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Volupia
In Roman mythology, Voluptas or Volupta is the daughter born from the union of Cupid and Psyche, according to Apuleius. The Latin word ''voluptas'' means 'pleasure' or 'delight'; Voluptas is known as the goddess of "sensual pleasures". She is often found in the company of the Gratiae, or Three Graces. Some Roman authors mention a goddess named Volupia, a name which appears to signify "willingness".Robert E. A. Palmer, ''The Archaic Community of the Romans,'' Cambridge University Press 1970 pp.171ff.. She had a temple, the Sacellum Volupiae, on the Via Nova, by the Porta Romana. Sacrifices were offered to the Diva Angerona there. The corresponding goddess in Greek mythology is Hedone. See also * Hercules at the crossroads Hercules at the crossroads, also known as the Choice of Hercules and the Judgement of Hercules, is an ancient Greek parable attributed to Prodicus and known from Xenophon. It concerns the young Heracles/Hercules who is offered a choice between Vice ... Refer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angerona
In Roman religion, Angerona or Angeronia was an old Roman goddess, whose name and functions are variously explained. She is sometimes identified with the goddess Feronia. Description According to ancient authorities, she was a goddess who relieved men from pain and sorrow, or delivered the Romans and their flocks from ''angina'' ( quinsy). Also she was a protecting goddess of Rome and the keeper of the sacred name of the city, which might not be pronounced lest it should be revealed to her enemies. It was even thought that ''Angerona'' itself was this name. Modern scholars regard Angerona as a goddess akin to Ops, Acca Larentia, and Dea Dia; or as the goddess of the new year and the returning sun. Her festival, called Divalia or Angeronalia, was celebrated on 21 December. The priests offered sacrifice in the temple of Volupia, the goddess of pleasure, in which stood a statue of Angerona, with a finger on her mouth, which was bound and closed. She was worshiped as Ancharia a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Romano
Giulio Romano (, ; – 1 November 1546), is the acquired name of Giulio Pippi, who was an Italian painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe. Biography Giulio Pippi was born in Rome and he began his career there as a young assistant to the renown Renaissance artist, Raphael. He was an important member of Raphael's studio. He worked on the frescos in the Vatican loggias using designs by Raphael and, in Raphael's ''Stanze'' in the Vatican, painted a group of figures in the '' Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. Despite his relative youth, increasingly he became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charites
In Greek mythology, the Charites ( ), singular ''Charis'', or Graces, were three or more goddesses of charm, beauty, nature, human creativity, goodwill, and fertility. Hesiod names three – Aglaea ("Shining"), Euphrosyne ("Joy"), and Thalia ("Blooming")Hesiod, ''Theogony''907 ff – and names Aglaea as the youngest and the wife of Hephaestus. In Roman mythology they were known as the , the "Graces". Some sources use the appellation "Charis" as the name of one of the Charites, and equate her with Aglaea, as she too is referred to as the wife of Hephaestus. The Charites were usually considered the daughters of Zeus and Oceanid Eurynome. Rarely, they were said to be daughters of Dionysus and Coronis or of Helios and the Naiad AeglePausanias, ''Description of Greece''9.35.5 or of Hera by an unnamed father. Other possible names of their mother by Zeus are Eurydome, Eurymedousa, or Euanthe. Homer identified them as part of the retinue of Aphrodite. The Charites were also associa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hercules At The Crossroads
Hercules at the crossroads, also known as the Choice of Hercules and the Judgement of Hercules, is an ancient Greek parable attributed to Prodicus and known from Xenophon. It concerns the young Heracles/Hercules who is offered a choice between Vice and Virtue—a life of pleasure or one of hardship and honour. In the early modern period it became a popular motif in Western art. History Classical period The parable stems from the Classical era of ancient Greece and is reported by Xenophon in ''Memorabilia'' 2.1.21–34. In Xenophon's text, Socrates tells how the young Heracles, as the hero contemplates his future, is visited by the female personifications of Vice and Virtue (Ancient Greek: Κακία and Ἀρετή; '' Kakía'' and ''Areté''). They offer him a choice between a pleasant and easy life or a severe but glorious life, and present their respective arguments. Xenophon credits the invention of the parable to Prodicus. He cites a precursor in Hesiod's ''Works and Days ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world, the lives and activities of List of Greek mythological figures, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures, and the origins and significance of the ancient Greeks' own cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macrobius
Macrobius Ambrosius Theodosius, usually referred to as Macrobius (fl. AD 400), was a Roman provincial who lived during the early fifth century, during late antiquity, the period of time corresponding to the Later Roman Empire, and when Latin was as widespread as Greek among the elite. He is primarily known for his writings, which include the widely copied and read ''Commentarii in Somnium Scipionis'' ("Commentary on the Dream of Scipio") about ''Somnium Scipionis'', which was one of the most important sources for Neoplatonism in the Latin West during the Middle Ages; the ''Saturnalia'', a compendium of ancient Roman religious and antiquarian lore; and ''De differentiis et societatibus graeci latinique verbi'' ("On the Differences and Similarities of the Greek and Latin Verb"), which is now lost. He is the basis for the protagonist Manlius in Iain Pears' book '' The Dream of Scipio''. Name The correct order of his names is "Macrobius Ambrosius Theodosius", which is how it appears ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varro
