Vladimir Stassov
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Vladimir Stassov
Vladimir Vasilievich Stasov (also Stassov; rus, Влади́мир Васи́льевич Ста́сов; 14 January Adoption_of_the_Gregorian_calendar#Adoption_in_Eastern_Europe.html" ;"title="/nowiki> O.S._2_January.html" ;"title="Adoption of the Gregorian calendar#Adoption in Eastern Europe">O.S. 2 January">Adoption of the Gregorian calendar#Adoption in Eastern Europe">O.S. 2 January/small> 1824 – 23 October .S. 10 October/small> 1906), was a Russian critic of music and art. Born into a wealthy, noble family Stasov became a prominent figure in mid-19th-century Russian culture. He discovered a large number of its greatest talents, inspired many of their works and fought their battles in numerous articles and letters to the press. As such, he carried on a lifelong debate with Russian novelist and playwright Ivan Turgenev, who considered Stasov "our great all-Russian critic." He wanted Russian art to liberate itself from what he saw as Europe's hold. By copying the west, he ...
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Ilja Jefimowitsch Repin 012
Ilja is a given name and surname. The given name is cognate to Ilya. Notable people with the given name include: *Ilja Bereznickas (born 1948), Lithuanian animator, illustrator, scriptwriter and caricaturist *Ilja Bergh (1927–2015), Danish pianist and composer *Ilja Dragunov (born 1993), Russian professional wrestler *Ilja Glebov (born 1987), Estonian pair skater *Ilja Hurník (1922–2013), Czech composer, pianist and essayist *Ilja Leonard Pfeijffer (born 1968), Dutch poet, novelist, polemicist and classic scholar *Ilja Richter (born 1952), German actor *Ilja Rosendahl (born 1968), German film and music producer, actor, songwriter and musician *Ilja Seifert (1951–2022), German politician *Ilja Syrovatko, Russian professional basketball player, who plays in Dynamo Moscow *Ilja Szrajbman (1907–1943), Polish Olympic freestyle swimmer *Ilja Venäläinen (born 1980), Finnish football player *Ilja Wiederschein (born 1977), volleyball player from Germany Notable people with the ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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Francesca Da Rimini (Tchaikovsky)
''Francesca da Rimini: Symphonic Fantasy after Dante'', Op. 32, is a symphonic poem by Pyotr Ilyich Tchaikovsky. It is a symphonic interpretation of the tragic tale of Francesca da Rimini, a beauty immortalized in Dante's ''Divine Comedy''. Background On 27 July 1876, Tchaikovsky wrote: : "This morning, when I was in the train, I read the Fourth icCanto of ''Hell'' and was seized with a burning desire to write a symphonic poem on ''Francesca''". Later that summer, he visited Bayreuth to attend ''Der Ring des Nibelungen''. He composed ''Francesca'' in Moscow in October and November. It is dedicated to his friend and former pupil Sergei Taneyev. It was first performed early in 1877 in Moscow in a concert by the Russian Musical Society, conducted by Nikolai Rubinstein. Analysis In this fantasia, Tchaikovsky presents a symphonic interpretation of the tragic tale of Francesca da Rimini, a beauty who was immortalized in Dante's ''Divine Comedy''. In the fifth canto of Inferno, ...
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The Tempest (Tchaikovsky)
''The Tempest'' (Russian language, Russian: Буря ''Burya''), Symphonic Fantasia after Shakespeare, opus number, Op. 18, is a symphonic poem in F minor by Pyotr Ilyich Tchaikovsky composed in 1873. It was premiered in December 1873, conducted by Nikolai Rubinstein. It is based on the play ''The Tempest'' by William Shakespeare. Similar in structure to Tchaikovsky's better-known ''Romeo and Juliet (Tchaikovsky), Romeo and Juliet'' fantasy-overture, it contains themes depicting the stillness of the ship at sea, the grotesque nature of Caliban (character), Caliban, and the love between Ferdinand and Miranda (Shakespeare), Miranda. The love music is particularly strong, being reminiscent of the love music from ''Romeo and Juliet (Tchaikovsky), Romeo and Juliet''. Tchaikovsky was much influenced by Shakespeare: in addition to ''Romeo and Juliet'' and ''The Tempest'', he also wrote a Hamlet (Tchaikovsky), ''Hamlet'' overture-fantasy (1888) and Hamlet (Tchaikovsky), incidental musi ...
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Romeo And Juliet (Tchaikovsky)
''Romeo and Juliet'', TH 42, ČW 39, is an orchestral work composed by Pyotr Ilyich Tchaikovsky. It is styled an ''Overture-Fantasy'', and is based on Shakespeare's play of the same name. Like other composers such as Berlioz and Prokofiev, Tchaikovsky was deeply inspired by Shakespeare and wrote works based on '' The Tempest'' and ''Hamlet'' as well. Unlike Tchaikovsky's other major compositions, ''Romeo and Juliet'' does not have an opus number. It has been given the alternative catalogue designations TH 42 and ČW 39. Musical structure Although styled an 'Overture-Fantasy' by the composer, the overall design is a symphonic poem in sonata form with an introduction and an epilogue. The work is based on three main strands of the Shakespeare story. The first strand, written in F-sharp minor, following Mily Balakirev's suggestion, is the introduction representing the saintly Friar Laurence. Here there is a foreboding of doom from the lower strings. The Friar Laurence theme ...
