Vive La Trance
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Vive La Trance
''Vive La Trance'' is the seventh studio album released by German Krautrock band Amon Düül II, released in 1973. Produced by Olaf Kübler and Amon Düül II and engineered by Peter Kramper, ''Vive La Trance'' was recorded and remixed at Bavaria Studios with additional remixing done at Union Studio München. The album sleeve's photography was done by Falk U. Rogner and Gena Zimmerman, with additional design and artwork by Jürgen Rogner. The song "Mozambique" is dedicated to the political revolutionary Monika Ertl. Track listing Personnel * John Weinzierl - electric guitar (1-9,11), acoustic guitar (3,4), bass guitar (2,10,11), vocals (7,9) * Chris Karrer - electric guitar (2,5-11), 12 string guitar (6), violin (6,11), saxophone (2,8,9,11), mellotron (10), maracas (10), vocals (1,6,10,11) * Peter Leopold - drums (1-11), percussion (10), grand piano (1,5) * Renate Krötenschwanz Knaup - vocals (2,3,5,7-9), choir (1,5) * Falk U. Rogner - organ (4-6,8), VCS 3 (1,4-8), harmonium ...
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Amon Düül II
Amon Düül II (or Amon Düül 2, PronunciationAmon Düül is a German rock band. The group is generally considered to be one of the pioneers of the West German krautrock scene. Their 1970 album ''Yeti (album), Yeti'' was described by British magazine ''The Wire (magazine), The Wire'' as "one of the cornerstones of ... the entire Krautrock movement". History The band emerged from the radical West Germany, West German commune (intentional community), commune scene of the late 1960s, with others in the same commune including some of the future founders of the Red Army Faction. Founding members are Chris Karrer, Dieter Serfas, Falk Rogner (born 14 September 1943), John Weinzierl (born 4 April 1949), and Renate Knaup-Krötenschwanz (born Renate Aschauer-Knaup, 1 July 1948). The band was founded after Weinzierl and the others met at the Amon Düül 'art commune' in Munich. The commune consisted mainly of university students, who formed a music group initially to fund the commune, wit ...
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Krautrock
Krautrock (also called , German for ) is a broad genre of experimental rock Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with ... that developed in West Germany in the late 1960s and early 1970s among artists who blended elements of psychedelic rock, avant-garde music, avant-garde composition, and electronic music, among other eclectic sources. These artists incorporated hypnotic rhythms, extended musical improvisation, improvisation, musique concrète techniques, and early synthesizers, while generally moving away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can (band), Can, Faust (band), Faust, Tangerine Dream, Kraftwerk, Cluster (band), Cluster, Ash Ra Tempel, Pop ...
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United Artists Records
United Artists Records was an American record label founded by Max E. Youngstein of United Artists in 1957 to issue movie soundtracks. The label expanded into other genres, such as easy listening, jazz, pop, and R&B. History Genres In 1959, United Artists released ''Forest of the Amazons,'' a cantata by Brazilian composer Heitor Villa-Lobos adapted from the music he composed for MGM's ''Green Mansions'', with the composer conducting the Symphony of the Air. Brazilian soprano Bidu Sayão was the featured soloist on the unusual recording, which was released on both LP and reel-to-reel tape. United Artists releases included soundtracks and cover versions from the James Bond movies, ''It's a Mad, Mad, Mad, Mad World'' (1963), '' A Hard Day's Night'' starring the Beatles (1964), ''The Greatest Story Ever Told'' (1965), '' A Funny Thing Happened on the Way to the Forum'' (1966), '' Fiddler on the Roof'' (1971), and '' Man of La Mancha'' (1972). The soundtrack album of United Art ...
