Vox Continental
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Vox Continental
The Vox Continental is a transistorised combo organ that was manufactured between 1962 and 1971 by the British musical equipment manufacturer Vox. It was designed for touring musicians and as an alternative to the heavy Hammond organ. It supports drawbars in a similar manner to the Hammond, and has distinctive reverse-coloured keys. The sound is generated by a series of oscillators, using a frequency divider to span multiple octaves. The first Continentals were produced at Vox's manufacturing plant in Dartford, England; after arranging a deal with the Thomas Organ Company, later models were produced in the US and Italy. The most popular model was the single-manual Continental, but other models were produced, such as the budget Vox Jaguar, various dual-manual organs, and the experimental Guitar Organ and Voxmobile, based on the Vox Continental's internals. The Continental became a popular instrument in the 1960s and 1970s, especially with garage and later new wave bands, and ...
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Vox (company)
Vox is a British musical equipment manufacturer founded in 1957 by Thomas Walter Jennings in Dartford, Kent, England. The company is most famous for making the Vox AC30 guitar amplifier, used by The Beatles, The Rolling Stones, The Kinks, The Yardbirds, Queen, Dire Straits, U2, and Radiohead; the Vox Continental electric organ, the Vox wah-wah pedal used by Jimi Hendrix, and a series of innovative electric guitars and bass guitars. Since 1992, Vox has been owned by the Japanese electronics firm Korg. History Beginnings The Jennings Organ Company was founded by Thomas Walter Jennings in Dartford Kent, England after World War II. Jennings's first successful product was the Univox, an early self-powered electronic keyboard similar to the Clavioline. In 1956, Jennings was shown a prototype guitar amplifier made by Dick Denney, a big band guitarist and workmate from World War II. The company was renamed Jennings Musical Industries, or JMI, and in 1958 the 15-watt Vox AC15 ampl ...
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Madness (band)
Madness are an English ska and pop band from Camden Town, North London, who formed in 1976. One of the most prominent bands of the late 1970s and early 1980s two-tone ska revival, they continue to perform with six of the seven members of their original line-up.Erlewine, Stephen Thomas. Retrieved on 19 June 2007. Madness's most successful period was from 1980 to 1986, when the band's songs spent a total of 214 weeks on the UK Singles Chart. (UB40 shared the same number of weeks, the largest for any British group in the decade, but over a longer period.), IMDb.com, Retrieved on 10 June 2007. Madness have had 15 singles reach the UK top ten, including "One Step Beyond", "Baggy Trousers" and " It Must Be Love", one UK number-one single "House of Fun" and two number ones in Ireland, "House of Fun" and " Wings of a Dove". " Our House" was their biggest US hit, reaching number 7 on the ''Billboard'' Hot 100. In 2000, the band received the Ivor Novello Award from the British Academy ...
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C (musical Note)
C or Do is the first note and semitone of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63  Hz. The actual frequency has depended on historical pitch standards, and for transposing instruments a distinction is made between written and sounding or concert pitch. It has enharmonic equivalents of B and D. In English the term ''Do'' is used interchangeably with C only by adherents of fixed Do solfège; in the movable Do system Do refers to the tonic of the prevailing key. Frequency Historically, concert pitch has varied. For an instrument in equal temperament tuned to the A440 pitch standard widely adopted in 1939, middle C has a frequency around 261.63 Hz (for other notes see piano key frequencies). Scientific pitch was originally proposed in 1713 by French physicist Joseph Sauveur and based on the numerically convenient frequency of 256  ...
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Chromatic Scale
The chromatic scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone. Chromatic instruments, such as the piano, are made to produce the chromatic scale, while other instruments capable of continuously variable pitch, such as the trombone and violin, can also produce microtones, or notes between those available on a piano. Most music uses subsets of the chromatic scale such as diatonic scales. While the chromatic scale is fundamental in western music theory, it is seldom directly used in its entirety in musical compositions or improvisation. Definition The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale ...
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Bass Pedalboard
A pedalboard (also called a pedal keyboard, pedal clavier, or, with electronic instruments, a bass pedalboard) is a keyboard played with the feet that is usually used to produce the low-pitched bass line of a piece of music. A pedalboard has long, narrow lever-style keys laid out in the same semitone scalar pattern as a manual keyboard, with longer keys for C, D, E, F, G, A and B, and shorter, raised keys for C, D, F, G and A. Training in pedal technique is part of standard organ pedagogy in church music and art music. Pedalboards are found at the base of the console of most pipe organs, pedal pianos, theatre organs, and electronic organs. Standalone pedalboards such as the 1970s-era Moog Taurus bass pedals are occasionally used in progressive rock and fusion music. In the 21st century, MIDI pedalboard controllers are used with synthesizers, electronic Hammond-style organs, and with digital pipe organs. Pedalboards are also used with pedal pianos and with some harpsichords, clav ...
