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Václav Smetáček
Václav Smetáček (30 September 1906 in Brno – 18 February 1986 in Prague) was a Czech conductor, composer, and oboist. He studied in Prague among others with Jaroslav Křička, conducting with Metod Doležil and Pavel Dědeček, musicology, aesthetics, and philosophy at Charles University, receiving his doctorate in musicology in 1933.Alain Pâris. ''Dictionnaire des interprètes et de l'interpretation musicale au XX siècle.'' Éditions Robert Laffont, Paris, 1995 (p884). He was the founder and member of the ''Prague Wind Quintet'' (1928), with whom he performed, composed and arranged compositions for it. From 1930 to 1933, he was a member of the Czech Philharmonic Orchestra, and from 1934 to 1943, he worked on Czech Radio as conductor and editor. From 1945 to 1966 he worked as a pedagogue at the Prague Conservatory and Academy of Performing Arts in Prague. As a conductor of the Prague Symphony Orchestra, he made several innovations. He enlarged its repertoire with the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prague Wind Quintet 1931
Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate oceanic climate, with relatively warm summers and chilly winters. Prague is a political, cultural, and economic hub of central Europe, with a rich history and Romanesque, Gothic, Renaissance and Baroque architectures. It was the capital of the Kingdom of Bohemia and residence of several Holy Roman Emperors, most notably Charles IV (r. 1346–1378). It was an important city to the Habsburg monarchy and Austro-Hungarian Empire. The city played major roles in the Bohemian and the Protestant Reformations, the Thirty Years' War and in 20th-century history as the capital of Czechoslovakia between the World Wars and the post-war Communist era. Prague is home to a number of well-known cultural attractions, many of which survived the violenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prague Symphony Orchestra
The Prague Symphony Orchestra (Prague, Czech Republic, cs, Symfonický orchestr hlavního města Prahy ''FOK'') is a Czech orchestra based in Prague. The orchestra has traditionally been known by the acronym 'FOK', standing for 'Film-Opera-Koncert', reflecting the orchestra's fields of activity as envisioned by its founder. When the city of Prague made the orchestra its official concert ensemble in 1952, it retained the acronym, giving it the official title 'Symphony Orchestra of the Capital City of Prague – FOK'. Rudolf Pekárek founded the orchestra in 1934. In the 1930s the orchestra performed the scores for many Czech films, and also appeared regularly on Czech radio. An early promoter of the orchestra was Václav Smetáček, who became the orchestra's chief conductor in 1942, and held the post for the next 30 years. After Smetáček’s departure from the post of chief conductor, artistic leadership was taken over in succession by Ladislav Slovák (1972–1976), Jindřic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Legend Of The Invisible City Of Kitezh And The Maiden Fevroniya
''The Legend of the Invisible City of Kitezh and the Maiden Fevroniya'' ( rus, Сказание о невидимом граде Китеже и деве Февронии, italic=yes, Skazániye o nevídimom gráde Kítezhe i déve Fevrónii ) is an opera in four acts by Nikolai Rimsky-Korsakov. The libretto was written by Vladimir Belsky, and is based on a combination of two Russian legends: that of Saint Fevroniya of Murom, and the city of Kitezh, which became invisible when attacked by the Tatars. The opera was completed in 1905, and the premiere performance took place at the Mariinsky Theatre in St. Petersburg, on February 7, 1907, the last in Rimsky-Korsakov‘s lifetime. Composition history Rimsky-Korsakov and Belsky first became interested in writing an opera on the Kitezh legend during the winter of 1898-1899, while they were working on the libretto to '' The Tale of Tsar Saltan''. The idea of combining the legend of Saint Fevroniya of Murom into the story was part of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Coq D'Or
''The Golden Cockerel'' ( rus, Золотой петушок, Zolotoy petushok ) is an opera in three acts, with short prologue and even shorter epilogue, composed by Nikolai Rimsky-Korsakov, his last opera he completed before his death in 1908. Its libretto written by Vladimir Belsky derives from Alexander Pushkin's 1834 poem ''The Tale of the Golden Cockerel''. The opera was completed in 1907 and premiered in 1909 in Moscow, after the composer's death. Outside Russia it has often been performed in French as ''Le coq d'or''. Composition history Rimsky-Korsakov had considered his previous opera, ''The Legend of the Invisible City of Kitezh and the Maiden Fevroniya'' (1907) to be his final artistic statement in the medium, and, indeed, this work has been called a "summation of the nationalistic operatic tradition of Glinka and The Five." However, the political situation in Russia at the time inspired him to take up the pen to compose a "razor-sharp satire of the autocracy, of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miloslav Kabeláč