Marcus Terentius Varro (; 116–27 BC) was a Roman polymath and a prolific author. He is regarded as ancient Rome's greatest scholar, and was described by Petrarch as "the third great light of Rome" (after Vergil and Cicero). He is sometimes called Varro Reatinus to distinguish him from his younger contemporary Varro Atacinus. Biography Varro was born in or near Reate (now Rieti) to a family thought to be of equestrian rank, and always remained close to his roots in the area, owning a large farm in the Reatine plain, reported as near Lago di Ripasottile, until his old age. He supported Pompey, reaching the office of praetor, after having been tribune of the people, ''quaestor'' and ''curule aedile''. It is probable that Varro was discontented with the course on which Pompey entered when the First Triumvirate was formed, and he may thus have lost his chance of rising to the consulate. He actually ridiculed the coalition in a work entitled the ''Three-Headed Monster'' ( in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naturalis Historia
The ''Natural History'' ( la, Naturalis historia) is a work by Pliny the Elder. The largest single work to have survived from the Roman Empire to the modern day, the ''Natural History'' compiles information gleaned from other ancient authors. Despite the work's title, its subject area is not limited to what is today understood by natural history; Pliny himself defines his scope as "the natural world, or life". It is encyclopedic in scope, but its structure is not like that of a modern encyclopedia. It is the only work by Pliny to have survived, and the last that he published. He published the first 10 books in AD 77, but had not made a final revision of the remainder at the time of his death during the AD 79 eruption of Vesuvius. The rest was published posthumously by Pliny's nephew, Pliny the Younger. The work is divided into 37 books, organised into 10 volumes. These cover topics including astronomy, mathematics, geography, ethnography, anthropology, human physiolog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pliny The Elder
Gaius Plinius Secundus (AD 23/2479), called Pliny the Elder (), was a Roman author, naturalist and natural philosopher, and naval and army commander of the early Roman Empire, and a friend of the emperor Vespasian. He wrote the encyclopedic ''Naturalis Historia'' (''Natural History''), which became an editorial model for encyclopedias. He spent most of his spare time studying, writing, and investigating natural and geographic phenomena in the field. His nephew, Pliny the Younger, wrote of him in a letter to the historian Tacitus: Among Pliny's greatest works was the twenty-volume work ''Bella Germaniae'' ("The History of the German Wars"), which is no longer extant. ''Bella Germaniae'', which began where Aufidius Bassus' ''Libri Belli Germanici'' ("The War with the Germans") left off, was used as a source by other prominent Roman historians, including Plutarch, Tacitus and Suetonius. Tacitus—who many scholars agree had never travelled in Germania—used ''Bella Germani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silvae
The is a collection of Latin occasional poetry in hexameters, hendecasyllables, and lyric meters by Publius Papinius Statius (c. 45 – c. 96 CE). There are 32 poems in the collection, divided into five books. Each book contains a prose preface which introduces and dedicates the book. The subjects of the poetry are varied and provide scholars with a wealth of information on Domitian's Rome and Statius' life. The were rediscovered by Poggio Bracciolini in the Library of Reichenau Abbey around 1417, along with the ''Punica'' of Silius. Composition The were probably composed by Statius between 89-96 CE. The first three books seem to have been published together after 93 CE (a year after the publication of the ''Thebaid''), and Book 4 was probably released in 95 CE. Book 5 is thought to have been released posthumously c. 96. Each book is datable by a comparison of the careers of the individual poems' addressees and references in other authors such as Martial. The title of the col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupid
In classical mythology, Cupid (Latin Cupīdō , meaning "passionate desire") is the god of desire, lust, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus (mythology), Venus and the god of war Mars (mythology), Mars. He is also known in Latin as ' ("Love"). His interpretatio graeca, Greek counterpart is Eros.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Although Eros is generally portrayed as a slender winged youth in Classical Greece, Classical ancient Greek art, Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Statius
Publius Papinius Statius (Greek: Πόπλιος Παπίνιος Στάτιος; ; ) was a Greco-Roman poet of the 1st century CE. His surviving Latin poetry includes an epic in twelve books, the ''Thebaid''; a collection of occasional poetry, the ''Silvae''; and an unfinished epic, the ''Achilleid''. He is also known for his appearance as a guide in the ''Purgatory'' section of Dante's epic poem, the ''Divine Comedy''. Life Family background Information about Statius' life is almost entirely drawn from his ''Silvae'' and a mention by the satirist Juvenal. He was born to a family of Greek-Campanian origin; his Roman cognomen suggests that at some time an ancestor of his was freed and adopted the name of his former master, although neither Statius nor his father were slaves. The poet's father (whose name is unknown) was a native of Velia but later moved to Naples and spent time in Rome where he taught with marked success. From boyhood to adulthood, Statius' father proved himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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