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Vor Arneths Grab, WAB 53
' (Facing Arneth's tomb), WAB 53, is an elegy composed by Anton Bruckner in 1854, for men's voices and three trombones. History Bruckner composed the elegy ''Vor Arneths Grab'', WAB 53, for the funeral of Michael Arneth, the prior of the St. Florian Abbey. The work, which was written together with the Libera me, WAB 22, was performed on 28 March 1854 at the cemetery of the abbey.C. van Zwol, p. 722 The elegy was performed a second time for the funeral of Magistrate Wilhelm Schiedermayr on 23 September 1855. The original manuscript of the elegy is stored in the archive of Wels. The work, which was first published in band II/2, pp. 184–188 of the Göllerich/Auer biography, is put in Band XXIII/2, No. 9 of the '. ''Am Grabe'' is a revised a cappella setting of the elegy, was performed on the funeral of Josephine Hafferl. Text The elegy uses a text by Ernst von Marinelli. : Music The 28-bar-long work in F minor is scored for choir and 3 trombones. The setting o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prior (ecclesiastical)
Prior (or prioress) is an ecclesiastical title for a superior in some religious orders. The word is derived from the Latin for "earlier" or "first". Its earlier generic usage referred to any monastic superior. In abbeys, a prior would be lower in rank than the abbey's abbot or abbess. Monastic superiors In the Rule of Saint Benedict, the term appears several times, referring to any superior, whether an abbot, provost, dean, etc. In other old monastic rules the term is used in the same generic sense. With the Cluniac Reforms, the term ''prior'' received a specific meaning; it supplanted the provost or dean (''praepositus''), spoken of in the Rule of St. Benedict. The example of the Cluniac congregations was gradually followed by all Benedictine monasteries, as well as by the Camaldolese, Vallombrosians, Cistercians, Hirsau congregations, and other offshoots of the Benedictine Order. Monastic congregations of hermit origin generally do not use the title of abbot for the hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Göllerich
August Göllerich (2 July 185916 March 1923) was an Austrian pianist, conductor, music educator and music writer. He studied the piano with Franz Liszt, who made him also his secretary and companion on concert tours. Göllerich is known for studying the life and work of Anton Bruckner whose secretary and friend he was. He initiated and conducted concerts of Bruckner's music in Linz, and wrote an influential biography. Life Born in Linz, the son of the Wels town secretary and later member of the Reich Council and State Parliament and his wife Maria, née Nowotny, Göllerich grew up in middle-class circumstances. His father was a member of a liberal writers and literary association in Wels. Göllerich attended the Linz Realschule, which he completed with the Matura. He studied mathematics at the University of Vienna, as his father wished. In 1882, he attended the Bayreuth Festival. After his father's death in 1883, he devoted himself entirely to music, studying in Vienna the pia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monteverdi-Chor
The Monteverdi-Chor Hamburg is a mixed choir in Hamburg, the chamber choir of the University of Hamburg since 1961. Founded in 1955 by Jürgen Jürgens and directed by him until 1994, it is one of Germany's most famous concert choirs. The choir is well known for its interpretations of Baroque and Renaissance music, but covers choral music from the Renaissance to contemporary music. Since 1994, the conductor has been Gothart Stier. History The choir was founded in 1955 as the "Chor am Italienischen Kulturinstitut" (Choir at the Italian Cultural Institute), but renamed the same year after Claudio Monteverdi, then a largely unknown composer. Since 1961 it has been the chamber choir of the University of Hamburg, where Jürgens worked as a director of music from 1961 to 1993. After four years of intensive preparation, the Monteverdi-Chor won first prize at the international choral competition ''Concorso Polifonico Internazionale "Guido d'Arezzo"'' in Arezzo, Italy, in 1959. In 1962, it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jürgen Jürgens
Jürgen Jürgens (5 October 1925 – 4 August 1994) was a German choral conductor and academic teacher. He founded and directed the Monteverdi-Chor Hamburg, a pioneering ensemble for Monteverdi's music. Biography Born in Frankfurt am Main, Jürgens received his musical training at the Musisches Gymnasium Frankfurt with Kurt Thomas. Jürgens studied singing and choir direction with at the Musikhochschule Freiburg. In 1955, he founded the award-winning Monteverdi-Chor Hamburg. They recorded for Archiv Produktion, focussing on works of Claudio Monteverdi. Later the choir became involved in the Telefunken/Teldec Bach cantatas project with the Leonhardt-Consort. From 1961 to 1993, Jürgens was University Music Director of the Choir and Orchestra at the University of Hamburg. and was appointed professor at the University of Hamburg in 1973. He died in Hamburg and was buried at the Ohlsdorf Cemetery. Awards * 1985 Biermann Ratjen Medal * 1991 Johannes Brahms Medal Discography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