Miloslav Kabeláč (1 August 1908 – 17 September 1979) was a prominent Czech composer and conductor. Miloslav Kabeláč belongs to the foremost Czech symphonists, whose work is sometimes compared with Antonín Dvořák's and Bohuslav Martinů's. In the communist period Kabeláč's work found itself on the periphery of official attention and was performed only sporadically and in a limited choice of compositions. Life Kabeláč was born in Prague. In 1928–31 he studied at the Prague Conservatory as a pupil of Karel Boleslav Jirák, simultaneously (in 1930–31) he was a pupil of Alois Hába. In 1932–54 Kabeláč was employed by Prague Radio. From 1957 to 1968 he worked as a teacher at the Prague Conservatory. During his life Kabeláč was active in ''Umělecká beseda'', in the ''Federation of Czechoslovak Composers'' and other organisations. In the 1960s he tried to revive contacts with Western modern music and composers, but after the 1968 Soviet invasio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Orff
Carl Orff (; 10 July 1895 – 29 March 1982) was a German composer and music educator, best known for his cantata ''Carmina Burana'' (1937). The concepts of his Schulwerk were influential for children's music education. Life Early life Carl Orff (full name Karl Heinrich Maria Orff) was born in Munich on 10 July 1895, the son of Paula Orff (née Köstler, 1872–1960) and Heinrich Orff (1869–1949). His family was Bavarian and was active in the Imperial German Army; his father was an army officer with strong musical interests, and his mother was a trained pianist. The composer's grandfathers, Carl von Orff (1828–1905) and Karl Köstler (1837–1924), were both major generals and also scholars. His paternal grandmother, Fanny Orff (née Kraft, 1833–1919), was Catholic of Jewish descent. His maternal grandmother was Maria Köstler (née Aschenbrenner, 1845–1906). Orff had one sibling, a younger sister named Maria ("Mia", 1898–1975), who married the architect Alwin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bohuslav Martinů
Bohuslav Jan Martinů (; December 8, 1890 – August 28, 1959) was a Czech composer of modern classical music. He wrote 6 symphonies, 15 operas, 14 ballet scores and a large body of orchestral, chamber, vocal and instrumental works. He became a violinist in the Czech Philharmonic Orchestra, and briefly studied under Czech composer and violinist Josef Suk. After leaving Czechoslovakia in 1923 for Paris, Martinů deliberately withdrew from the Romantic style in which he had been trained. During the 1920s he experimented with modern French stylistic developments, exemplified by his orchestral works ''Half-time'' and ''La Bagarre''. He also adopted jazz idioms, for instance in his '' Kitchen Revue'' (''Kuchyňská revue''). In the early 1930s he found his main fount for compositional style: neoclassicism, creating textures far denser than those found in composers treating Stravinsky as a model. He was prolific, quickly composing chamber, orchestral, choral and instrumental w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Bohuslav Foerster
Josef Bohuslav Foerster (30 December 1859 – 29 May 1951) was a Czechs, Czech composer and musicologist. He is often referred to as J. B. Foerster, and his surname is sometimes spelled Förster. Life Foerster was born in Prague. His ancestors were of German Bohemian, Bohemian German ethnicity, but had assimilated into the Czech community. The family normally lived in Prague and was musical. His father, a composer also named Josef Foerster, taught at the Prague Conservatory, Conservatory. (His father's students included Franz Lehár.) His brother was artist Viktor Foerster. Josef was educated accordingly, and duly studied there. He also showed an early interest in the theatre, and thought of becoming an actor. He taught music; one of his early students was composer and Stuttgart court pianist Anna Sick. From 1884 Foerster worked as a critic, and he would prove to be a writer of distinction. In 1893 he married the leading Czech soprano Berta Foersterová, Berta Lautererová (Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czechs, Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravian traditional music, Moravia and his native Bohemia, following the Romantic-era Czech nationalism, nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them". Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his Symphony No. 1 (Dvořák), First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Cherubini
Luigi Cherubini ( ; ; 8 or 14 SeptemberWillis, in Sadie (Ed.), p. 833 1760 – 15 March 1842) was an Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries. His operas were heavily praised and interpreted by Rossini. Early years Cherubini was born Maria Luigi Carlo Zenobio Salvatore Cherubini in Florence in 1760. There is uncertainty about his exact date of birth. Although 14 September is sometimes stated, evidence from baptismal records and Cherubini himself suggests the 8th is correct. Perhaps the strongest evidence is his first name, Maria, which is traditional for a child born on 8 September, the feast-day of the Nativity of the Virgin. His instruction in music began at the age of six with his father, Bartolomeo, '' maestro al cembalo'' ("Master of the harpsichord", in other words, ensemble leader from the harpsichord). Considered a child prodigy, Cherubini st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
