Vivid (Electronic Song)
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Vivid (Electronic Song)
"Vivid" is a song by Electronic, the eighth single released by the group. It was released in April 1999 by Parlophone in Britain and by Virgin in Germany. "Vivid" reached #17 on the UK Singles Chart. Recording The song was recorded by full-time members Sumner and Marr with Doves bassist Jimi Goodwin and Black Grape drummer Jed Lynch. An early version of the song was written by Marr, before Sumner altered some of the words and the melody. The finished album version is in fact the demo, although subsequent production by Arthur Baker and his programming collaborator Merv de Peyer included a sampled loop which runs throughout the track in tandem with the kit drums.''Sound On Sound'', June 1999link Formats Like their last two singles (" For You" and " Second Nature"), "Vivid" was issued on two Compact Discs, and also on 12" vinyl in the UK. The principal B-side was "Radiation", a seven-minute instrumental co-credited to Arthur Baker. B-sides In addition to a single mix of the A-sid ...
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Electronic (band)
Electronic were an English alternative dance supergroup formed by singer/guitarist Bernard Sumner (of New Order) and guitarist Johnny Marr (of The Smiths). They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe, of Pet Shop Boys, on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. History The two first met in 1984 when the Smiths guitarist contributed to a Quando Quango track that Sumner was producing. Later in 1988, Sumner was frustrated because his New Order bandmates were not receptive to his desire to add synth programming to their music. He decided to produce a solo album but found that he did not enjoy working alone, so he called Marr for help.''Q'', July 1991 Inspired by contemporary dance music like Italo house and acts such as Technotronic, their initial concept was to release white label records on Factory and remain an anonymous entity, in contrast to their ...
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Jed Lynch
Ged Lynch (born 19 July 1968, Blackburn, England) is an English percussionist and composer. Lynch had early commercial success drumming with the Ruthless Rap Assassins. In 1989 he joined The Icicle Works. He joined Shaun Ryder and Bez in Black Grape in 1993. They had a No. 8 UK hit single with "In the Name of the Father" and a No.1 UK hit album with '' It's Great When You're Straight... Yeah''. They split in 1998. Lynch has worked/recorded with Peter Gabriel, Space, Michael Hutchence, The Charlatans, Agent Provocateur, Joe Strummer, Zucchero, David Sylvian, Vittorio Cosma, Dr. John, Electronic and Joseph Arthur, Natalie Imbruglia, Chrissie Hynde, Eliza and Martin Carthy, Suggs, Shakespeare's Sister, Hanson, Tom Jones, Cat Stevens (Yusuf), Birdy, David Rhodes, Jackie Oates and Seth Lakeman. He has recorded percussion and drums on movie soundtracks, including ''Jackal'', ''28 Days Later'', '' Snatch'', ''The Batchelor'' and ''Wall-E''. In 2006 he recorded the drums for o ...
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Electronic (band) Songs
Electronic may refer to: *Electronics, the science of how to control electric energy in semiconductor * ''Electronics'' (magazine), a defunct American trade journal *Electronic storage, the storage of data using an electronic device *Electronic commerce or e-commerce, the trading in products or services using computer networks, such as the Internet *Electronic publishing or e-publishing, the digital publication of books and magazines using computer networks, such as the Internet *Electronic engineering, an electrical engineering discipline Entertainment *Electronic (band), an English alternative dance band ** ''Electronic'' (album), the self-titled debut album by British band Electronic *Electronic music, a music genre *Electronic musical instrument *Electronic game, a game that employs electronics See also *Electronica, an electronic music genre *Consumer electronics Consumer electronics or home electronics are electronic (analog or digital) equipment intended for everyday ...
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Get The Message - The Best Of Electronic
Get or GET may refer to: * Get (animal), the offspring of an animal * Get (divorce document), in Jewish religious law * GET (HTTP), a type of HTTP request * "Get" (song), by the Groggers * Georgia Time, used in the Republic of Georgia * Get AS, a Norwegian cable-TV operator and internet service provider * GET-ligaen, the premier Norwegian ice hockey league * Gets (people), or Getae, Thracian tribes * Graded exercise therapy, for CFS etc. * Groupe des Écoles des Télécommunications, now Institut Mines-Télécom, a French public institution * Guaranteed Education Tuition Program, in Washington state * GetTV, an American digital multicast television network * Get 27, a mint liqueur * Geraldton Airport, IATA airport code "GET" See also * * * Git (other) * Got (other) * Acquisition (other) * Receive (other) Receiver or receive may refer to: Arts, entertainment, and media Music Albums * ''Receiver'' (album), the second and final album of t ...
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Two Lone Swordsmen
Two Lone Swordsmen were a British electronic music duo from London, consisting of Andrew Weatherall and Keith Tenniswood. History Formed by Andrew Weatherall and Keith Tenniswood in 1996, following the dissolution of Weatherall's the Sabres of Paradise, Two Lone Swordsmen released material on the record label Emissions Audio Output, run by Weatherall. However, the small nature of the operation limited the duo's success and they subsequently signed to Warp. Two Lone Swordsmen's debut studio album, ''The Fifth Mission (Return to Flightpath Estate)'', was released in 1996. 1998's ''Stay Down'' was placed at number 22 on ''Pitchfork''s "50 Best IDM Albums of All Time" list. ''Tiny Reminders'' (2000) was placed at number 19 on ''Pitchfork''s "Top 20 Albums of 2000" list. The duo released '' From the Double Gone Chapel'' in 2004. On 17 February 2020, Weatherall died due to a pulmonary embolism at the age of 56. Weatherall's death marked the end of Two Lone Swordsmen, as Tenniswood de ...
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Prodigal Son (Electronic Song)
The Parable of the Prodigal Son (also known as the parable of the Two Brothers, Lost Son, Loving Father, or of the Forgiving Father) is one of the parables of Jesus Christ in the Bible, appearing in Luke 15:11–32. Jesus shares the parable with his disciples, the Pharisees and others. In the story, a father has two sons. The younger son asks for his portion of inheritance from his father, who grants his son's request. This son, however, is (i.e., wasteful and extravagant), thus squandering his fortune and eventually becoming destitute. As consequence, he must now return home empty-handed and intends to beg his father to accept him back as a servant. To the son's surprise, he is not scorned by his father but is welcomed back with celebration and a welcoming party. Envious, the older son refuses to participate in the festivities. The father tells the older son: "you are ever with me, and all that I have is yours, but thy younger brother was lost and now he is found." The Prodiga ...
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Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ...
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Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Vinyl Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records co ...
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Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ...
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Second Nature (Electronic Song)
"Second Nature" is a song by Electronic, released as the group's seventh single. It has an autobiographical lyric by Sumner''Blah Blah Blah'', July 1996 which concerns his youth and growing up, while the music has a groovy shuffle which contrasts with the stricter dance tracks on its parent album ''Raise the Pressure''. "Second Nature" reached #35 on the UK Singles Chart. Releases "Second Nature" was first released in the United States as a CD maxi single of DJ remixes in October 1996, then issued commercially by Parlophone in the UK and by Virgin Records in Germany the following February on two CDs and cassette. Each format had a different photograph on its cover. Unlike every other commercial Electronic single, no music video was made for "Second Nature", although it was promoted by live performances on ''TFI Friday'' and '' Later... with Jools Holland''. Its primary B-side "Turning Point" is an instrumental dance track that includes drum loops and sampled Sample or samples m ...
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