Vọng Cổ
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Vọng Cổ
''Vọng cổ'' (, Hán tự: , "nostalgia") is a Vietnamese song and musical structure used primarily in the ''cải lương'' theater music and '' nhạc tài tử'' chamber music of southern Vietnam. It was composed sometime between 1917 and 1919 by Cao Văn Lầu (performing name Sáu Lầu "sixth Lầu"), of Bạc Liêu Province in southern Vietnam. The song achieved great popularity and eventually its structure became the basis for numerous other songs. The tune is essentially melancholy in character and is sung using Vietnamese modal inflections. History The term vọng cổ is used to mean:Peter Manuel ''Popular Musics of the Non-Western World: An Introductory Survey'' Page 202 - 1990 "Thus, the term vọng cổ denotes: (1) a particular mode, equivalent to the óan nuance of the nam mode; (2) a particular song, dating from around 1919; and (3) any piece in the vọng cổ mode which employs the pitches of the original vọng cổ song as structural cadential points. The l ...
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Cải Lương
''Tuồng cải lương'' (, Hán-Nôm: 從改良) often referred to as cải lương (Chữ Hán: 改良), roughly "reformed theater") is a form of modern folk opera in Vietnam. It blends southern Vietnamese folk songs, classical music, '' hát tuồng'' (a classical theatre form based on Chinese opera), and modern spoken drama. History and description Cải lương originated in Southern Vietnam in the early 20th century and blossomed in the 1930s as a theatre of the middle class during the country's French colonial period. Cải lương is now promoted as a national theatrical form. Unlike the other folk forms, it continued to prove popular with the masses as late as the 1970s and the 1980s, although it is now in decline. Beyond remedy for Cai luong. VietNamNet Bridge. 21 August 2008 Cải lương can be compared to a sort of play with the added aspect of Vọng cổ. This term literally means "nostalgia for the past", it is a special type of singing with the background mus ...
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Cao Văn Lầu
Cao Văn Lầu (1892–1976), also known as Sáu Lầu (''Lầu the Sixth'' in Vietnamese), was a Vietnamese musician. He was the original composer of the song vọng cổ which started a new genre of cải lương music in the 1920s. He was born on 22 December 1892 in Long An province, French Cochinchina. At the age of 4, he moved to Bạc Liêu and spent all his life there. In Bạc Liêu, he studied chữ Hán with a monk and then attended a French primary school. In 1907, Lầu stopped schooling because of his poverty. In 1908, he began learning music from local musician Lê Tài Khí and began his music career four year later. In 1913, he married a woman named Trần Thị Tấn. Because Tấn was not pregnant after three year of marriage, Lầu was forced to send his wife back to her family due to local custom. This separation was inspired Cao Văn Lầu in comprising his best known love-song Dạ cổ hoài lang (Night Drum Beats Cause Longing for Absent Husband), a ...
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Dạ Cổ Hoài Lang
''Dạ cổ hoài lang'' (, ''"Night Drum Beats Cause Longing for Absent Husband"'', Chữ Hán: 夜鼓怀郎) is a Vietnamese song, composed circa 1918 by songwriter Cao Văn Lầu, colloquially known as "Sáu Lầu," from Bạc Liêu. It was a massive hit across Vietnam in 1927 as it was taken up by travelling troupes and spawned many variants, versions and imitators.Southeast Asia: Volume 1 Southern Illinois University at Carbondale. Center for Vietnamese Studies - 1971 "Many new kinds of tunes were invented, the most important of which was the vong co. ... In any case, its first full appearance, even in simple form, was as da co or da co hoai lang (longing for one's husband) :48 Moderate Da Co Hoai Lang ..." The song ''Dạ cổ hoài lang'' marked the beginning of the iconic ''vọng cổ'' melody, which has become a subgenre on its own within the '' đờn ca tài tử'' and ''cải lương ''Tuồng cải lương'' (, Hán-Nôm: 從改良) often referred to as cải lươn ...
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Culture Of South Vietnam
Culture () is an umbrella term which encompasses the social behavior, institutions, and Social norm, norms found in human Society, societies, as well as the knowledge, beliefs, arts, laws, Social norm, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculturalism, monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus ...
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Vietnamese Traditional Theatre
Vietnamese may refer to: * Something of, from, or related to Vietnam, a country in Southeast Asia ** A citizen of Vietnam. See Demographics of Vietnam. * Vietnamese people, or Kinh people, a Southeast Asian ethnic group native to Vietnam ** Overseas Vietnamese, Vietnamese people living outside Vietnam within a diaspora * Vietnamese language * Vietnamese alphabet * Vietnamese cuisine * Vietnamese culture See also * List of Vietnamese people A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union ... * {{disambiguation Language and nationality disambiguation pages ...
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Vietnamese Music
Traditional Vietnamese music encompasses a large umbrella of Vietnamese music from antiquity to present times, and can also encompass multiple groups, such as those from Vietnam's ethnic minority tribes. History Traditional Vietnamese music has been mainly used for religious activities, in daily life, and in traditional festivals. Vietnam's ethnic diversity has also made its music scene diverse. Each of Vietnam's ethnic group owns many unique types of musical instruments. The influence of Chinese culture on Vietnamese music is also quite prevalent, such as maids, harps and erhu. However, traditional Vietnamese music, whilst often compared to traditional Chinese music, is not exactly the same. Royal court music Royal Vietnamese court music first appeared in the 1040s after a successful seaborne raid against Champa led by king Lý Thái Tông in 1044. Cham women were taken as singers, dancers and entertainers for the court. The chronicles recorded that a special palace for Cham wo ...
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