thompson (along with Steve Lacy (saxophonist), Steve Lacy) embraced the instrument earlier than Coltrane. Early life Thompson was born in Columbia, South Carolina, and moved to Detroit, Michigan, during his childhood. Thompson had to raise his siblings after his mother died, and he practiced saxophone fingerings on a broom handle before acquiring his first instrument. He joined Erskine Hawkins' band in 1942 upon graduating from high school. Career After playing with the swing music, swing orchestras of Lionel Hampton, Don Redman, Billy Eckstine (alongside Dizzy Gillespie and Charlie Parker), Lucky Millinder, and Count Basie, he worked in rhythm and blues and then established ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