TTBB
In musical choral notation, TTBB denotes a four-part lower-voice choir. Its configuration is Tenor 1, Tenor 2, Bass 1 (Baritone), Bass 2. The Tanunda Liedertafel employs this method of notation in their music. Typically (but not always) the 1st Tenor part is the melody, with the other parts as harmony(s). In music for barbershop quartet A barbershop quartet is a group of four singers who sing music in the barbershop style, characterized by four-part harmony without instrumental accompaniment, or a cappella. The four voices are: the lead, the vocal part which typically carries t ...s, which use the TTBB arrangement almost exclusively, the 2nd Tenor is almost always the melody. The way traditional German music notation is expressed with two staves: T1 - treble clef 8va - up stem, T2 - treble clef 8va - down stem, B1 - bass clef - up stem, B2 - bass clef - down stem. This is usually classed as a 'closed score'.Or "close score", a score that condenses two or more parts into one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wels
Wels (; Central Bavarian: ''Wös'') is a city in Upper Austria, on the Traun River near Linz. It is the county seat of Wels-Land, and with a population of approximately 60,000, the eighth largest city in Austria. Geography Wels is in the Hausruckviertel at an elevation of . From north to south, it extends over , from west to east over . 3.4% of the area is covered with forest, 23.5% is used for agriculture. The town comprises the following boroughs: Aichberg, Au, Berg, Brandln, Dickerldorf, Doppelgraben, Eben, Gaßl, Höllwiesen, Hölzl, Kirchham, Laahen, Lichtenegg, Mitterlaab, Nöham, Niederthan, Oberhaid, Oberhart, Oberlaab, Oberthan, Pernau, Puchberg, Roithen, Rosenau, Schafwiesen, Stadlhof, Trausenegg, Unterleithen, Waidhausen, Wels, Wimpassing, Wispl. History Prehistoric The area of Wels has been settled since the Neolithic era (between 3500 and 1700 B.C.E.), as evidenced by archaeological finds of simple tools, especially from around the banks of the Traun Riv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libera Me, WAB 22
' ("Deliver me"), WAB 22, is the second of two settings of the absoute '' Libera me'', composed by Anton Bruckner in 1854. History Bruckner composed the motet during his stay in Sankt Florian for the absoute of the funeral of prelate Michael Arneth. The original manuscript is lost, but several copies of it are found in the archive of the St. Florian Abbey, the Kremsmünster Abbey and the Österreichische Nationalbibliothek. The motet was first published in an appendix of band 7-10 of ''Musica divina'', Vienna, 1922.C. van Zwol, p. 703 It is put in Band XXI/17 of the '. Music The in total 94-bar work in F minor is scored for choir, 3 trombones and figured bass (organ, cello and double bass). It is in five parts, separated by cadences on the responses ''Quando cœli'' and ''Dum veneris'' # ''Libera me, Domine'': homophonic, 18 bars, ending pianissimo on ''per ignem'' with a bare fifth # ''Tremens fac'': five-voice fugato, 23 bars, ending in homophonic fortissimo on '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elegy
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to ''The Oxford Handbook of the Elegy'', "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a sign of a lament for the dead". History The Greek term ἐλεγείᾱ (''elegeíā''; from , , ‘lament’) originally referred to any verse written in elegiac couplets and covering a wide range of subject matter (death, love, war). The term also included epitaphs, sad and mournful songs, and commemorative verses. The Latin elegy of ancient Roman literature was most often erotic or mythological in nature. Because of its structural potential for rhetorical effects, the elegiac couplet was also used by both Greek and Roman poets for witty, humorous, and satirical subject matter. Oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William-Adolphe Bouguereau
William-Adolphe Bouguereau (; 30 November 1825 – 19 August 1905) was a French academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life, he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. He finished 822 known paintings, but the whereabouts of many are still unknown. Life and career Formative years William-Adolphe Bouguereau was born in La Rochelle, France, on 30 November 1825, into a family of wine and olive oil merchants.Wissman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