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Stasov Grave1
Stasov (sometimes spelt Stassov; russian: Стасов) is one of the oldest aristocratic families in Russia founded in the 15th century by the 1st Duke Stasov Dmitri Vasilevich. It’s a quintessential family of Russian intelligentsia. Prominent figures: * the famous architect Vasily Petrovich Stasov (1769–1848), ** His daughter Nadezhda Vasilievna Stasova (1822–1895), was a philanthropist and women's rights activist. She organized week-end schools for workers and daycares for workers’ children. She also helped found the Bestuzhev Courses, which made higher education available to Russian women for the first time. ** His son, Dmitry Vasilievich Stasov (1828–1918), was a notable advocate who took part in the foundation of the Russian Music Society. *** Dmitry's daughter Elena Dmitryevna Stasova (1873–1966), joined the Communist movement in 1898. As a leader of the Bolshevik Party in St. Petersburg she was exiled to Siberia in 1913–16 ...
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Ilya Repin
Ilya Yefimovich Repin (russian: Илья Ефимович Репин, translit=Il'ya Yefimovich Repin, p=ˈrʲepʲɪn); fi, Ilja Jefimovitš Repin ( – 29 September 1930) was a Russian painter, born in what is now Ukraine. He became one of the most renowned artists in Russia during the 19th century. His major works include ''Barge Haulers on the Volga'' (1873), '' Religious Procession in Kursk Province'' (1880–1883), ''Ivan the Terrible and His Son Ivan'' (1885); and ''Reply of the Zaporozhian Cossacks'' (1880–1891). He is also known for the revealing portraits he made of the leading literary and artistic figures of his time, including Mikhail Glinka, Modest Mussorgsky, Pavel Tretyakov and especially Leo Tolstoy, with whom he had a long friendship. Repin was born in Chuguyev, in Kharkov Governorate of the Russian Empire. His father had served in an Uhlan Regiment in the Russian army, and then sold horses. Repin began painting icons at age sixteen. He failed at his first ...
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Peredvizhniki
Peredvizhniki ( rus, Передви́жники, , pʲɪrʲɪˈdvʲiʐnʲɪkʲɪ), often called The Wanderers or The Itinerants in English, were a group of Russian realist artists who formed an artists' cooperative in protest of academic restrictions; it evolved into the ''Society for Travelling Art Exhibitions'' in 1870. History In 1863 a group of fourteen students decided to leave the Imperial Academy of Arts in Saint Petersburg. The students found the rules of the Academy constraining; the teachers were conservative and there was a strict separation between high and low art. In an effort to bring art to the people, the students formed an independent artistic society; The Petersburg Cooperative of Artists (Artel). In 1870, this organization was largely succeeded by the Association of Travelling Art Exhibits (Peredvizhniki) to give people from the provinces a chance to follow the achievements of Russian Art, and to teach people to appreciate art. The society maintained ind ...
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Cinq-Mars (opera)
, subtitled ', is an opera in four acts by Charles Gounod to a libretto by and Louis Gallet loosely adapted from Alfred de Vigny's historical novel. Performance history ''Cinq-Mars'' was initially performed at the Opéra-Comique on 5 April 1877. The work's reception was lukewarm: "If tadds nothing to the glory of Gounod, neither does it diminish it." The opera ran for 56 performances. Some critics seized on the straddling of the genres of grand opéra and opéra comique; a second edition (Léon Grus, n.d.) contains recitatives for the very few spoken scenes as well as an Act III cantabile for de Thou, written for the La Scala production. It was revived by Leipzig Opera in May 2017, conducted by David Reiland, in a production by Anthony Pilavachi, with Mathias Vidal in the title role. Roles Synopsis The plot faithfully follows the external events of the failed revolt of the French nobility against Richelieu's consolidation of power (), but adds a secret love affair between ...
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Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ...
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Eugene Onegin (opera)
''Eugene Onegin'' ( rus, Евгений Онегин, italic=yes, Yevgény Onégin, jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn, Ru-Evgeny_Onegin.ogg), Opus number, Op. 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825-1832 Eugene Onegin, novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. ...
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Alfred De Vigny
Alfred Victor, Comte de Vigny (27 March 1797 – 17 September 1863) was a French poet and early French Romanticist. He also produced novels, plays, and translations of Shakespeare. Biography Vigny was born in Loches (a town to which he never returned) to an aristocratic family. His father was a 60-year-old veteran of the Seven Years' War who died before Vigny's 20th birthday; his mother, 20 years younger, was a strong-willed woman who was inspired by Rousseau and took personal responsibility for Vigny's early education. His maternal grandfather, the Marquis de Baraudin, had served as commodore with the royal navy. Vigny grew up in Paris, and attended preparatory studies for the École Polytechnique at the Lycée Bonaparte, obtaining a good knowledge of French history and the Bible before developing an "inordinate love for the glory of bearing arms". As was the case for every noble family, the French Revolution diminished the family's circumstances considerably. After Napoléon' ...
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