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Vibrato
Vibrato (Italian language, Italian, from past participle of "wikt:vibrare, vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch (music), pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterised in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato"). In singing it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato and tremolo The terms vibrato and tremolo are sometimes incorrectly used interchangeably, although (in the classical world) they are properly defined as separate effects with vibrato defined as a periodic variation in the pitch (frequency) of a musical note, and tremolo as a fast repetition of the same note (usually a semiquaver) in order to produce the audible effect of a longer note, es ...
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Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ...
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Organ Stop
An organ stop is a component of a pipe organ that admits pressurized air (known as ''wind'') to a set of organ pipes. Its name comes from the fact that stops can be used selectively by the organist; each can be "on" (admitting the passage of air to certain pipes), or "off" (''stopping'' the passage of air to certain pipes). The term can also refer to the control that operates this mechanism, commonly called a stop tab, stop knob, or drawknob. On electric or electronic organs that imitate a pipe organ, the same terms are often used, with the exception of the Hammond organ and clonewheel organs, which use the term "Hammond organ#Drawbars, drawbar". The term is also sometimes used as a synonym for register, referring to rank(s) of pipes controlled by a single stop. Registration (organ), Registration is the art of combining stops to produce a certain sound. The phrase "wikt:pull out all the stops, pull out all the stops,” while once only meant to engaging all voices on the organ, ...
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Rexine
Rexine is the registered trademark of an artificial leather leathercloth fabric produced in the United Kingdom by Rexine Ltd of Hyde, near Manchester, England. It was made of cloth surfaced with a mixture of cellulose nitrate (a low explosive also used as the propellant in firearms rounds), camphor oil, pigment and alcohol, embossed to look like leather. Used as a bookbinding material and upholstery covering, Rexine was also widely used in trimming and upholstering the interiors of motor vehicles produced by British car manufacturers beginning in the 1920s, and the interiors of railway carriages, its cost being around a quarter that of leather. It was used by the British Motor Corporation in the 1960s and 1970s, particularly as a surface for 'crash padding' on dashboards and doors. It was also used for British teddy bear paw and foot pads from the late 1930s to early 1960s. The author George Orwell, writing in his wartime diary on 29 April 1942, reported on his visit to the British ...
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Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ...
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Sharp (music)
In music, sharp, dièse (from French), or diesis (from Greek) means, "higher in pitch". More specifically, in musical notation, sharp means "higher in pitch by one semitone (half step)". Sharp is the opposite of flat, which is a lowering of pitch. A sharp symbol, , is used in key signatures or as an accidental. For instance, the music below has a key signature with three sharps (indicating either A major or F minor, the relative minor) and the note, A, has a sharp accidental. : Under twelve-tone equal temperament, B, for instance, sounds the same as, or is enharmonically equivalent to, C natural (C), and E is enharmonically equivalent to F. In other tuning systems, such enharmonic equivalences in general do not exist. To allow extended just intonation, composer Ben Johnston uses a sharp to indicate a note is raised 70.6 cents (ratio 25:24), or a flat to indicate a note is lowered 70.6 cents. In intonation, sharp can also mean "slightly higher in pitch" (by some unspec ...
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Natural (music)
In music theory, a natural (♮) is an accidental which cancels previous accidentals and represents the unaltered pitch of a note. A note is natural when it is neither flat () nor sharp () (nor double-flat nor double-sharp ) (nor triple-flat nor triple-sharp). Natural notes are the notes A, B, C, D, E, F, and G represented by the white keys on the keyboard of a piano or organ. On a modern concert harp, the middle position of the seven pedals that alter the tuning of the strings gives the natural pitch for each string. The scale of C major is sometimes regarded as the central, natural or basic major scale because all of its notes are natural notes, whereas every other major scale in the circle of fifths has at least one sharp or flat in it. The notes F, C, E, B, and most notes inflected by double-flats and double-sharps correspond in pitch with natural notes; however, they are not regarded as natural notes but rather as enharmonic equivalents of them and are just as much chrom ...
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