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Olaf Kübler
Olaf or Olav (, , or British ; Old Norse: ''Áleifr'', ''Ólafr'', ''Óleifr'', ''Anleifr'') is a Scandinavian and German given name. It is presumably of Proto-Norse origin, reconstructed as ''*Anu-laibaz'', from ''anu'' "ancestor, grand-father" and ''laibaz'' "heirloom, descendant". Old English forms are attested as ''Ǣlāf'', ''Anlāf''. The corresponding Old Novgorod dialect form is ''Uleb''. A later English form of the name is ''Olave''. In the Norwegian language, ''Olav'' and ''Olaf'' are equally common, but Olav is traditionally used when referring to Norwegian royalty. The Swedish form is ''Olov'' or ''Olof'', and the Danish form is ''Oluf''. It was borrowed into Old Irish and Scots with the spellings ''Amlaíb'' and ''Amhlaoibh'', giving rise to modern version ''Aulay''. The name is Latinized as ''Olaus''. Notable people North Germanic ;Denmark *Olaf I of Denmark, king 1086–1095 *Olaf II of Denmark, also Olaf IV of Norway *Oluf Haraldsen (died c. 1143), Danish ...
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Live In London (Amon Düül II Album)
''Live in London'' may refer to: *''Live in London'', an album by Amon Düül II, 1973 * ''Live in London'' (Andraé Crouch album), 1978 * ''Live in London'' (April Wine video), 1981 * ''Live in London'' (Beach Boys album), 1970 * ''Live in London'' (Brand New Heavies album), 2009 *''Live in London'', an EP by Bridgit Mendler, 2013 * ''Live in London'' (Deep Purple album), 1982 *''Live in London'', an album by the Dickies, 2002 * ''Live in London'' (Flight of the Conchords album), 2018 * ''Live in London'' (The Gaslight Anthem video), 2013 * ''Live in London'' (Gene Harris album), 2008 * ''Live in London'' (George Michael video), 2009 *''Live in London'', by Great White, 1990 * ''Live in London'' (Helen Reddy album), 1978 * ''Live in London'' (Hyperbubble album), 2015 *''Live in London'', a video (2006) and album (2008) by Iona * ''Live in London'' (Il Divo), 2011 *''Live in London'', an album by John Holt, 1984 *''Live in London'', an album by John Illsley * ''Live in London'' (Joh ...
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Hijack (Amon Düül II Album)
''Hijack'' is the eighth studio album by Amon Düül II. It was released in 1974 by Atlantic Records. It was distributed in the UK by WEA Records Warner Music Group Corp. ( d.b.a. Warner Music Group, commonly abbreviated as WMG) is an American multinational entertainment and record label conglomerate headquartered in New York City. It is one of the " big three" recording companies and th .... Track listing Personnel ;Amon Düül II *Renate Knaup — vocals *Chris Karrer — guitars, violin, vocals, tenor saxophone *John Weinzierl — guitars *Falk Rogner – synthesizer *Lothar Meid — bass, guitar, vocals, string arrangements *Peter Leopold - drums, percussion, acoustic guitar ;Additional Personnel *Chris Balder — strings *Ludwig Popp — French horn *Lee Harper — trumpet *Bob Chatwin — trumpet *Bobby Jones — saxophone *Rudy Nagora — saxophone *Thor Baldursson — keyboards *Olaf Kubler — flute, soprano saxophone *Herman Jalowitzki — marching drum *Wild Wi ...
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München
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the 11th-largest city in the European Union. The city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Bavarian Alps, Munich is the seat of the Bavarian administrative region of Upper Bavaria, while being the most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialect area, after the Austrian capital of Vienna. The city was first mentioned in 1158. Catholic Munich strongly resisted the Reformation and was a political point of divergence during the resulting Thirty Years' War, but remained physically unt ...
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Monika Ertl
Monika Ertl (1937-1973) was a German-Bolivian communist militant, guerrilla fighter and the daughter of Nazi propagandist Hans Ertl. She is most known for assassinating Colonel Roberto Quintanilla Pereira, the man responsible for chopping off Che Guevara's hands. This successful assassination earned her the title 'Che Guevara's avenger' in Germany. She continued to serve as a soldier in the National Liberation Army (ELN) resisting the Bolivian government until she was captured, tortured and executed in 1973. Biography Ertl was born in Munich. After World War II her father immigrated to Bolivia, where he continued to film for some time and became a farmer. Monika Ertl went to Bolivia in 1952 when her father took the family over from Germany. Her father established a new life in the farm "La Dolorida" where he was breeding livestock. In Bolivia, she accompanied her father on several filming expeditions and learnt to use both a film camera and firearms. Later, she entered a marr ...
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Chris Karrer
Christoph "Chris" Karrer (born 20 January 1947, Kempten, Germany) is a German guitarist and composer. He also plays oud, saxophone and violin. He is known as co-founder of the Amon Düül commune and a member of the related and much more commercially successful project Amon Düül II) and for his collaboration with Embryo. With his band Amon Düül II he composed film music for Rainer Werner Fassbinder's ' and Hans-Jürgen Syberberg's film ''San Domingo'' (Deutscher Filmpreis 1971 for film music). Discography * with Amon Düül II * with Embryo Solo * Chris Karrer LP (1980) with Curt Cress * Dervish Kiss (1994) with Sivan Perwer and Rabih Abou-Khalil * Sufisticated CD (1996) * The Mask CD (1997) with Mani Neumeier and Christian Burchard * Grandezza Mora CD (1999) Collaborations * Missus Beastly (LP 1970) with Missus Beastly * Patchwork (CD 1999) with M.T. Wizzard * Dunarobba (LP 2000) with Militia * Temporale (CD 2005) with Alhambra * Fitzcarraldo (CD 2005) with Popol ...
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Mellotron
The Mellotron is an electro-mechanical musical instrument developed in Birmingham, England, in 1963. It is played by pressing its keys, each of which pushes a length of magnetic tape against a capstan, which pulls it across a playback head. As the key is released, the tape is retracted by a spring to its initial position. Different portions of the tape can be played to access different sounds. The Mellotron evolved from the similar Chamberlin, but could be mass-produced more efficiently. The first models were designed for the home and contained a variety of sounds, including automatic accompaniments. Bandleader Eric Robinson and television personality David Nixon helped promote the first instruments, and celebrities such as Princess Margaret were early adopters. It was adopted by rock and pop groups in the mid to late 1960s. One of the first pop songs featuring the Mellotron was Manfred Mann's " Semi-Detached, Suburban Mr. James" (1966). The Beatles used it on tracks includ ...
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VCS 3
The VCS 3 (or VCS3; an initialism for ''Voltage Controlled Studio, version #3'') is a portable analog synthesizer with a flexible modular voice architecture introduced by Electronic Music Studios (London) Limited (EMS) in 1969. EMS released the product under various names. Logos printed at the console's front left (see photos) say "V.C.S. 3" on the most widely sold version; "The Putney (VCS 3)" on the earlier version; and "The Synthi (VCS 3) II" on the later version (Synthi VCS 3 II). History The VCS 3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were designed largely by David Cockerell, and its distinctive appearance was the work of electronic composer Tristram Cary. It was one of the first ''portable'' commercially available synthesizers, in the sense that it was housed entirely in a small wooden case, unlike synths from American manufacturers such as Moog Music, ARP and Buchla, which had large cabinets and could take u ...
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Pump Organ
The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark. More portable than pipe organs, free-reed organs were widely used in smaller churches and in private homes in the 19th century, but their volume and tonal range were limited. They generally had one or sometimes two manuals, with pedal-boards being rare. The finer pump organs had a wider range of tones, and the cabinets of those intended for churches and affluent homes were often excellent pieces of furniture. Several million free-reed organs and melodeons were made in the US and Canada between the 1850s and the 1920s, some of which were exported. The Cable Company, Estey Organ, and Mason & ...
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